Nest Gallery
A tangle in the brush. Strips of woven grape vine and grass. A downy mass of cattails bound with sedges and reeds. No matter where I find them or what they’re made of, I simply find bird nests irresistible. I have been drawing and painting bird nests weekly since November, in part because I’ve been teaching a class on The Art of the Bird, but also because I love the challenge and the beauty of painting nests. So, today, you get a gallery of nests…enjoy! (Click any image to view larger.)
1. Collecting on Paper- These nests are in the collection of the Pember Museum of Natural History, which recently reopened after months of pandemic closure. I spent two hours in front a single glass case, pen in hand, and could easily have gone another two.
2. Vireo- Using ink and watercolor is my favorite approach to rendering a nest. It gives me the satisfaction of drawing and a solid roadmap for adding color.
3. Marsh wren- I did the all watercolor nest as part of a class demonstration. Afterward, I decided to do it again using ink first. Which do you prefer?
4. Black chinned hummingbird- This was another class demonstration with a simpler nest to help participants work on making nests dimensional with light and shadow.
5. Red-winged blackbird- The larger strands of a blackbird’s nest make it easier to weave with paint.
6. A single egg- When my cousin asked me to paint a nest with a single blue egg to celebrate the birth of her first grandchild, I gladly accepted. I did two versions– one with ink and one without– to offer her a choice of styles. And while the due date has come and gone, I’m happy to say that the nest was delivered on time.
New online workshop: The Artist Sketchbook, February 23 through March 16, Tuesdays 6-8pm EST/ 3-5 pm PST. Class limited to 12 participants. Get details >
Running Start
I’ve been a runner for many years. I’m not particularly good or fast or driven, but I appreciate that running keeps me fit and gets me outside year-round. It also gives me an opportunity to see what’s happening along the rural routes I frequent. I watch for birds, notice roadside wildflowers, enjoy big skies, and frequently catch a glimpse of something that becomes the inspiration for painting. Such was the case last week, when a flock of small birds flitting among a cluster of cattails caught my eye. I went back later and made a preliminary sketch from the car on a frigid afternoon. This gave me a decent running start on this piece, which I then painted at home.
New! Explorer’s Gallery
Calling Young Nature Explorers! Since the release of The Nature Explorer’s Sketchbook in November, families, grandparents, neighbors, friends, and educators have been sharing the book with the special young people in their lives. Now, I’m inviting youth to share the art of their discoveries in the new Explorer’s Gallery in The Nature Explorer’s Sketchbook section of this blog.
If you know kids who have been exploring and sketching nature, send photos of their artwork to explorers_sketchbook@jeanmackayart.com. Include the youth’s first name, age and state (e.g., Alice, 10, NY), and watch the gallery for new artwork each week.
Help spread the word! I can’t wait to see and share what young people are discovering!
In Search of the Perfect Pear
A simple fruit. Painted millions of times over thousands of years. Perhaps it seems ordinary then to choose pears for my recent workshop to illustrate ways to improve layouts and add different types of lettering to sketchbooks. But once the workshop ended, the fruit’s lovely form and subtle colors continued to captivate me. So, I had to have one more go at it in my sketchbook. I’m sure it won’t be the last.
Tips & Techniques– During the workshop, we created a variety of thumbnail sketches of pears to play with different layouts. This is an excellent exercise for considering possible layouts, as well as for thinking through color combinations and values before committing to a painting. Pick a simple subject and see if you can create four to six different ways to approach it. This practice will expand your thinking and may lead you to fresh ideas or new techniques for working in your sketchbook and beyond.
Keep Looking
You would think that finding the walnut-sized egg case of a praying mantis in a two-acre overgrown field would be like finding a needle in a haystack. And, indeed, it is. I walked deep into the field, following deer trails and battling thorns and waste-high goldenrod stems. I didn’t go out especially looking for the egg cases. I just needed to get out in the cold, to go wandering in a rare moment of sun, during this dark week in American history.
Finding hope in times of unimaginable tyranny and loss seems equally elusive.
But there, amidst a small grove of white pines, among matted goldenrod and tangled thorny wild roses, I spied it: one frothy egg case, and then another. In all, I found six.
So, my simple takeaway—as much for myself as for you: keep looking.
Upcoming Programs:
Technique Takeaway: Improving Your Sketchbook Layouts and Lettering
Friday 1/15/20, 2-3:30pm (PST) / 5-6:30pm (EST) $40
Register: Winslow Art Center
This program will offer approaches to thinking about page design and improving your sketchbook page layouts. We’ll also explore ways to add text as a graphic element, or simply as a way to capture additional information and meaning.
The Nature Explorer’s Sketchbook
Thursday 1/21/21, 6-7 pm, FREE; ages 10+
Register: Mohawk Hudson Land Conservancy
Ask questions and draw along with me as I share some activities and tips from my new book to spark your curiosity. This session is especially suited to the 10+ year-old artist, explorer, or nature lover — and adults who have wanted to try nature journaling.
Back to the Drawing Board
What a simple, extraordinary drawing tool a pencil is. Unpretentious. Inexpensive. Humble. Yet, the pencil still manages to be demanding. With no color to hide behind and no tricks up it’s sleeve, the pencil requires focus on line and value to bring subjects to life. Artists refer to “pencil miles” or “the thousand-hour pencil” for good reason. There’s no substitute for drawing practice. The pencil demands that you to put in your time.
Tips and Techniques– I went back to drawing this week because I was trying to gain efficiency in my lines when drawing birds. I wanted to try committing to memory bird shapes, features, and feather groups to make me more adept at sketching when in the field. I found working on blue jays particularly challenging because of the head crest, patterning, and shape of the beak. The most fun part of this page was painting the pencil itself, which seemed especially fitting given the jay-colored Staedtler pencils used (F and 2B).
Cool Beans! I’m thrilled to share the news that The Nature Explorer’s Sketchbook has won a 2020 American Graphic Design Award from Graphic Design USA. From more than 10,000 entries, only a small handful of projects were selected as winners. Congratulations and many thanks to Kris Fitzgerald at 2K Design for her award-winning performance and creative excellence in helping bring the book to life!
In the Tangled Mess
Somewhere in the tangled mess that was 2020, I hope you found beauty. I hope you found goodness and light. For me, it was there along the roadside, in the white-throated sparrow feeding on sumac as blustery snow began to fall. It was there in the pandemic, when people cheered for healthcare workers and children sang of hope in unison on separate video screens. It was there in the tangled mess of politics when millions of Americans voted for change. It was there in family, friends, and colleagues who pulled together to pull through. It’s not always visible on first glance, but I like to think it’s always there, somewhere, in the tangled mess.
Wishing you a beautiful Holiday Season and New Beginnings in 2021.
Tips and Techniques– When you are sketching outside, try to capture enough information to enable you to finish the sketch, even if you must take it inside. For this journal page, I began with the shape and posture of the sparrow, which flew off shortly after I started. I sketched the tangled vines for a few more minutes before the wind picked up and snow began to blow. I was hoping the bird might reappear or that the snow would let up but, alas, that was not meant to be. Fortunately, I had enough to convey the feeling of the moment even after it passed.
Top 5 Tips for Sketching Through the Winter
Outdoors is where the action is when you are a nature sketcher. Yet when the last leaves drop and cold weather sets in, even the best outdoor sketching habits can begin to wane. In years past, my sketchbook often went untouched for weeks in winter. But for the last several years, I have resolved to sketch both inside and out all winter long, and I’ve learned a few things along the way. I’m hoping my top tips will help you keep your sketching habit alive all winter long, too.
1. Over dress, under pack.
It is possible, even fun, to sketch outside in winter. Wearing extra warm layers will give you extra time while sketching. But there is no point in taking a full sketch kit. Pare down to your sketchbook and your favorite pencil or pen.
2. Sketch outside, paint inside.
Even if you only spend 10 or 20 minutes outdoors, being outside will add freshness to your sketches and help you notice what’s happening in nature throughout the year. Snap a photo for color reference or make color notes on your page and paint when you return home. Working this way will help you simplify when painting and will also improve your color memory.
3. Don’t rule out the small stuff.
I used to think I should only paint important subjects or nature subjects or meaningful subjects. But once I gave up that notion, all sorts of possibilities presented themselves. There’s real value in sketching ordinary objects. Not only will this keep you going, but you’ll practice different textures and techniques without the pressure of trying to make a masterpiece.
4. Seek shelter.
Use your car as a mobile studio. You’ll be able to go father to seek out new subjects, and you may even be able to add some color. Just refer to Tip 1 before heading out. Cars are cramped and still get cold. You can also sketch what’s outside your windows. Bird feeders, trees, shadows on snow, and skies make fine subjects.
5. Treat yourself.
No matter how disciplined your sketching practice, if you’re at all like me, you’ll get tired of sketching in the cold. Plan a trip to a local botanical garden, greenhouse, or museum in February. Buy flowers in March (or sooner, if needed).
Try setting a goal for yourself for sketching throughout the winter. Maybe it’s getting outside once a month or once when the temperature dips below 50-degrees (or 40 or 30!). Or consider just completing one sketch each month, or each week. Enjoy what you discover…It will be spring before you know it.
Thanks to everyone who came to my class on Sketching Through the Winter at Winslow Art Center!
Here are a few favorites from the winter archives.
Captivated
What is it about this giant old sugar maple that has me captivated? I painted the same tree last week, though from a different vantage point, but it still has a hold on me. So, I stand outside in the late day cold trying to untangle the jumble of big limbs. I work the branches and the spaces between them, piecing together how everything fits. I get lost in the lines, shift focus, keep going. Forty-five minutes later, my own limbs are growing stiff.
I could go out tomorrow and begin again.
Sketching Through the Winter
12/18/20 4-5:30 (EST) / 1-2:30 (PST), FREE, via Zoom
Register: Winslow Art Center
Grab your sketchbook and join me for inspiration and techniques for sketching both inside and out throughout the winter.
Dark Beauty
The sun fades quickly on December afternoons, dipping below the horizon not long after 4pm. Even after a lifetime of Decembers, it still surprises me how short these days are. But the silver lining comes once the sky begins to darken. Then, in the clarity of cold winter air, the bare branches of trees silhouetted against the backdrop of blue and pink, deep purple, and inky black create a singular beauty. These darkest days will soon pass, but while they last, I’ll cherish this silent and remarkable view.
Tips and Techniques– To achieve the deep colors of this painting, I used indathrone blue and Winsor violet, a bit of indigo and ultramarine, and a dash of aureolin yellow on the tree. I drew the maple first to map out the structure of the painting and then spattered masking fluid. After a wet-in-wet wash of the main colors, I added a bit more spatter and then began to pick out the trunk and branches. Starting with the branches that are in front and adding more and more with successive layers, the painting slowly gained depth. I added the details on the tree trunk and a final spatter of white gouache to finish the piece.
GOOD NEWS: The Nature Explorer’s Sketchbook is back in stock! Take 25% off any purchase at Tumblehome Books until December 15th with code ty25. Thank you!
MORE GOOD NEWS: I am doing a free workshop Sketching Through the Winter on Friday, December 18, 1-2:30pm (PST) / 4-5:30pm (EST) as part of a series of free holiday events and paint-alongs at the Winslow Art Center. Check out the lineup of great programs and sign up!
Drawn In 