Okay. This is it! The last of the mushrooms for 2022. I don’t think I can paint any more, try to identify any more, read any more. I must clean my desk and turn a new page! But then, who knows, I haven’t gone outside yet today to see if anything new has come up.
Tips and Techniques– For this page, I thought it might be fun to try something different and just take a top down view of mushroom caps. This gave me a chance to look at patterns, texture, and composition, more than the previous pages of studying the whole mushroom.
Another way to capture an intriguing top down view is to make spore prints. Cut off the stem and place the cap on black paper (or white paper for dark spore mushrooms). The spores drop out, leaving a print. I used spray fixative to set and preserve the print.
After 48 hours of rain earlier this week: BOOM, it’s mushroom time. I’ve been cataloging mushrooms in our yard for several years (2018, 2020, 2021, 2021) and I am constantly amazed by the number and variety that appear. Most come up under a small grove of oaks along our driveway, but a few show up in the lawn, or in piles of mulch.
Mushrooms are the fruiting body of a much larger network of underground thread-like filaments called mycelium. This network is either breaking down and recycling dead stuff, feeding on weakened organisms, or contributing to growth of plants in exchange for carbon. Nearly 90 percent of all plants have a symbiotic fungal root partner!
Identifying mushrooms is a bear. There are several thousand species in northeastern North America, with lots of look-alikes. Sometimes it takes a microscope to make a positive ID. So mostly, I just paint them and take notes.
My desk is a wreck. There are trays of mushrooms both whole and cut open, spore prints, magnifiers, rulers, field guides, paints, and brushes. But now that I’ve started, I can’t stop. And there are more coming up every day, with more rain in the forecast. Look around where you live and a take a closer look at the mushrooms that come up there. See how many different ones you can find. But beware: you may soon get hooked too!
Coming up! I’ve got both online and in person workshops this month…check the workshops page for details.
The thrill of being at the beach is not only experiencing the ocean, it’s also about never knowing what you might find. While treasure hunting last weekend on the south coast of Massachusetts, I was hoping for perfect shells or shorebirds, but instead found beautiful purple and silver colored fish recently washed up on shore. The fish were small and not long dead, one here, two there, all told, about ten as we made our way along the beach. Later, while swimming nearby, huge shoals of these same fish moved all about us, jumping above the surface, tumbling in the surf, slicing through the warm, shallow water. Gulls were having a field day. Beachgoers were both delighted and unnerved. We had never experienced anything like it.
Back at home, I did some research to identify the species and confirmed my hunch with a Massachusetts’ fisheries biologist. These were juvenile Atlantic menhaden, a common forage fish that is a valuable part of the ocean food chain. Menhaden dine on plankton and provide a hearty meal for larger fish, mammals, and seabirds. This second page is not of menhaden, but rather hundreds of much smaller fish that we saw in a small tidal stream. I painted them on the spot, trying to capture their movement, as they swirled and circled together like a single organism.
Tips and Techniques– Fish are a perfect subject to paint with watercolor. Each time you look at them, there are more and more layers of overlapping color. I started by using masking fluid to save some whites and then I painted the lightest colors wet-in-wet. Once dry, I added successive layers of additional colors, adjusting values and using loose brush strokes to keep the layers lively. I don’t have the opportunity to paint fish often, but if you do, I recommend giving it a try.
It’s the season of abundance! Farm stands, farmers markets, and gardens are at their peak– full of rich color, variety, and freshness the likes of which no supermarket can match. It’s time to celebrate! Pick your favorite vegetable and you are likely to find it feted somewhere: there are OkraFests, GarlicFests, Potato Festivals, even a Butterbean Festival in Alabama, a Great Northern Squashfest in Wisconsin, and an Eggplant Festival in California—every veggie, it seems, gets its due. My personal favorite was a family celebration held each August called Corn Sunday, a gathering of my distant cousins, aunts, uncles, and grandparents where everyone rolled corn-on-the-cob in mounds of butter and ate as many ears as they liked, along with an unhealthy helping of corn chips, hot dogs, hamburgers, and my Great Aunt Rose’s baked beans. This page celebrates the season with produce from my garden and local farm stands. Enjoy!
Tips and Techniques– Keep your colors fresh! I painted this mainly by mixing just three primary colors: ultramarine blue, nickel azo yellow, and alizarin crimson. I also needed a warmer red for the tomatoes and used quin magenta, which mixed well with the yellow. Using bright primary colors will give you a full range of hues and values. Cleaning your palette and brushes frequently and changing your water when its murky will also keep your colors from getting muddy.
CHECK IT OUT: I’ve added a new lineup of workshops for the fall.
Maps convey both a sense of place and the experience and agenda of their maker. This map commemorates my trip to Hog Island Audubon Camp in Maine this summer for the Arts and Birding workshop. It’s one thing to have your daily schedule or itinerary on a piece of paper; quite another to illustrate it and imbue it with additional meaning and memory: puffins flying overhead, the sound of the sea gently lapping on shore, moss carpeted forests of spruce and fir, winter wrens trilling their song in the silence. I hope you are enjoying summer and making good memories of your own.
p.s. Registration for 2023 Hog Island programs is expected to open in October. Registration for the final session of Savoring Summer Sketchbook Series at Winslow Art Center on August 23 (virtual session) is open now.
Many thanks for all the kind wishes of good health to my husband last week! He’s doing great!
The gallbladder— like so many things— is something you can take for granted and forget about, as long as it is functioning properly. Frankly, I hadn’t given it a moment’s notice since high school biology…until this week, when my husband urgently needed to have his removed. Suddenly, I needed to know where it was, what it does, and what happens when you don’t have one. So, naturally, I drew it. Fortunately, it seems that this little organ is something that many people live without and don’t miss at all. Alas, I am sharing my findings on the gallbladder with you this week. And now you can go back to ignoring it, happily, once again.
Tips and Techniques– 1. Don’t let a crisis go to waste. Making this page was not only an excellent way for me to learn something, but it also gave me some restorative art time amidst many hours in the hospital. 2. If you are experiencing abdominal distress, fever, and extreme fatigue, see your doctor– you may have a problem with your gallbladder. 3. If a surgeon shows you photos of your spouse’s gallbladder taken during surgery, whip out your sketchbook to show that you’ve done your homework and know where the gallbladder is!
p.s., My husband is doing fine, though his gallbladder most definitely was not.
My garden is full of life this month! Butterflies, bees, hawkmoths, and hummingbirds are coming daily to feast on July’s main attractions: coneflowers and beebalm. I’ve seen swallowtails and skippers, fritillaries and whites. What a grand display! Mind you, my garden is not perfect. There are gaps here and overcrowding there, some plants didn’t come back this spring and others are looking meager. But it is enough for me to pick out a bouquet or a painting, or to simply enjoy the show.
Tips and Techniques- I always find that adding wildlife to my flower sketches enlivens them in exciting ways. Whether a butterfly or a bee, a snail or a bird, adding even one creature begins to hint at the dynamic relationships between plants and animals. Try it with your next flower painting and see if you agree.
I traveled to Maine last week to direct and teach the Arts & Birding workshop at the Audubon Camp at Hog Island. The workshop is an intensive five-day program that includes bird walks at dawn, a variety of art lessons, hikes, evening programs, and a day-long boat trip to see Atlantic puffins and other seabirds. We welcomed a wonderful group of artists this year who sketched, learned, shared, and produced beautiful artwork. Because my job includes teaching and ensuring that everything is running smoothly, my painting time is limited. Still, I managed smaller sketches while traveling and hiking and participated in our annual Hour-by-Hour challenge. Here are a few bits and pieces of the week.
Tips and Techniques– When time is limited, try doing small sketches on a single page. When connected by a theme—travel, hiking, around the house, etc.—these small pieces can add up to tell a story that is worth recording.
And because I’ve only shown you bits and pieces, here are a few photos so you can see more of Hog Island.
Upcoming Workshops: I have both online and in person workshops coming up, including the Savoring Summer series at Winslow Art Center, Sketching and Painting Birds in Westport, Mass, and Drawn to Nature at the Adirondack Great Camp Santanoni in Newcomb, NY. Check the Workshops page for details.
Unless you live near the coast or visit frequently, there may only be a few times in your life that you will get to see hatchling shorebirds scampering at the surf line. I count myself fortunate to have visited the coast of Massachusetts last week at the perfect time to see piping plover chicks. Running around on stilt-legs, the tiny puff balls were foraging at the water’s edge, already managing to avoid getting swamped or stomped on by beachgoers. These birds were at least several days old, though piping plover chicks can walk and feed themselves within hours of hatching. As we walked, a new chick or family group appeared every 20 feet or so, as if they had drawn an invisible line in the sand to mark their territory. Other beachgoers strode right by and never noticed them. To be sure, birds the color of sand are not easily seen. So, if you are heading to the coast, take notice! There’s a lot more than surf to watch.
Tips and Techniques– I don’t always bring my sketchbook to the beach, but I had it along with me in hopes of seeing nesting least terns. I was lucky to see those too, but it was the piping plover chicks that really captivated me. I sketched the birds very quickly in pencil, making light lines to mark their posture and gestures. Back home, I fleshed out the bodies, refined the shapes, and filled in the details, using videos for reference. When I was satisfied with the pencil sketch, I inked the lines with a fine Micron 005 pen and then added watercolor. I didn’t actually see piping plover eggs, so I used a reference photo for a single egg and created the four eggs pointing inward as they typically are in a piping plover nest.
Since we moved to our house five years ago, we’ve been converting several areas that were formerly maintained as mown lawn to meadow. This is the first year that wildflowers and milkweed from seeds sown and scattered are blooming and it’s a delight to see butterflies, bees, and dragonflies take notice. A monarch caterpillar was our best resident to date, and I’m glad I sketched it before it either became a juicy meal for a lucky bird or crawled off and hid itself to begin its transformation. Alas, it has been a lovely June in the meadow. What will July bring?
Coming up in July: Sketching Garden Flowers, Tuesday, July 19, 3-5pm Pacific/6-8pm Eastern, online at Winslow Art Center >