I recently went to a demonstration by an artist who specializes in charcoal drawings of figures and drapery. Totally not my interest, truth be told, but the elegance of light on dark paper inspired me to try using toned paper. The results surprised me. I liked the simple, back-to-basic quality of working with just dark (in this case, dark umber) and white to render the Eastern phoebe.
Pulling light out of the toned paper felt like such a magical thing. I wanted to see how it would be to bring a mostly white subject to life– hence, the common tern (below, with a plug for my Arts and Birding Workshop in 2015—registration is open!). Again, the simplicity of form and light really appealed to me. Since I usually work in just the opposite way— building up darks with watercolor on white paper— this change of pace is refreshing and fun.