Notes from the Coast

What could be better than a week spent outdoors on the beautiful rocky coast of Maine with a group of people enthusiastic about exploring, sketching, and painting nature? Hmmm…. not much. Directing the Arts and Birding program at the Hog Island Audubon Camp near Damariscotta is a highlight of my year. Although I don’t have time to do much artwork myself, the time I spend teaching others and seeing what they produce is inspiring. I do manage a few sketches, or at least I manage to start them even if I need… Read More

Vinalhaven Sketchbook

“I suppose wisdom is to know one’s necessities and not live without them. And this huge silence, with the woods and the ocean together, and the air full of kelp and the sound of the fish hawk and the seagulls and nothing else seems to be something I parish and parch without.”  —Margaret Wise Brown, who summered on Vinalhaven from 1938-1952 and authored children’s classics including Goodnight Moon and Runaway Bunny The Maine coast is, for many, about lighthouses and lobsters, quaint harbor towns and deep blue-green waters. I like those things,… Read More

Transition

When I left Hog Island Audubon Camp, I stopped along the winding road that leads away from the coast and back into town. There is a glorious field of lupine along the roadside that I never have time to stop at when I am arriving. Even though the flowers had faded, I didn’t want to let them go. The seedpods and grasses shone in the morning sun. I wasn’t yet ready to leave. This page marks the transition from Maine to New York, from two weeks of immersion on the coast to the… Read More

Island Inspiration, Part 3- So Much to Paint

“Who can imagine my dear country’s dark woods, it’s vast Atlantic bays, it’s thousands of streams, lakes, and magnificent rivers? I wish that I could draw it all.” –John James Audubon I couldn’t agree more. During my art retreat on Hog Island in Maine I felt like I was hiking in the Cathedral of Nature. I was in awe of the island’s moss-carpeted forests, its milkweed fields alight with monarchs, and its waist-high ferns growing wherever storms had created openings to allow in more light. Osprey circled above the spruce spires, while… Read More

Island Inspiration, Part 1

The rocky coast of Maine is a place shaped by granite and water. It is a landscape of quiet salt marshes, tidal bays, dark spruce forests, and hundreds of islands. It’s a place where the cries of seabirds overhead meet the ethereal songs of forest birds hidden in deep shade; and where people have made a living fishing for cod, haddock, lobsters, and shellfish for thousands of years. I have had the privilege of spending the last two weeks there at the Hog Island Audubon Camp, located on a 330-acre island nature… Read More

The large and small of it

Big skies, sweeping vistas, far horizons. So much to see, too much to record. As an artist accustomed to rendering the details of small things—birds, butterflies, plants and such—I struggle when it comes to simplifying and capturing large landscapes or streetscapes in watercolor. So, I’m experimenting. My idea is to try working small on the premise that it will not allow me the space to get lost in detail. My goal is to get good in advance of an upcoming trip to Ireland, where I’ll have fantastic scenery and limited painting time…. Read More

Essentials

Imagine a week on an island off the coast of Maine. No cars, no stores, no streetlights…just good company, good food, starry skies, blue horizons, and long days spent almost entirely outside. These are the essentials for Arts and Birding, a week-long program I facilitate each year at the Hog Island Audubon Camp. Because I’m teaching, I don’t have time to complete much artwork of my own, but I did manage a few pages. And as always, I came away inspired to keep observing, sketching, and sharing my work with the wider… Read More

Seeking Spring

Is April the new March? Or am I too impatiently, too desperately, seeking spring? I go in search of greenery each week—into woods and wetlands, along meadow paths—and I can say with confidence, and disappointment, that my palette remains largely ochre and brown and overcast blue. Still, there are a few buds, and the Eastern phoebe wagging its tail in the still-bare maple, a hint of green under last year’s grass, and daylight past seven. Hold on and wait, they remind me, just around the corner is renewal. (click the image to… Read More

The Naturalist Sketchbook

Workshop Opportunity! I’m excited to be offering a one-day workshop hosted by the Maine Audubon Society this winter. Though its months away, it’s filling fast. The Naturalist’s Sketchbook: Sketching Nature in Pencil, Pen, and Paint February 3, 2018, 10am-4pm; Snow date February 10 Maine Audubon Society, Gilsland Farm, Falmouth, Maine Maine Audubon Members: $68, Nonmembers: $85 Get inspired to explore the rich diversity of life around you in pencil, pen, and paint. This 6-hour workshop will help you prepare to sketch outdoors, cover drawing and watercolor painting techniques, and explore ways to… Read More

Drawn to the Coast

It’s thrilling to see my artwork in print this week in an article I wrote and illustrated for Passagemaker Magazine (a magazine for boaters). Drawn to the Coast is an illustrated essay about being inspired by the Maine Coast. Going from concept sketches to full size watercolors to seeing how the magazine’s designer put it all together was one of the most exciting aspects of this assignment. Let me take you behind the scenes to share some of that process. Click on the artwork to see the sequence full size. An assignment like this stretches… Read More