Vinalhaven Sketchbook 2026
I love having a whole week of vacation to explore and paint. It’s such a treat, but it also comes with pressure. While I’m settling into a week off from work, I often feel the need to produce something spectacular. The “masterpiece syndrome” strikes, making it harder to relax, put pen to paper, and see what happens. It took me a few days to shake it this time, but I eventually found my groove. It turned out that painting lichens was just what I needed. At first, I thought they would be… Read More
Touched by an Island
I had the pleasure of joining 120 volunteers, current and former staff, and adult campers at Hog Island Audubon Camp in Maine this weekend to celebrate its 90th Anniversary. For me, and so many others, the experience of being on this 350-acre island in Musgongus Bay has been life changing. I attended first as an adult camper in 2000, then became the director of Family Camp, and later directed the Arts and Birding program. Though I only spent a week each summer on the island, it became a deeply meaningful place in… Read More
Savoring Summer 2026
Here’s to all the farmers, harvesters, and gardeners for making summer so sweet. Their land and labor sustain body and soul, year after year. I am especially grateful in summertime, when I have the good fortune of going to a farmers market almost every Saturday. What a bounty there is, spread out on a half a village block: flowers, vegetables, fruit, bread, meats, and artisan goods. I buy some things to eat (beans, peppers, squash) and some to paint (kohlrabi), and supplement the bounty with a few homegrown cucumbers and tomatoes. What… Read More
Madeline Island Sketchbook
“The lake is the boss.” – Julian Nelson, Commercial Fisherman on Lake Superior When I read that statement in the National Park brochure for the Apostle Islands, it gave shape to everything I would see and learn during my week on Madeline Island, Wisconsin. I was there to teach a workshop for Madeline Island School of the Arts, and my class outings took us to forests, cliffs, and dunes on the lakeshore, and to the local historical museum in the tiny town of La Pointe. The lake—big, cold, deep, and windswept—influences it… Read More
The Earth in the palm of your hand
“A map says to you…Read me carefully, follow me closely, doubt me not. I am the Earth in the palm of your hand.” So wrote Beryl Markham (1902-1986), the first person to fly solo, non-stop across the Atlantic from Britain to North America in 1936. She wrote about her adventures in her memoir, West with the Night. I love the perspective that sketching a map can give you. It is a wonderful way to learn about the places you visit and to record your experience. Teaching a class this week on how… Read More
Sketchbook Harvest
I picked up my first quart of local strawberries a few weeks ago and have been supporting our farm stand at least once a week since. Although I wanted to set some aside to draw, we kept eating them before I could manage it. This week I finally showed some restraint. And here you have it: twelve local strawberries with personality; the way a strawberry should be. I also made time to sketch peas in our garden this week. The yield won’t amount to much, but I enjoy them equally for drawing… Read More
Portugal, Part 3: Cultural Heritage
In the Alentejo region of Portugal, the sweet clanging of livestock bells became part of the soundscape of our workshop at Sofia in Monsaraz. Sheep grazed under the olive groves just beyond our hotel, and we passed them each day on the way to and from the workshop site. I had read about these bells before the trip, so I was thrilled to find an exhibit about them at the Museum of Natural History and Science in Lisbon. Chocalhos, the traditional livestock bells of Portugal, are UNESCO listed for their Intangible Cultural… Read More
Portugal, Part 2: Olive Trees
Portugal’s Alentejo region is known for its olive groves, olive oil, and ancient trees. During my recent workshop at Sofia in Monsaraz, our group passed century-old olive trees lining a farm road on our daily walk between the hotel and the retreat site. I loved imagining their many years in the sun: sheltering sheep, bearing fruit, and growing more gnarled year by year, until each one developed its own distinct personality. I could draw olive trees for days and never tire of them. But time was short, so I only had the… Read More
Portugal, Part 1
I’ve just returned from a fascinating and rewarding trip to Portugal, where I taught a workshop at Sofia in Monsaraz. It was my first visit to the country, and I was captivated by the artistry on display in both Lisbon and the more remote Alentejo region, where we traveled for the workshop. Ceramic-tiled buildings, patterned stone walkways, ornate religious vestments, hand-loomed rugs, colorful pottery—I wanted to draw it all. I don’t often create such an elaborate opening page for a trip, but inspired by tile motifs and frequent sightings of House Martins,… Read More
Enough said.
“There is a sweetness of May verging on June that no other time can equal.” – Hal Borland Tips and Techniques– I’ve sketched allium for several years now and it’s always a pleasure. Poppies are usually next, with numerous flower heads ready to unfold in a week or so, but I’ll miss them this year while traveling and teaching in Portugal. I look forward to returning with a sketchbook full of new sights. (Sketched in Handbook Journal Co. 140lb watercolor journal, with a Micron 005 pen and QoR watercolors.)
Drawn In 