Enough said.
“There is a sweetness of May verging on June that no other time can equal.” – Hal Borland Tips and Techniques– I’ve sketched allium for several years now and it’s always a pleasure. Poppies are usually next, with numerous flower heads ready to unfold in a week or so, but I’ll miss them this year while traveling and teaching in Portugal. I look forward to returning with a sketchbook full of new sights. (Sketched in Handbook Journal Co. 140lb watercolor journal, with a Micron 005 pen and QoR watercolors.)
What color is that shadow?
Have you ever looked closely at shadows? As the days grow brighter in the Northern Hemisphere, it’s a great time to notice their patterns and colors. Even if you’re not an artist, take a moment this week to study a few shadows and ask yourself: what color is that? You may be surprised by the answer. Not all shadows are the same. Some are gray, but many carry subtle color influenced by the object, the light, or the surrounding environment. That’s the kind of nuance artists love—and often find elusive to capture…. Read More
More color please!
The reopening of our local farmers market for the season was cause for celebration—along with renewed healthy eating and a bit of indulgence. It’s been a long time since I’ve used this much color in my sketchbook. Let’s have more of it! Tips and Techniques– I almost passed up this sketch because my weekend was packed with travel and activities. But I didn’t want to let the moment go, so I set a timer for 10 minutes, grabbed a size 08 Micron pen, and got to work. I’ve found that using a… Read More
Magnolia study
What makes your top five list of spring flowering trees? The Southern Magnolia (Magnolia grandiflora) is right up there on mine, even though I don’t get to see it unless I’m traveling to the mid-Atlantic or Southeastern U.S. where it grows. But what a beauty! Its huge white flowers are set off by glossy dark leaves and, later, its bright red fleshy seeds are eaten by birds and other wildlife. Tips and Techniques – I painted this study while preparing for the first session of my upcoming online class, Savoring Summer Sketchbook… Read More
Tiny Signs of Spring
I began this page in late March when the first daffodils began to poke from the ground and a few green buds appeared on the lilacs. I thought I’d capture spring’s tiny, tentative first steps: woodcocks calling, the phoebe’s return, flowering red maple. I hope you’ve noticed these things too and can make time to get outside to watch the great unfolding of the new season. Tips and Techniques-I find doing a composite page that evolves a little bit each week really helpful in early spring. It motivates me to get outside… Read More
Lured in
Enticed by folds of foliage and dark pools, I get lost in painting pitcher plants. All those reds blending into greens and purples. Tiny hairs leading downward into open mouths. It’s not hard to see how these plants work their magic. Once lured in, leaving is difficult—and for some, impossible. Tips and Techniques– When you are working with a complicated subject, take time to study it closely and record enough information in the drawing stage before you start painting. This is especially important if you will be painting it later. I spent… Read More
At last!
Finally, it’s warm enough for me to make my way through the woods to the muddy edge of a creek where the skunk cabbage thrives and sketch. For weeks, I’ve gone out scouting good locations, watching the maroon spears push up through frozen earth, watching the ground give up its ice as the spathes open. I’ve been waiting for a day when work, wind or fading daylight wouldn’t keep me indoors with an empty sketchbook…and here it is. You might think forty degrees is awfully cold for sketching outdoors, but with a… Read More
Warblers in my Sketchbook
Spring is here! Well, not really. It will be a few weeks before things start to green up and another six or seven weeks before the warblers show up in New York. In the meantime, it’s 40°F, raining, and gray, and the only warblers I’ll be seeing for a while are the ones in my sketchbook. Tips and Techniques– You can see from my color notes that I used very few pigments to paint each of these birds. When choosing colors for a subject, experiment with a few mixes and see if… Read More
Ink: Dry and Wet
I recently bought two bottles of Diamine ink—one ochre and one chocolate brown—to use in my fountain pen. I was hoping to find a warm, sepia-toned color reminiscent of the inks used by Renaissance drawing masters. Both inks flow beautifully, and when wetted they can be pulled into light washes. Unfortunately, neither color was quite right. The chocolate brown was too cold and dark, while the ochre shifted toward an orange rust when wet. That led me to start mixing the two, carefully noting and testing different ratios in search of something… Read More
Collecting on Paper 2026
One of my favorite things to do at this time of year is to fill my sketchbook with specimens from a nature center or museum. There are always so many fascinating things to discover, and I enjoy the challenge of arranging them together on a single page. If you’ve followed me for a while, you’ve seen similar pages before. Here’s this year’s collection, plus a few selections from prior years. Tips and Techniques– Sketching in museums and nature centers is a defining part of my work and I can’t recommend it highly… Read More
Drawn In 