Small Miracles
This painting is a gift: a symbol of new life and the cradle that embraces its fragile loveliness. I painted it for my cousin to give to her daughter, who has two daughters of her own. One was born this summer, nearly four months early. Yet by the grace of many small miracles and the amazing skill of neonatal care, she recently went home, beautiful and healthy. Two blue eggs, so much to be grateful for. Tips and Techniques– I loved doing the shadows in this piece and, in fact, they are… Read More
Beach Chicks
Unless you live near the coast or visit frequently, there may only be a few times in your life that you will get to see hatchling shorebirds scampering at the surf line. I count myself fortunate to have visited the coast of Massachusetts last week at the perfect time to see piping plover chicks. Running around on stilt-legs, the tiny puff balls were foraging at the water’s edge, already managing to avoid getting swamped or stomped on by beachgoers. These birds were at least several days old, though piping plover chicks can… Read More
Mutual Exchange
Among the things I love about teaching is getting to know workshop participants. I enjoy helping them learn new techniques and challenge themselves in order to grow as artists. And I love seeing the artwork they produce. But the exchange isn’t just one-way. My students push me to grow, too. This month, I’m teaching a four-week course focused on bird eggs, nests, and feathers, and it’s definitely forcing me to up my game. Here are two recent paintings I did, based on class assignments and with thanks to an exceptionally talented group… Read More
A most egg-cellent collection
As a follow up to my most recent posts on painting bird eggs from the collection of Frederic Church’s family, I thought you might like this egg-cellent post from NYS Parks & Historic Sites’s blog about how the collection is being cleaned and prepared for exhibition. You’ll get a glimpse of the eggs, learn more about their history, and get a sense of how exciting it is to see them in person. Work on the eggs continues in the state’s conservation lab (which has very limited staff in an isolated environment), but… Read More
Small Works of Art
Last week’s post An Extraordinary Collection generated a number of questions about bird eggs. I thought I’d answer them with another egg page and a bit of background. How eggs are made: It all begins with a female reproductive cell called an ovum. As it travels through the bird’s oviduct, layers of albumen (the egg “white”) and shell membranes are added. When the egg reaches the shell gland, more albumen is added, along with a calcium rich shell. The hard outer shell takes about 20 hours to complete and the whole process… Read More
An Extraordinary Collection
I have had an incredible opportunity this week to draw and paint bird eggs that are more than 135 years old. Even more remarkable is that the eggs were collected by the children of American landscape painter Frederic Edwin Church. Until recently, the collection of more than 200 different types of bird eggs has been sitting in a large wooden chest in the attic at Olana, Church’s home overlooking the Hudson River. The eggs were brought out to be re-cataloged and prepared for an on-site exhibit at the Olana State Historic Site… Read More
Bringing Hummingbirds to Life
Several days ago, I got an unusual text-message from my son, asking how he might help a stunned Anna’s hummingbird that had struck his dorm window. Based on his description and a photo, it didn’t look good. The tiny jewel likely hit the glass at 30 miles per hour. Indeed, despite his best efforts, the bird died several hours later. Yesterday, I visited the Pember Museum of Natural History in Granville, NY, and decided to spend time among the hummingbirds in the collection. They, too, were quite dead…and nearly 150 years old…. Read More
Switching it up
My go-to artist materials are watercolor and ink, so I enjoyed switching it up this week by using colored pencils. I started with pears during an artist’s “Sip & Draw” with master botanical illustrator Wendy Hollender. Wendy often starts with a single colored pencil to develop the basic form and values and then applies layers of watercolor and colored pencil to further develop her subjects. You can see some of this process below, where I left some leaves and pears unfinished (click to view larger). In this second piece, I used a… Read More
Jean Mackay
Inspire curiosity!
Podcast: The Art of Discovery with Jean Mackay
Drawn In 