Sage Advice
“Day after day never fail to draw something which, however little it may be, will yet in the end be much.” — Cennino Cennini c. 1390 It’s comforting to know that people have been struggling to draw and paint well for centuries. Cennini’s advice is just as true today as it was 600 years ago. I’ve spent the last week watching, drawing and painting chickadees, trying to capture the shape, color, and spirit of this little songster. It isn’t easy. Chickadees are not very cooperative subjects. Unlike finches, which will perch at… Read More
Pear Portrait
Beautiful form, beautiful color. Is it any wonder that pears have been artistic subjects for ages? From Roman mosaics to Renaissance religious paintings, from woodcuts and engravings of the 17th and 18th centuries to Impressionist paintings in the 19th century– the pear proves a worthy subject. When I see pears at the market or a farm stand, I can’t resist buying them. I don’t care that much about eating them. Not that a good pear isn’t heavenly. I just feel compelled to paint them. But pears, like apples, are tricky. Seemingly simple,… Read More
Nest Demonstration
“What I see in Nature is a magnificent structure…” I love finding bird nests – in spring and summer when birds are actively nesting, in fall and winter when once-hidden nests appear, and in nature centers and museums, where nests are as likely to be on display as they are hidden in cabinets or backroom storage. I recently borrowed several nests from a local nature center to use for a demonstration I was invited to give at the Bethlehem Art Association (Delmar, NY). This is the painting that resulted, but I thought… Read More
Eastern Pondhawk Dragonfly
What a great sighting! A female eastern pondhawk zoomed into view during a dragonfly reconnaissance outing several weeks ago (see “Searching for Dragonflies”). It was my first time seeing one and their green color is truly remarkable. Like many species of dragonflies, male and female pondhawks have different colors and patterns, which make them fun to paint side by side. For a precise painting like this, I like to do the species at its actual size—in this case, about 1.5 inches each. That makes small brushes essential! I used sizes 3, 1,… Read More
Apple Season
I started this painting back in August when the season’s first apples appeared at the farmers market. There are 7,500 varieties of apples worldwide and I thought it would be fun to capture some of the ones grown here in New York State. I enthusiastically laid out the painting and started building up the forms of the fruit…and then a crisis of confidence swept in. What was I thinking? I’d only painted two apples successfully before. All of my other attempts ended up looking like round red balls with stems. How was… Read More
Good enough to…paint
Certain vegetables are much better painted than cooked. Beets fall into that category, as does Swiss chard and turnips. These lovely Nantes carrots with their green stems and long roots still attached begged to be memorialized on paper rather than consumed. I started with a very quick, but careful sketch, determined not to get too fussy with detail. I kept the first few washes of watercolor loose, too. That enabled me to suggest the lacy leaves, rather than get caught in exactitude and overwork the piece. Now that the painting is done,… Read More
Under the Eaves
At my sister’s 1830s rambling country farmhouse last weekend, I found several nests of robins and phoebes tucked under the eaves of porches and overhangs. I walked under this one numerous times before noticing its messy threads spilling from the beams above the front porch doorway! I sketched very quickly in ink, which lent itself to the loose tangle of grasses, but didn’t work as well for figuring out the perspective of the multi-angled beams, roof, and siding. The paint and text helped pull it together — but in the end, the… Read More
Drawn In 