The large and small of it
Big skies, sweeping vistas, far horizons. So much to see, too much to record. As an artist accustomed to rendering the details of small things—birds, butterflies, plants and such—I struggle when it comes to simplifying and capturing large landscapes or streetscapes in watercolor. So, I’m experimenting. My idea is to try working small on the premise that it will not allow me the space to get lost in detail. My goal is to get good in advance of an upcoming trip to Ireland, where I’ll have fantastic scenery and limited painting time. Here are my initial attempts, a few from the salt marshes of Westport, Massachusetts and two from Harbor Island and Franklin Light, Maine. (Click to view larger.)
Granite Cliffs, Harbor Island: 4″ x 2.5″, Franklin Light: 5″ x 2″, Egret: 4″ x 2.5″; Salt Marsh and Osprey Nest: 2.5″ x 1.25
Tips & Techniques– You tell me! What works for you in translating complex landscapes to paper? How do you decide what’s important and what to leave out? How do you scale from small to large without getting too fussy?