A small but vocal flock of Canada geese flies over our house every day now. They emerge from the tree line, calling to one another and, it seems, to anyone who will listen. I know better, but still, I hear them implore: look up! The maples will not be golden for long.
Tips & Techniques– Painting birds in flight is challenging—and it takes practice. It helps to study the anatomy of the wing so that you understand its major feather groups. It’s also important to have a general sense of perspective so that you can begin to see how the plane of each wing moves and how they align together. Even then, it’s not easy. In addition to time in the field, watch videos to study flight in slow motion. I made several pencil sketches and marked the angles between wings, head, and tail to try to get the proportion and position right before starting this page.
Painter Frederic Church (1826-1900) designed every detail of his exotic Persian mansion and expansive surrounding landscape as works of art. Every view overlooking New York’s Hudson River Valley– from every window, door, and balcony– is carefully planned and framed. Every facet of the landscape, including woodlands, open fields, lake, and carriage roads were planned or planted to offer quiet scenes and sweeping vistas no less grand than Church’s spectacular canvases. Olana, as Church named the property, is one of his greatest masterpieces.
It’s also intimidating as hell to paint. In part, that’s because the sky and sweeping views are so vast, and the house—both inside and out—is so full of architectural details. But it’s also Church’s stature as one of the 19th century’s most preeminent American painters that makes it hard not feel small, even foolish, when attempting to paint his view. I took a half hour on Church’s front step to try anyway, and made several smaller sketches from photos later. I much prefer the small stuff, and plan to stick to my own backyard for a while.
What to do when your TO DO list is longer than the hours in a day? When “unpack office/studio” makes the list of chores necessary for settling into a new house, but doesn’t yet rise in priority? When painting walls takes precedent over painting watercolors? My solution: make a simple sketch and go wash the bedroom floor. Still, I can’t complain. I’m settling into a beautiful place and managed to take time to explore the stream and woodland that runs alongside and beyond the house. And I trust that there will be days—and years—ahead for putting more of this lovely place on paper.
How great it is to be sketching and painting outside again! Birds nesting, feeding, soaring, chattering, resting, flying up and landing again. Flowers blooming, waves breaking, wind blowing. It’s all good. With a wealth of possibilities before me on two recent hikes, I decided a grid would be the best way to quickly capture a variety of subjects and convey the flavor of the day.
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Tips and Techniques: Divide your page into equally-sized boxes with light pencil lines or dots in the corners of each box, but don’t limit yourself to the smallest size. Combine boxes to fit your subjects and go outside the lines if you like. I divided the pages above with eight small boxes each and decided on the right shape for each element as I went along. This technique will help your page come together no matter what combination you choose.
Spring has gotten away from me! I’ve missed painting apple blossoms, lilacs, dogwoods, bluebells, daffodils, violets, tulips…the list goes on and on. So today, I’m happy for quince.
Sometimes being an artist isn’t fun or enlightening or satisfying. It’s just hard work. It’s hard to figure out how to capture a scene or idea on paper; hard to get paint to do what you want, what you see, what you want to convey. Sometimes being an artist is fraught with doubt and anguish. That’s the kind of week I’ve had. I have a big painting assignment that requires big skies and working at a much larger size than I typically do. Scaling up has been a challenge—one which will no doubt prove worthwhile in the end, but which feels overwhelming in the moment. My head is full of clouds…and I’m only beginning to see a glimmer of blue sky emerging.
When the world has been brown for months, the first emergence of green is a wonderful thing. Skunk cabbage has been unfurling for several weeks now and is a most welcome sight along woodland streams and wetlands. In late winter, it sends up a maroon-striped spadix, which encloses its unpleasant smelling flower, and then in early spring it unrolls bright green leaves. I recently spent a pleasant afternoon sketching on the edge of a wooded steam, enjoying dappled sun and birdsong, and feeling grateful for this one beautiful color.
Tips & Techniques– Deciding what to sketch is sometimes harder than actually sketching. Likewise, figuring out what you want your page to look once you’ve chosen a subject may seem daunting. Here are a couple of ways to get past the blank white page:
- Option 1: Start with a couple of quick thumbnail sketches. These will help you figure out whether you like your subject enough to devote time to it and whether you think you can tackle it in the time you have. Thumbnails will also help you consider different approaches to page layout. They can help you map out where the lights, mid-tones, and darks are too, which will give you a road map for the full page version.
- Option 2: Just begin! Rather than thinking you have to figure out everything before you start, consider that your sketching journey can begin with a single step. Make a mark. Make another. Keep looking, keep going until you feel satisfied with the page.
- Option 3: Be thoughtful. Consider what drew you to sketch this particular subject. Think about it for a minute- was it the color? The light? The scene or object? The story? Your experience? When you have an answer, you’ll have a better idea of what to emphasize and how you want to approach the page.