October
Against the vibrant backdrop of autumn in New England come all the seasonal chores that must be finished before the cold months arrive. I’ve spent hours glazing, priming, and painting windows; climbing up and down ladders; clearing gutters; and mowing and raking—and there’s still more to do. All of this is to say that my regular sketching habit has fallen off. It took me two weeks to finish this modest page. In that time, the once-fresh leaves dried and crumpled, the crabapples shriveled on the trees, and scarcely a nut remains; the… Read More
Poisonous to eat, irresistible to paint
Mysterious, varied, hard to identify, and so alluring to paint—I just can’t pass up a good mushroom. Though I thought I was finished with them for the year, you can see that I am not. A group of amanitas as big as dessert plates appeared under a spruce tree down the road and begged me to investigate. Poisonous to eat but not to paint, those first finds compelled me to check another spruce, where I discovered still more species emerging. Then my husband spied a cluster of huge mushrooms growing in our… Read More
A Deeper Dive
Nearly 20 years ago, while researching tide pools, I came across Rachel Carson’s 1941 book Under the Sea Wind. The book includes a fascinating chapter on American eels, and I was hooked. Eels begin their lives in the Sargasso Sea, a vast area of the Atlantic Ocean near Bermuda. Their tiny, leaf-shaped larvae drift on ocean currents for a year or more before metamorphosing into clear glass eels as they approach the coasts of eastern North and South America. When they reach river mouths, they transform again, shifting from ocean travelers into… Read More
The Earth in the palm of your hand
“A map says to you…Read me carefully, follow me closely, doubt me not. I am the Earth in the palm of your hand.” So wrote Beryl Markham (1902-1986), the first person to fly solo, non-stop across the Atlantic from Britain to North America in 1936. She wrote about her adventures in her memoir, West with the Night. I love the perspective that sketching a map can give you. It is a wonderful way to learn about the places you visit and to record your experience. Teaching a class this week on how… Read More
Portugal, Part 3: Cultural Heritage
In the Alentejo region of Portugal, the sweet clanging of livestock bells became part of the soundscape of our workshop at Sofia in Monsaraz. Sheep grazed under the olive groves just beyond our hotel, and we passed them each day on the way to and from the workshop site. I had read about these bells before the trip, so I was thrilled to find an exhibit about them at the Museum of Natural History and Science in Lisbon. Chocalhos, the traditional livestock bells of Portugal, are UNESCO listed for their Intangible Cultural… Read More
Enough said.
“There is a sweetness of May verging on June that no other time can equal.” – Hal Borland Tips and Techniques– I’ve sketched allium for several years now and it’s always a pleasure. Poppies are usually next, with numerous flower heads ready to unfold in a week or so, but I’ll miss them this year while traveling and teaching in Portugal. I look forward to returning with a sketchbook full of new sights. (Sketched in Handbook Journal Co. 140lb watercolor journal, with a Micron 005 pen and QoR watercolors.)
What color is that shadow?
Have you ever looked closely at shadows? As the days grow brighter in the Northern Hemisphere, it’s a great time to notice their patterns and colors. Even if you’re not an artist, take a moment this week to study a few shadows and ask yourself: what color is that? You may be surprised by the answer. Not all shadows are the same. Some are gray, but many carry subtle color influenced by the object, the light, or the surrounding environment. That’s the kind of nuance artists love—and often find elusive to capture…. Read More
More color please!
The reopening of our local farmers market for the season was cause for celebration—along with renewed healthy eating and a bit of indulgence. It’s been a long time since I’ve used this much color in my sketchbook. Let’s have more of it! Tips and Techniques– I almost passed up this sketch because my weekend was packed with travel and activities. But I didn’t want to let the moment go, so I set a timer for 10 minutes, grabbed a size 08 Micron pen, and got to work. I’ve found that using a… Read More
Lured in
Enticed by folds of foliage and dark pools, I get lost in painting pitcher plants. All those reds blending into greens and purples. Tiny hairs leading downward into open mouths. It’s not hard to see how these plants work their magic. Once lured in, leaving is difficult—and for some, impossible. Tips and Techniques– When you are working with a complicated subject, take time to study it closely and record enough information in the drawing stage before you start painting. This is especially important if you will be painting it later. I spent… Read More
At last!
Finally, it’s warm enough for me to make my way through the woods to the muddy edge of a creek where the skunk cabbage thrives and sketch. For weeks, I’ve gone out scouting good locations, watching the maroon spears push up through frozen earth, watching the ground give up its ice as the spathes open. I’ve been waiting for a day when work, wind or fading daylight wouldn’t keep me indoors with an empty sketchbook…and here it is. You might think forty degrees is awfully cold for sketching outdoors, but with a… Read More
Jean Mackay
The Nature Explorer’s Sketchbook
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