This has been a week of little painting and much preparation for an upcoming art exhibit and workshop at the Art School of Columbia County, located near the New York/ Massachusetts border. I’m thrilled to report that I’ve recently been invited to join the faculty of the Art School, which will give me a “home base” for offering workshops throughout the year. Though the school is small, it casts a wide net, and is situated in a place that is steeped with art, artists, and plenty of rural beauty and inspiration. If you live nearby, drop in or sign up!
When I started this blog in the spring of 2014, my goal was simply to share my artwork more widely. Nearly four years and 238 posts later, I’m thrilled that more than 3,000 people are now following. Keeping a blog is journey unto itself– I’ve met people I would never know otherwise, swapped stories and art tips, shared everyday experiences, and received much kindness from strangers around the world. Drawn In has also honed and focused my artwork, and motivated me to keep seeking, recording, and sharing the ordinary beauty around me. Many thanks to you for your interest in receiving my art in your inbox and for taking the time to offer your thoughts, praise, questions, and stories! Here’s to another spin around the sun and to a productive 2019!
After all the hustle and bustle and merriment of Christmas comes a bit of quiet– which always feels just right.
Tips and Techniques– Yesterday, I captured some of my final holiday preparations using a challenge I call “Hour by Hour.” The goal is to sketch something every hour of the day, but each sketch should take no more than three to five minutes. The time limit makes it doable, and although some of the sketches seem random in the moment, the end result really conveys a sense of the day. I sketched everything in pen and then added watercolor as time allowed. This is a fun challenge to try while traveling. I also recommend it if you struggle with what to sketch or with finding time to put pen to paper.
Yesterday was the kind of day I’ve been waiting for since winter arrived unexpectedly in November. Temperatures climbed above freezing, which felt almost balmy, and I spent nearly the entire day outside. After the oak leaves were raked and the remaining daffodil bulbs planted, I headed into the fields and down the road with my sketchbook. Shriveled wild grapes, thorny tangles of multiflora rose hips, and climbing vines of bittersweet not yet eaten by birds offered a bit of brightness against bare branches and brown grasses. They seemed the perfects things to sketch to capture the day.
Tips and Techniques– If you want to sketch outside in cold weather, I suggest really paring down your supplies so that you have very little to carry or fuss with in the field. I bring only my sketchbook and a Micron pen. I don’t want to be pulling gloves on and off or organizing sketching supplies in the cold. I make mental notes of color or take a photo for reference, and paint once I’m home with a cup of tea in hand.
I could have titled this: How one thing leads to another and I end up with this painting. Or: How my failure to plant bulbs leads to a small success in learning to paint light. Either way, I had intended to plant 80 daffodils this fall, but only 60 went into the ground before an early freeze thwarted me. The thought of those 20 unplanted bulbs sitting in my basement has been nagging at me, so I bought an amaryllis in hopes that it would lessen the disappointment. Unfortunately, the amaryllis had already started to grow in the box—sending up a ghostly, stunted stalk. I rather liked the dried roots and the shape of the thing, so I painted it here, followed by the daffodil bulbs. And though there’s nothing spectacular about this page, I am pleased to have put my angst on paper, and I especially like the light-filled quality of the final bulb in the upper right.
Green Mountains, red barns, bucolic fields, covered bridges. Local crafts, craft beverages, specialty cheeses, abundant orchards. Vermont is close to perfect for artists. In addition to painting, my friends and I did a lot of eating during a recent “art weekend,” and so that is what you see here.
(Click to view larger)
As my days in Ireland transitioned from vacation to work, my time for sketching and painting moved to finishing pages and writing notes and impressions. I added color to unfinished sketches; listed birds we saw; recorded our highlights. Yet what struck me most throughout my travels was how open and unpretentious the people I met were. From cab drivers to businesspeople to the President of Ireland himself (yes, I did get to meet him*), people were kind, friendly, and open to making a personal connection. There’s no way to capture that in a sketchbook. Still, that intangible part of traveling stays with you long after towns and countryside and grand vistas fade.
Thanks for coming along for my Ireland adventures. I’m now back to the home front, where the ordinary and extraordinary happenings of my own backyard will once again fill the pages of my sketchbook.
Tips & Techniques- Carving Stone with Watercolor
I loved the artistry of medieval stone cutters and wanted to capture some of it in my sketchbook. I found that using watercolor to carve stone is a fantastic exercise in seeing values. I highly recommend trying it if getting a good range of lights to darks is tricky for you. I used just two colors—ultramarine blue and burnt sienna for the limestone. Picking a simple palette means you won’t get lost in color and will focus only on value to create your sculpture. Here’s what to do: Choose a stone sculpture and render it in pencil. Then put a loose watercolor wash over the entire thing, letting the colors blend on the paper. Let it dry. Next paint medium values using small graded washes. Right away, your painting will start to come to life. Last, add dark areas and shadows. You might need to adjust as you go, making areas darker or putting in a bit of detail, but part of the beauty of this exercise is keeping the relative simplicity of the stone cutter’s original work. (Click to view larger.)
*My travels in Ireland preceded my attending the World Canals Conference in Athlone. President Michael D. Higgins gave the closing address and I was invited to a special reception, representing the Erie Canal and New York State.