Back to the Drawing Board
A month ago I posted a drawing of an enormous hornet’s nest that took both a considerable amount of time to draw, as well as space on my kitchen table while doing so. Shortly thereafter a friend suggested that I had drawn it upside down! The opening on a hornet’s nest is typically at the bottom which, apparently, helps keep rain out, and I had drawn it at the top. Solving the problem wasn’t a simple matter of turning the drawing around— the shading and composition simply didn’t hold up when the drawing was flipped. So, with reluctance, I went back to the drawing board, as they say, for another go.
Tips & Techniques: Although this piece took just about as long as the first one—15+ hours over the course of two weeks— I was able to take what I learned the last time and push the drawing further. The best part of doing a complex and subtle piece like this is that it forces you to really look at and replicate a full range of values from light to dark in order to get the object to take shape on paper. I used 2H, B, 2B, 3B, 4B, and 6B pencils.
Whether in black and white or color, I see artists struggle with values all the time. Failing to save the lights (in watercolor, the white of the paper) or being too timid to push the darks frequently leads to a flat drawing or painting. If that is something you have difficulty with, I recommend making a simple value scale with a variety of materials, including pencil, pen, and paint. Here’s a very simple scale, with just light, mid-tone, and dark. You could do a range of five or a full scale with many subtle tones to practice.
Keep the scale handy as a reference. Hold it up next to a drawing or painting you are working on and check whether you’ve got a good range of light to dark. If not, go back to your subject and look again. With practice, you’ll start to see and incorporate a full range with confidence.