Under the Porch Light

(Work in progress.) I started this page several weeks ago after we left our porch light on all night. In the morning, a treasure trove of moths clung to the walls of the house. Little by little, I’ve added to the collection. Cooler temperatures have slowed the show, but the giant crane fly was a nice find. There’s room for more…we’ll see what September brings. Click on the image to view larger.

Tips & Techniques– I started with a light pencil outline and then painted a miniature variegated wash on each moth to establish a ground color. Once that dried, I added several rounds of details, working from light to dark. The white moths needed a pale shadow to bring them out of the white paper. Although I started with a size 6 brush, it definitely helped to have some very small brushes in my arsenal. I finished these with a size 1 and 0.

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Time for a New Field Guide

Within the last few weeks, more than ten species of mushrooms have emerged in a grove of oaks in our yard and I’m only familiar with one of them. Mushroom identification is complicated and depends on a number of factors that I tend to forget from year to year: whether or not there are gills and how they are attached, the shape of the cap, the color of the spore print, color, habitat, season, and more. For now, looking more carefully and making sketches and field notes before these ephemeral species disappear is more valuable than knowing the names. But soon, it will be good to have a guide to fungi on my shelf.

Though I set out to paint these, I quickly decided to simplify and just use a mechanical pencil. It made it easier to move from one cluster to another and maximize limited sketching time.

Drawn to the Coast

It’s thrilling to see my artwork in print this week in an article I wrote and illustrated for Passagemaker Magazine (a magazine for boaters). Drawn to the Coast is an illustrated essay about being inspired by the Maine Coast. Going from concept sketches to full size watercolors to seeing how the magazine’s designer put it all together was one of the most exciting aspects of this assignment.

Let me take you behind the scenes to share some of that process. Click on the artwork to see the sequence full size.

An assignment like this stretches you as an artist and working through challenges definitely advances your skills. Some of you may remember my struggle a few months ago to paint clouds for the title spread, which was perhaps my greatest challenge. I drew upon years of journal sketches to do this piece, but painted everything in my studio over the course of about a month. Now, I can’t wait to get back to the real thing!

The Art of Discovery

I could paint the colorful planter of flowers on my porch or the stately trees in my yard, or the golden field nearby, and sometimes I wonder why I don’t. Instead, I’m drawn this week to what most people would consider far less beautiful—a mass of polypore fungus emerging from a red maple growing (and dying) along a stream. But a sense of discovery and curiosity has long been integral to my art. I love finding things and finding out about things, and then keeping those discoveries between the pages of my sketchbook.
Tips & Techniques– These fungi were strikingly white, but translating white objects onto white paper is tricky. Whites come to life when placed next to darks. I had to look at this group of fungi over and over to begin to see the subtle values and to pick out the mid-tones and darkest darks. When painting whites, keep looking at what’s next to your lightest areas; squint; and keep evaluating whether you’ve got a good range of values from light to dark on your paper.

Much to do

What to do when your TO DO list is longer than the hours in a day? When “unpack office/studio” makes the list of chores necessary for settling into a new house, but doesn’t yet rise in priority? When painting walls takes precedent over painting watercolors? My solution: make a simple sketch and go wash the bedroom floor. Still, I can’t complain. I’m settling into a beautiful place and managed to take time to explore the stream and woodland that runs alongside and beyond the house. And I trust that there will be days—and years—ahead for putting more of this lovely place on paper.

 

Making the Leap

I’ve been watching this robin’s nest on the window ledge of our new house for the last 10 days and every day I’ve wanted to sketch it. I’ve seen the tiny hatchlings go from half naked and barely opening their eyes to spouting feathers to jockeying each other for position in an overcrowded nest. Still, day after day, more pressing chores related to moving here kept me from picking up a pencil. Then this morning, I decided to get off a quick sketch before going to work, lest I miss the chance. I spent about 15 minutes on this, during which time the bird on the right stood up, stretched its wings, and made a flying leap! What a sight! And what a perfect subject for the start of a new journal and the beginning of a new chapter of my life in a new (very old) house in New York State.
Note: I did have a chance to paint newly hatched birds in this same nest in early June. Robins often raise two broods a year and the birds in today’s sketch are from the second brood. Robins incubate their eggs for 12-14 days and the young take about two weeks to fledge. Both males and females care for the young, feeding them worms, moths, and an assortment of other insects.

Hour by Hour

How do you capture a day? In hours? In moments? The premise of the Hour by Hour sketch challenge is to put pen to paper every hour of a single day on one journal page, with no sketch taking more than five minutes. I introduced this challenge during a week of teaching at the Hog Island Audubon Camp, where the days are busy and intense. The challenge forces you to work fast and loose, while helping you capture small things that together convey a sense of the day. It’s a good challenge to try when traveling or when you are too busy to take time for a longer sketch. But it’s also a worthwhile exercise if you want to practice being less fussy with your sketching.

I did these 1-5 minute sketches with a Micron 02 pen and added watercolor later to finish the page.