You know the drill. The days blur into weeks and suddenly it’s late February. We’re nearly a year into the pandemic and, although I’m grateful for how fortunate I have been, I’m tired too. My sketchbook typically reflects moments of beauty and discovery, but I thought I should also record the sameness and sentiment of “Just another Covid day.” I was glad for the geese…and the coffee.
I’ve been a runner for many years. I’m not particularly good or fast or driven, but I appreciate that running keeps me fit and gets me outside year-round. It also gives me an opportunity to see what’s happening along the rural routes I frequent. I watch for birds, notice roadside wildflowers, enjoy big skies, and frequently catch a glimpse of something that becomes the inspiration for painting. Such was the case last week, when a flock of small birds flitting among a cluster of cattails caught my eye. I went back later and made a preliminary sketch from the car on a frigid afternoon. This gave me a decent running start on this piece, which I then painted at home.
You would think that finding the walnut-sized egg case of a praying mantis in a two-acre overgrown field would be like finding a needle in a haystack. And, indeed, it is. I walked deep into the field, following deer trails and battling thorns and waste-high goldenrod stems. I didn’t go out especially looking for the egg cases. I just needed to get out in the cold, to go wandering in a rare moment of sun, during this dark week in American history.
Finding hope in times of unimaginable tyranny and loss seems equally elusive.
But there, amidst a small grove of white pines, among matted goldenrod and tangled thorny wild roses, I spied it: one frothy egg case, and then another. In all, I found six.
So, my simple takeaway—as much for myself as for you: keep looking.
Technique Takeaway: Improving Your Sketchbook Layouts and Lettering
Friday 1/15/20, 2-3:30pm (PST) / 5-6:30pm (EST) $40
Register: Winslow Art Center
This program will offer approaches to thinking about page design and improving your sketchbook page layouts. We’ll also explore ways to add text as a graphic element, or simply as a way to capture additional information and meaning.
The Nature Explorer’s Sketchbook
Thursday 1/21/21, 6-7 pm, FREE; ages 10+
Register: Mohawk Hudson Land Conservancy
Ask questions and draw along with me as I share some activities and tips from my new book to spark your curiosity. This session is especially suited to the 10+ year-old artist, explorer, or nature lover — and adults who have wanted to try nature journaling.
Somewhere in the tangled mess that was 2020, I hope you found beauty. I hope you found goodness and light. For me, it was there along the roadside, in the white-throated sparrow feeding on sumac as blustery snow began to fall. It was there in the pandemic, when people cheered for healthcare workers and children sang of hope in unison on separate video screens. It was there in the tangled mess of politics when millions of Americans voted for change. It was there in family, friends, and colleagues who pulled together to pull through. It’s not always visible on first glance, but I like to think it’s always there, somewhere, in the tangled mess.
Wishing you a beautiful Holiday Season and New Beginnings in 2021.
Tips and Techniques– When you are sketching outside, try to capture enough information to enable you to finish the sketch, even if you must take it inside. For this journal page, I began with the shape and posture of the sparrow, which flew off shortly after I started. I sketched the tangled vines for a few more minutes before the wind picked up and snow began to blow. I was hoping the bird might reappear or that the snow would let up but, alas, that was not meant to be. Fortunately, I had enough to convey the feeling of the moment even after it passed.
Outdoors is where the action is when you are a nature sketcher. Yet when the last leaves drop and cold weather sets in, even the best outdoor sketching habits can begin to wane. In years past, my sketchbook often went untouched for weeks in winter. But for the last several years, I have resolved to sketch both inside and out all winter long, and I’ve learned a few things along the way. I’m hoping my top tips will help you keep your sketching habit alive all winter long, too.
1. Over dress, under pack.
It is possible, even fun, to sketch outside in winter. Wearing extra warm layers will give you extra time while sketching. But there is no point in taking a full sketch kit. Pare down to your sketchbook and your favorite pencil or pen.
2. Sketch outside, paint inside.
Even if you only spend 10 or 20 minutes outdoors, being outside will add freshness to your sketches and help you notice what’s happening in nature throughout the year. Snap a photo for color reference or make color notes on your page and paint when you return home. Working this way will help you simplify when painting and will also improve your color memory.
3. Don’t rule out the small stuff.
I used to think I should only paint important subjects or nature subjects or meaningful subjects. But once I gave up that notion, all sorts of possibilities presented themselves. There’s real value in sketching ordinary objects. Not only will this keep you going, but you’ll practice different textures and techniques without the pressure of trying to make a masterpiece.
4. Seek shelter.
Use your car as a mobile studio. You’ll be able to go father to seek out new subjects, and you may even be able to add some color. Just refer to Tip 1 before heading out. Cars are cramped and still get cold. You can also sketch what’s outside your windows. Bird feeders, trees, shadows on snow, and skies make fine subjects.
5. Treat yourself.
No matter how disciplined your sketching practice, if you’re at all like me, you’ll get tired of sketching in the cold. Plan a trip to a local botanical garden, greenhouse, or museum in February. Buy flowers in March (or sooner, if needed).
Try setting a goal for yourself for sketching throughout the winter. Maybe it’s getting outside once a month or once when the temperature dips below 50-degrees (or 40 or 30!). Or consider just completing one sketch each month, or each week. Enjoy what you discover…It will be spring before you know it.
Thanks to everyone who came to my class on Sketching Through the Winter at Winslow Art Center!
Here are a few favorites from the winter archives.
What is it about this giant old sugar maple that has me captivated? I painted the same tree last week, though from a different vantage point, but it still has a hold on me. So, I stand outside in the late day cold trying to untangle the jumble of big limbs. I work the branches and the spaces between them, piecing together how everything fits. I get lost in the lines, shift focus, keep going. Forty-five minutes later, my own limbs are growing stiff.
I could go out tomorrow and begin again.
Sketching Through the Winter
12/18/20 4-5:30 (EST) / 1-2:30 (PST), FREE, via Zoom
Register: Winslow Art Center
Grab your sketchbook and join me for inspiration and techniques for sketching both inside and out throughout the winter.
The sun fades quickly on December afternoons, dipping below the horizon not long after 4pm. Even after a lifetime of Decembers, it still surprises me how short these days are. But the silver lining comes once the sky begins to darken. Then, in the clarity of cold winter air, the bare branches of trees silhouetted against the backdrop of blue and pink, deep purple, and inky black create a singular beauty. These darkest days will soon pass, but while they last, I’ll cherish this silent and remarkable view.
Tips and Techniques– To achieve the deep colors of this painting, I used indathrone blue and Winsor violet, a bit of indigo and ultramarine, and a dash of aureolin yellow on the tree. I drew the maple first to map out the structure of the painting and then spattered masking fluid. After a wet-in-wet wash of the main colors, I added a bit more spatter and then began to pick out the trunk and branches. Starting with the branches that are in front and adding more and more with successive layers, the painting slowly gained depth. I added the details on the tree trunk and a final spatter of white gouache to finish the piece.
GOOD NEWS: The Nature Explorer’s Sketchbook is back in stock! Take 25% off any purchase at Tumblehome Books until December 15th with code ty25. Thank you!
MORE GOOD NEWS: I am doing a free workshop Sketching Through the Winter on Friday, December 18, 1-2:30pm (PST) / 4-5:30pm (EST) as part of a series of free holiday events and paint-alongs at the Winslow Art Center. Check out the lineup of great programs and sign up!
I am fortunate to live by a stream and I’ve been especially curious about the ice that forms along it in winter. My favorite formation is the sculpted pillars that drip from exposed roots and fallen limbs at the water’s edge. They are created by a combination of water seeping, dipping, rushing, polishing, freezing and melting. Water is both artist and artwork, creating and sculpting as it flows in an ephemeral streamside gallery.
Tips and Techniques– When you sketch directly from nature, you also experience it in ways that working solely from a photo cannot offer. Frigid wind, rushing water, and awkward footing meant I had about 15 minutes to complete a base drawing and take a reference photo before retreating to the house to paint and do some research. Had I simply taken a photo and sketched entirely inside, my drawing would have been neater, but I would not have looked as carefully or felt so keenly the cold beauty of the stream in winter.
Surrounded by greenery even in January, what a treat to find this nest, perfectly sheltered in the crotch of a young white pine. A small grove of new trees has grown up in the unkempt neighboring field—a good find for birds looking for hidden places to raise their young. I like to think of new life hatching last summer when the field was golden and the sun was warmer than it is today.
Tips and Techniques– Try sketching while standing up. I drew this nest in pen while standing in the field and painted it later at home. Standing encourages the use of your entire arm, rather than just the hand and wrist, which helps to keep your sketches loose. Sketching in the cold also encourages you to work quickly and not fuss too much.
Many thanks for following Drawn In and for your many “likes” and comments throughout the year. It is quite a remarkable thing to send artwork out into the world. You don’t know where it will land or what people will think of it or who it may touch. But therein lies the simple beauty of it. I’m grateful that you are on the other end of this nebulous network that connects us!
A note about this artwork: I created eight arctic stamps this year as part of a Christmas letter I write each year from the North Pole to several special children. I included the stamps in a different format in the Christmas letter, but thought they made a nice collection when viewed together. Have a wonder-filled and Merry Christmas!