Color Play: Brown

You would think that this time of year would be about green. But it’s not. It’s still so very brown here in upstate New York. Sure, we’ve had a few green shoots and buds, but the palette is overwhelmingly somber. I couldn’t bring myself to focus on any particular subject today, so I went outside and embraced brown in all its muted, worn-out, post-winter shades. The result is as much a useful lesson in nature’s variety as it is in color mixing.  

Tips and Techniques– You can make a wonderful variety of browns with just a few colors in your paint palette. My go-to favorites for dark browns and smoky grays are burnt sienna with ultramarine blue and burnt umber with ultramarine. I also like the subtlety of burnt sienna and cobalt blue. You can get some lovely warm browns with burnt sienna or burnt umber with alizarin crimson or quin gold. I also have both raw sienna and yellow ochre in my paint box. Although they seem very similar, yellow ochre leans yellow, while raw sienna leans brown, resulting in shades of green or gray when mixed with blues. If like me you are waiting for green, try some color play of your own.

March, March, March

Every year it happens. I arrive at March needing so much more than the month can give. After a long winter, I am desperate to explore and draw and BE outside. I am desperate for the fuel of discovery and growth that sparks my creativity. March never delivers. It is too cold and too wet. I am tired of brown. I am tired of gray. The only thing to do is to forgive myself this artistic low point and wait.

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I went back through my journals from the last few years to compare Marches. The pages are thin and mostly the same– each year a record of small gains: pussy willows in bud, the woodcock’s return, a wooly-bear caterpillar in the driveway. And though spring is behind this year, I am glad to have these pages to remind me that incremental progress will take us out of this March too.