Oh, the warm nights of late June and early July, when the spectacular light show of fireflies flashes through the fields! Not just one or two, but hundreds of luminescent beetles signaling to each other in the gathering dark. I caught a single firefly that made its way into the kitchen the other night and watched it flash its bioluminescent message for several hours. But how to capture it on paper? That artistic dilemma led me to throw out my usual arsenal of watercolor techniques and try something completely different. Patterns, color, and abstract firefly fun.
Tips and Techniques: I created this piece with masking fluid and a series of watercolor washes. First, I taped the area around the piece with blue painter’s tape to keep it contained, and sketched out the fireflies and grasses with a black Micron pen. After a wet wash of yellows and magenta, I masked the fireflies. Then began a slow process of layering darker washes, letting them dry, masking grasses, waiting for the mask to dry, and repeating. I probably did about six layers. Once I was satisfied that the blues were dark enough, I removed all the masking fluid and tape to reveal the finished piece. If I were to do it over (and I might), I would mask more yellow after the first wash for a bit more energetic glow.
Colors used: quin gold, aureolin yellow, quin magenta, dioxizine purple, phthalo blue, indrathrone blue, indigo.
This is just to say…buy some plums (or tomatoes, corn, or apples). Paint them. Eat them. And savor the moment.
Tips & Techniques- I realize that several of these plums look more like purple potatoes than plums, and you may have artwork that doesn’t quite turn out as you would like, too. One way to “save it” is with text that captures something of your experience. Another is to try again (this is my second attempt—my first had better plums but a less interesting layout). Another is to turn the page and be glad that you took the time to practice.
(Work in progress.) I started this page several weeks ago after we left our porch light on all night. In the morning, a treasure trove of moths clung to the walls of the house. Little by little, I’ve added to the collection. Cooler temperatures have slowed the show, but the giant crane fly was a nice find. There’s room for more…we’ll see what September brings. Click on the image to view larger.
Tips & Techniques– I started with a light pencil outline and then painted a miniature variegated wash on each moth to establish a ground color. Once that dried, I added several rounds of details, working from light to dark. The white moths needed a pale shadow to bring them out of the white paper. Although I started with a size 6 brush, it definitely helped to have some very small brushes in my arsenal. I finished these with a size 1 and 0.
Within the last few weeks, more than ten species of mushrooms have emerged in a grove of oaks in our yard and I’m only familiar with one of them. Mushroom identification is complicated and depends on a number of factors that I tend to forget from year to year: whether or not there are gills and how they are attached, the shape of the cap, the color of the spore print, color, habitat, season, and more. For now, looking more carefully and making sketches and field notes before these ephemeral species disappear is more valuable than knowing the names. But soon, it will be good to have a guide to fungi on my shelf.
Though I set out to paint these, I quickly decided to simplify and just use a mechanical pencil. It made it easier to move from one cluster to another and maximize limited sketching time.
It’s thrilling to see my artwork in print this week in an article I wrote and illustrated for Passagemaker Magazine (a magazine for boaters). Drawn to the Coast is an illustrated essay about being inspired by the Maine Coast. Going from concept sketches to full size watercolors to seeing how the magazine’s designer put it all together was one of the most exciting aspects of this assignment.
We made several revisions before finalizing the article. Then came waiting for the magazine to hit the stands, and getting a copy this week.
Let me take you behind the scenes to share some of that process. Click on the artwork to see the sequence full size.
After discussing ideas with the magazine’s editors, I made concept sketches for three page spreads and had them approved prior to working on full scale artwork.
I painted each piece separately, wrote the text, and sent it all to the magazine’s designer for layout.
We made several revisions before finalizing the article. Then came waiting for the magazine to hit the stands, and getting a copy this week!
An assignment like this stretches you as an artist and working through challenges definitely advances your skills. Some of you may remember my struggle a few months ago to paint clouds for the title spread, which was perhaps my greatest challenge. I drew upon years of journal sketches to do this piece, but painted everything in my studio over the course of about a month. Now, I can’t wait to get back to the real thing!
I planted garlic for the first time last fall and it took me a while this spring to figure out where I had interspersed it among other bulbs and perennials. Then this! ….this fabulous showing of curling greenery in the garden! And although I am moving next week and will never see the harvest, at least I have this journal page – and the promise of next year in another garden.
Tomatoes are the new zucchini! One neighbor dropped off a dozen; another went away and left a garden full, ripe for picking. That leaves me eating and painting and looking up new recipes.
click to view larger
click to view larger
I did the first sketch in my Stillman & Birn journal with Zeta paper, which is a smooth, heavyweight 270 gsm paper. The recipe page is in a homemade journal with Fabriano soft press watercolor paper, which is a dream to work on. I wrote the main text in watercolor using a dip pen with a drawing nib. If you want to try it, simply load the nib using a watercolor brush. You’ll have to reload frequently, but that will give you a chance to alter the color and get varied tones in the letters.