March, March, March

Every year it happens. I arrive at March needing so much more than the month can give. After a long winter, I am desperate to explore and draw and BE outside. I am desperate for the fuel of discovery and growth that sparks my creativity. March never delivers. It is too cold and too wet. I am tired of brown. I am tired of gray. The only thing to do is to forgive myself this artistic low point and wait. I went back through my journals from the last few years to… Read More

Great Blue Heron

A few years ago I found a great blue heron skeleton revealed under melting snow in a ditch near my house.  I don’t know how it met its end, but the bird was almost completely decomposed and I decided to take the skull. As a specimen, it’s fascinating; as reference for painting, it’s quite useful. The colored pencil study here is life sized, based on the 9-inch skull. I’ve also been doing gesture drawings of herons as a precursor to doing a larger painting. Since the ground here in New York is… Read More

Experimenting with Tufted Titmice

My journal proved a good place to experiment this week with tufted titmice, dark backgrounds, and text. These birds often visit my feeders in winter, providing good opportunities for study. I thought I would sketch a few birds in different poses as time allowed, but after painting the bird on the left, I decided to take a different approach. I wanted to add big text and see whether I could get a bird to perch on the letters. It’s a little tricky to substitute letters for branches, but the bird on the… Read More

Collecting on Paper

I’m like a kid in a candy store when I step into the Pember Museum of Natural History in Granville, New York. Thirteen cherry and glass cases house more than 1,200 specimens of birds, 500 mounted mammals, and row upon row of insects, bird eggs, and nests.  The collection is life’s work of a single man: entrepreneur and naturalist Franklin Pember (1841-1924). I love capturing pieces of this collection in my journal—but where to begin is always a challenge. As I wander from case to case, I look for things that strike… Read More

Unexpected Inspiration

I went to my local nature center yesterday seeking inspiration for something to study and paint. I was hoping there might be something new in the collection—moths, butterflies, birds, nests. So when the staff said they had a hoary bat in the freezer, I had to admit it wasn’t quite what I had in mind. Though I appreciate that bats play a crucial role in pollination and insect control, the only bats I’ve ever seen have been the little brown bats I’ve wanted out of my house. Still, how often does the… Read More

In the Bleak Midwinter

I finally cut down the last of my baptisia pods, which were attractive in the fall, but had become bent over and forlorn since the last snow. Still, I liked the shape of this stem and decided that a stark portrait might be fitting for the first day of winter. Christina Rosetti penned In the Bleak Midwinter as a Christmas poem in England sometime prior to 1872. The entire poem was later set to music and published as a Christmas carol in 1906. The script is based on Italics from the Treatise… Read More

Undesirable Beauties

I was drawn to the golden orbs of the horsenettle while hiking last week in an old field on the edge of an orchard. Bright spots of yellow against faded, brown grasses and dried wildflowers, I decided to take a stem home to paint. Upon identification, I was not surprised to learn that the plant is invasive and unwanted, as are many plants that grow in the weedy margins of fields. Still, I love the way the fruit drapes from the tendrilous vines and there is something ironic, yet masterful in a… Read More

Sage Advice

“Day after day never fail to draw something which, however little it may be, will yet in the end be much.”  — Cennino Cennini  c. 1390 It’s comforting to know that people have been struggling to draw and paint well for centuries. Cennini’s advice is just as true today as it was 600 years ago. I’ve spent the last week watching, drawing and painting chickadees, trying to capture the shape, color, and spirit of this little songster. It isn’t easy. Chickadees are not very cooperative subjects. Unlike finches, which will perch at… Read More

Grief and Glory

The last blaze of autumn’s glory is upon us in upstate New York. Gold, crimson, bronze, and green hang on, even after several days of wind and rain. Among the best places to see the show, I knew, would be in one of my area’s oldest and grandest rural cemeteries – Oakwood Cemetery in Troy, New York. Established in early 1848, Oakwood’s monuments are dwarfed by towering oaks, maples, beech, and hickories. How fitting, then, to paint there just two days after a longtime family friend died of cancer. In retrospect, I… Read More

Grown Wild

I came upon this sugar maple while hiking at a nature preserve and was quickly drawn in by its spreading lower limbs. Consider what a rare thing it is to see a tree like this. In nurseries and residential yards and farm fields alike, lower branches are commonly lobbed off— for aesthetics or safety or ease of mowing underneath. Grown wild, this beauty’s lower limbs stretch improbably far outward and upward. With most of its leaves already lying in a carpet of orange and brown on the ground, it was easier to see… Read More