The Intersection of Art and Nature

I love finding myself at the intersection of art and nature. My passion for those two roads has led me to great places, wonderful people, and to beauty, insight, and mystery. Here, a simple fern in the Lyman Conservatory at Smith College has transported me half a world away to the rain forests of Malaysia. It has made me think about symbiotic relationships and to wish I had taken Latin. It has given me hours of artistic challenge and pleasure. And it has left me both grateful and eager for more. (click… Read More

Goldenrod Galls

What began as a simple search for interesting props for my upcoming Sketching Nature workshop, led to a great illustration of how much there is to discover if we only look more closely. Among the things I collected were the dried stems of goldenrod, many of which had classic round goldenrod galls. But I soon discovered other deformities that I hadn’t noticed before: stunted stems with tufts of leaves at the tops, and elliptical-shaped growths on stems. It turns out that more than 50 species of insects—mostly flies, midges, and wasps– lay… Read More

Out of the Shadows

Owls are master’s of silence, darkness and shadow, so spotting one is not easy. Painting one is not especially easy either. Still, I wanted to play with the idea of pulling an owl out of shadowy woods using a limited palette of blues and browns– though you’ll see that I added yellow ochre midway through to warm things up. I didn’t set out to paint every detail, but rather to strive for an overall impression. Here’s the finished piece– I took a series of photos along the way to give you a… Read More

January Birds

Subzero temperatures mean I’m inside, but birds are out in force at our feeders. They start at dawn and come and go or stay all day, eating as much as they can to fuel their survival against the cold. With this abundance of subjects, I have been focused on capturing bird shapes and postures with small, quick ink sketches. The beauty of this exercise is that you don’t invest in any one bird, you are simply training your eyes and hands to work together. My second focus for the week has been… Read More

Braving 18°F

After days of single digit temperatures, 18°F felt like it might be sort of manageable for sketching outside. And it was…more or less, given the challenge of sketching with gloves on and needing to work quickly to avoid frozen fingers and feet. Still, there is something fresh about working outside and I suspect this page will always bring to mind the chill of the setting sun and the unexpected sound of hundreds of geese overhead. Today it is minus-4°F and I am not so brave. Happy New Year! Tips & Techniques- Why… Read More

Two Swallows

No turtle doves here this Christmas, and no partridge in a pear tree. Just two tree swallows and a bird house I’m giving as a gift. I started the first painting on traditional watercolor paper and then decided to paint a second to test drive the new Nova series toned paper from Stillman & Birn. Doing the paintings side by side gave me a perfect opportunity to compare papers while painting the same subject using the same materials and techniques. Which do you like for the gift? Tips & Techniques: The toned… Read More

Winter Blues

“The woods are lovely, dark and deep…” Inspired by Robert Frost’s famous poem, I set out to capture a few favorite trees and darkening skies. I loved playing with the complexity of branches and shapes using the simplest of colors. There’s something about these deep blues that brings out the mystery and beauty of this time of year. Tips & Techniques– These pieces started with at least six failed attempts to paint trees at night. I began by doing numerous small “test” paintings of silhouetted trees against various skies, but none proved… Read More

Hanging On

There are many reasons to appreciate stately, solid oaks. Raking their late-dropping leaves in December is not one of them. Persistent and tenacious, they hang on despite autumn gusts and rain storms that shake other trees bare by October’s end. And yet, as I rake pile after pile, I think: maybe we should be more like oak leaves, resolved to hang on as long as we can. Savoring each day of sun, knowing that the dark and silent winter will come all too soon. Tips & Techniques– I’m testing a new box… Read More

Finding Beauty

I was recently invited by Liz and Nigel at the blog Exploring Colour to provide a guest post for their series Where and What is Beauty? The blog hails from New Zealand, which is, incidentally, 9,000 miles from my home in New York State. I traveled to that extraordinary country way back in 1986 searching for adventure, beauty and local color but, as my post reveals, I am now Finding Beauty Close to Home.

November Maple

It’s the perfect time of year for painting trees. Bare bones and branches, I like the unobstructed view, when limbs, bark, and shapes are revealed. This old maple in my front yard is interesting from almost any angle. I started mid-afternoon in glowing light but, because the sun faded quickly, it took me several days—and patience waiting for the right light again– to finish. November Maple, 10″x14”, Watercolor on 140lb Arches cold press paper