Last weekend, I cut the last of the frost-wilted flowers, fed the compost pile, and left a few flower heads for the birds. I thought the garden was finished for the season, until I took a second look at the blackened seed heads. They became the perfect subject for testing my new Pilot Metropolitan fountain pen. I love the way the pen glides over the paper—smooth and fine, not scratchy, just a pleasure to use. The ink is not permanent, so I can’t add watercolor to it, but the line quality is lovely. I’m almost looking forward to sketching what’s left of the dried tangle of runner beans.
I have a workshop coming up hosted by the Vermont Watercolor Society that I am now able to open to the public! There are only a few spots left, so please e-mail me if you are interested in signing up.
Vermont Watercolor Society, Westside Hub Class
Saturday, December 8, 2018
Pawlet Public Library, 141 School St, Pawlet, VT 05761
Learn to keep your own artist journal to capture your creative journey and improve your skills as an artist. We’ll share subject ideas, test drive materials, and consider compositions for combining artwork and text to create engaging pages. You’ll also learn practical techniques for drawing and painting the subjects you encounter. This is a fun, stress-free workshop where there will be plenty of time to learn and practice.
Fee: $65 Materials list provided upon registration.
Space is limited. Please e-mail me to register: email@example.com.
Note: We will take a break for lunch and it will be potluck, so please bring something to share. A refrigerator is available.
And now the sketch…
I was wondering whether I might use similar loose sketching techniques for small round birds that I used last week when sketching small round bulbs. Wrens are certainly much more precise than daffodil bulbs, but there’s promise here worth pursuing further.
I discovered this American redstart nest back in May. The birds laid four chestnut speckled eggs and by July they were gone. Now, with leaves falling and foliage dying back, I returned to the nest for another view. Still protected by thorns and a tangle of leaves, and a bit weather worn, the nest remains a thing of beauty: perfectly woven with bark and pine needles and threaded with strips of birch and spider webs. What better treasure could there be in the brambles?
Tips and Techniques: In the spirit of Inktober, I sketched this nest directly in ink using a dip pen and Calli jet black India waterproof ink. I added a lot of detail to the drawing before adding watercolor. To create a fully saturated variety of gold, green, and russet leaves, I painted four or five (or more) transparent layers of color, going from light to dark and finally to shadow tones. The moral of the story is not to stop too soon. You don’t want to overwork it, but if your layers are transparent, you can really build up rich and subtle color.
What began as a simple search for interesting props for my upcoming Sketching Nature workshop, led to a great illustration of how much there is to discover if we only look more closely. Among the things I collected were the dried stems of goldenrod, many of which had classic round goldenrod galls. But I soon discovered other deformities that I hadn’t noticed before: stunted stems with tufts of leaves at the tops, and elliptical-shaped growths on stems.
It turns out that more than 50 species of insects—mostly flies, midges, and wasps– lay their eggs on goldenrod stems. When the larvae hatch, they borrow into the stem, causing the plant to form a protective chamber around the growing grub. When the larvae transforms into an adult, it emerges from its hideaway and flies off. Sometimes woodpeckers drill into the gall for a meal, in which case, you’ll find a small hole in the gall. For the most part, the insects don’t harm the plant; though in the case of the bunch gall, they do stunt the growth of the stem, causing leaves to sprout at the top and curtailing the growth of flowers.
So, there you have it…a bit of natural history for your day and an invitation to go out and see what you can discover.
Tips & Techniques– Keep it simple! I wanted this page to illustrate how much you can do with a few simple things on a page and a limited amount of time. I drew everything directly in pen and shaded only the darkest areas. I added watercolor in three loose layers, using combinations of yellow ochre, burnt sienna, and ultramarine blue. A bit of spatter near the dried flowers and the “goldenrod galls” text were my finishing touches.
I walked out and found the nest in the gravel driveway, not by the step as the poem says, but close enough.
Nest by Marianne Boruch
I walked out, and the nest
was already there by the step. Woven basket
of a saint
sent back to life as a bird
who proceeded to make
a mess of things. Wind
right through it, and any eggs
long vanished. But in my hand it was
intricate pleasure, even the thorny reeds
softened in the weave. And the fading
leaf mold, hardly
itself anymore, merely a trick
of light, if light
can be tricked. Deep in a life
is another life. I walked out, the nest
already by the step.
Poem copyright © 1996 by Marianne Boruch, whose most recent book of poetry is “Poems: New and Selected,” Oberlin College Press, 2004.
Here’s a quick sketch I should have made years ago. No attempt at beauty or precision, just a down-n-dirty guide so that I can finally watch a movie without assistance.
I wanted to do this page quickly and without fuss, so I used a Uniball gel pen instead of my usual Micron 02. The ink isn’t water soluble, but it sure smudged easily.
(My apologies for such a mundane post. I’m working on a large, precise drawing this week and needed to counter the care of that piece with something really fast. I’m still a good number of hours from finishing the former, so my regular journaling is taking a backseat.)