Note to self: avoid painting at the Lyman Conservatory during the spring bulb show. Truth be told, I only glanced into the rooms that displayed a grand spectacle of colorful tulips and daffodils. They were so crowded with winter-weary visitors that sketching there was impossible. I did, however, eke out a small corner of a greenhouse where a tangle of vine wound its way from floor to ceiling. And, as crowded as it was, I wouldn’t have traded a day lost in that greenery for anything.
February in upstate New York is typically cold and cloudy. With two months of winter already past and another two on the horizon before spring arrives, it’s time to head to the tropics or the desert for a midwinter getaway. Except when you can’t. Then, we have to settle for the next best thing: a trip to a greenhouse. I spent yesterday afternoon at the Lyman Conservatory at Smith College in Massachusetts and it felt like paradise. Warmth. Light. Rooms full of greenery. Art supplies in hand. What could be better?
Tips and Techniques– Based on my experience at the conservatory, my tip this week is: don’t give up too soon on half-baked sketches. Painting conditions at the greenhouse were difficult—tight aisles, lots of people, and no way to spread out or relax while painting. I painted both of these pages standing up, and believe me, they were very rough watercolors when it was time to leave. Nevertheless, I had the concept and basic colors down, which enabled me to add details and text when I got home. How many times have you found yourself in the field without enough time to finish? I say: at least get started. Take some notes or a photo and finish later.
Where to begin? Presented with 3,000 plants in every shade of green and every texture and pattern of leaves, choosing a subject was no small task at the Lyman Conservatory at the Botanic Garden of Smith College in Northhampton, Mass. I spent the day there sketching and generally getting a much needed green fix after months of winter browns. Here’s the first of the pieces I did there, an exotic pitcher plant native to Borneo.
Tips and Techniques: What could be better for practicing how to mix greens? Use house plants or find a greenhouse near you and see how many shades of green you can mix. I used primarily sap green with raw umber and quin rose for the pitcher plants, but burnt sienna made its way into the tops of the pitchers and a lighter mix of sap green and cobalt blue helped the leaves and vines in the background recede. Take care when using reds with greens—mixing the two when wet will give you nice browns, but if you want to keep the red tones, wait until the green has dried and then add a layer of red on top.