At the recent workshop I led in Anacortes, Washington, we started off with some back-to-basics drawing and painting techniques. Participants practiced blind contour and gesture drawings; did short, timed sketches; worked in ink to keep a drawing flow going without erasures; and put a number of concepts together while painting vegetables. Here’s my demo painting, which I went back to later to add tips from the lesson. Isn’t it great that we can learn so much from a carrot?
I probably shouldn’t have mentioned to the farmer that I was selecting carrots for “artistic purposes” when considering the most colorful and interesting bunch at the farmers market. But I thought it might be a compliment. Instead, I got a thinly veiled, perturbed look that suggested she hadn’t toiled all season long for me to paint her carrots. I dug myself in deeper trouble when I asked for advice on prolonging the freshness of the greens. I saw the eyes roll and quickly agreed to paint soon or refrigerate. Alas, I think this… Read More