Perching Birds
After a successful experiment with perching birds on words, I decided to develop a series of paintings pairing birds with their names. These may make good prints or cards, which I will pursue once I’ve done four to six pieces. Here’s the first two.

Tips and Techniques– If you are going to spend a lot of time creating a finished piece of art, spend time upfront on thumbnail sketches and color choices to work out potential issues before you begin. I mocked up different bird poses and lettering styles before starting these and it was well worth it. Though I had already painted a wren piece in my journal, I switched the posture of the bird on the E several times before settling on the down-facing pose. My first mockup of the swallow with capital letters proved that the word itself was too long. Switching to cursive, tightened the space. I also tinkered with the variations on the letter S and where the bird should perch before figuring out a placement that seemed balanced.
After Mary Oliver
“My work is loving the world.”
So begins the poem Messenger, by Pulitzer Prize-winning poet Mary Oliver, who died this week at the age of 83. Oliver delivered intimate observations of nature and deepened our understanding of life’s essence in few, choice words.
“Here the sunflowers, there the hummingbird—
equal seekers of sweetness.
Here the quickening yeast; there the blue plums…”
And though there were no hummingbirds or sunflowers to be found here yesterday, I nevertheless felt compelled to walk down the starkly cold winter road in honor of Mary Oliver and to satisfy my own need to find what beauty might remain along the roadside.
“Let me keep my mind on what matters,
which is my work,
which is mostly standing still and learning to be
astonished…”
Standing still in 21-degree weather means mostly frozen fingers. Still, there is no substitute for being present; for being astonished by the cold; by wingbeats of geese overhead; by curled leaves of grasses waving in the wind.

Bird Words
Letterforms and birds are subjects that frequently turn up in my journals. At first, I simply matched bold words with their subjects, but more recently, I’ve tried to get birds to perch on letters. It’s not always easy to do. You’ve got to know a bit about the anatomy of bird feet, and find the right placement to support the bird and balance the page. Here’s a fun one that I did today— the lovely winter wren.
Here are a few sketches and paintings that give a sense of my progression with this over the years.
Tips and Techniques– Don’t shy away from learning to draw birds’ feet. You know you’re guilty if you are prone to hide this part of a bird’s anatomy behind leaves and branches. A simple Google search for “bird feet anatomy” will turn up lots of good diagrams and drawings for you to study and practice. If you have an opportunity to look at bird skins or mounted birds at a nature center or museum, take the time to sketch feet. It’s a sure way to improve your bird art.
Celebrating 3,000
When I started this blog in the spring of 2014, my goal was simply to share my artwork more widely. Nearly four years and 238 posts later, I’m thrilled that more than 3,000 people are now following. Keeping a blog is journey unto itself– I’ve met people I would never know otherwise, swapped stories and art tips, shared everyday experiences, and received much kindness from strangers around the world. Drawn In has also honed and focused my artwork, and motivated me to keep seeking, recording, and sharing the ordinary beauty around me. Many thanks to you for your interest in receiving my art in your inbox and for taking the time to offer your thoughts, praise, questions, and stories! Here’s to another spin around the sun and to a productive 2019!

Hour by Hour
After all the hustle and bustle and merriment of Christmas comes a bit of quiet– which always feels just right.

Tips and Techniques– Yesterday, I captured some of my final holiday preparations using a challenge I call “Hour by Hour.” The goal is to sketch something every hour of the day, but each sketch should take no more than three to five minutes. The time limit makes it doable, and although some of the sketches seem random in the moment, the end result really conveys a sense of the day. I sketched everything in pen and then added watercolor as time allowed. This is a fun challenge to try while traveling. I also recommend it if you struggle with what to sketch or with finding time to put pen to paper.
Tis the Season
It’s a busy time of year in my workshop. ‘Tis the season for making lists, and creating gifts and cards and tags. This leaves little time for personal artwork. Instead, I glued my To Do lists into my journal and, as you can see, this page reflects the rather messy state of my affairs. 
My favorite project each year is the Christmas letter I create for my former neighbor’s children. I have been sending them tales from the North Pole for several years; and though they are now at the age when believing in such magic is increasingly met with skepticism, I can’t let the Christmas spirit go. Here’s this year’s card—just a simple note, but one that I am happy to share with them, and with you at this festive time of year. Wishing you joy!

The Gift of Inspiration
I didn’t follow many blogs until I became a blogger myself, but over the last few years I’ve come to really appreciate the artwork and wisdom that arrives from bloggers to my inbox. Some of my favorites are artists who produce things that I couldn’t or wouldn’t do, but who, nonetheless, push me to think or see things in fresh ways. Because I found many of them through the network of fellow bloggers, I thought I’d share a few favorites with you.
A Certain Line– Michael Richard’s blog is a quirky mix of his artwork and informed musings about art. He frequently paints quince and other fruit in experimental and thought-provoking ways, which helps me to think about pushing the bounds of my own artwork.
The Sketchbook– Shari Blaukoph shares jaw-dropping watercolor sketches and paintings mostly of her home city of Montreal, but also of other places she travels. She takes watercolor sketching to the highest level in every way.
BlueBrightly– Lynn Wohlers appreciates the incredible world we live in and shares its beautiful details through her remarkable photographs and observations. It’s a treat to glimpse the world through Lynn’s lens.
Christopher Gallego– Realist painter and teacher Chris Gallego’s oil paintings are simple, direct, and stunning. I am equally inspired by his words of advice for artists (including topics such as “7 Tips to jolt you right out of your artistic rut” and “How to paint when it’s the last thing in the world you feel like doing”).
Annerose Georgeson mainly paints changes in the forest near her home in British Columbia, including logging, fires, farming and the pine beetles. I love the intensity of her acrylic paintings, her dedication to a single subject, and her daily drawings, which remind me of the value small sketches.
If you, too, feel inspired by blogs you follow, I encourage you to tell a friend or two– a bit of art always makes a nice gift.
Quick Chickadees
When I’m pressed for art time, I like to come up with a subject that I can work on in short takes over several days. Such has been the case lately, so I decided to revisit a sketchbook page that I did several years ago. In 2014, I painted a number of chickadees on a single journal page using pencil and watercolor. I’ve always liked that page, so I decided repeat it— this time on toned paper using only a pen and a bit of white colored pencil for highlights. This exercise is a good one for trying to capture different poses and for getting the basics of the bird down without too much fuss.
Tips and Techniques– Chickadees are common songsters, but they don’t sit still for long. Practice drawing them quickly from photos and you’ll be better prepared for sketching them from life. Give yourself a time limit; see what you can do in 3 to 5 minutes per bird. Add a few more minutes for shading or finer details if needed. I used toned paper, but you could use drawing paper or watercolor paper with a touch of color for shading and dimension.
Along the Roadside
Yesterday was the kind of day I’ve been waiting for since winter arrived unexpectedly in November. Temperatures climbed above freezing, which felt almost balmy, and I spent nearly the entire day outside. After the oak leaves were raked and the remaining daffodil bulbs planted, I headed into the fields and down the road with my sketchbook. Shriveled wild grapes, thorny tangles of multiflora rose hips, and climbing vines of bittersweet not yet eaten by birds offered a bit of brightness against bare branches and brown grasses. They seemed the perfects things to sketch to capture the day.
Tips and Techniques– If you want to sketch outside in cold weather, I suggest really paring down your supplies so that you have very little to carry or fuss with in the field. I bring only my sketchbook and a Micron pen. I don’t want to be pulling gloves on and off or organizing sketching supplies in the cold. I make mental notes of color or take a photo for reference, and paint once I’m home with a cup of tea in hand.












