Vinalhaven Sketchbook 2026
I love having a whole week of vacation to explore and paint. It’s such a treat, but it also comes with pressure. While I’m settling into a week off from work, I often feel the need to produce something spectacular. The “masterpiece syndrome” strikes, making it harder to relax, put pen to paper, and see what happens. It took me a few days to shake it this time, but I eventually found my groove. It turned out that painting lichens was just what I needed. At first, I thought they would be… Read More
Touched by an Island
I had the pleasure of joining 120 volunteers, current and former staff, and adult campers at Hog Island Audubon Camp in Maine this weekend to celebrate its 90th Anniversary. For me, and so many others, the experience of being on this 350-acre island in Musgongus Bay has been life changing. I attended first as an adult camper in 2000, then became the director of Family Camp, and later directed the Arts and Birding program. Though I only spent a week each summer on the island, it became a deeply meaningful place in… Read More
Madeline Island Sketchbook
“The lake is the boss.” – Julian Nelson, Commercial Fisherman on Lake Superior When I read that statement in the National Park brochure for the Apostle Islands, it gave shape to everything I would see and learn during my week on Madeline Island, Wisconsin. I was there to teach a workshop for Madeline Island School of the Arts, and my class outings took us to forests, cliffs, and dunes on the lakeshore, and to the local historical museum in the tiny town of La Pointe. The lake—big, cold, deep, and windswept—influences it… Read More
The Earth in the palm of your hand
“A map says to you…Read me carefully, follow me closely, doubt me not. I am the Earth in the palm of your hand.” So wrote Beryl Markham (1902-1986), the first person to fly solo, non-stop across the Atlantic from Britain to North America in 1936. She wrote about her adventures in her memoir, West with the Night. I love the perspective that sketching a map can give you. It is a wonderful way to learn about the places you visit and to record your experience. Teaching a class this week on how… Read More
Hot Topic
My desk and my free time have been given over to mushrooms– the best thing to come of our recent exceedingly hot, humid weather. The area under a small grove of oaks in our yard has been very productive. Many mushrooms form mycorrhizal relationships with plants, and oaks have particular fungi associated with them. In this partnership, the fungus provides the tree with nutrients, especially phosphorus, while the tree gives the fungus carbon. Over the years, I’ve tried to track and record as many species as I can, though it’s a challenge. Identifying… Read More
Portugal, Part 2: Olive Trees
Portugal’s Alentejo region is known for its olive groves, olive oil, and ancient trees. During my recent workshop at Sofia in Monsaraz, our group passed century-old olive trees lining a farm road on our daily walk between the hotel and the retreat site. I loved imagining their many years in the sun: sheltering sheep, bearing fruit, and growing more gnarled year by year, until each one developed its own distinct personality. I could draw olive trees for days and never tire of them. But time was short, so I only had the… Read More
What color is that shadow?
Have you ever looked closely at shadows? As the days grow brighter in the Northern Hemisphere, it’s a great time to notice their patterns and colors. Even if you’re not an artist, take a moment this week to study a few shadows and ask yourself: what color is that? You may be surprised by the answer. Not all shadows are the same. Some are gray, but many carry subtle color influenced by the object, the light, or the surrounding environment. That’s the kind of nuance artists love—and often find elusive to capture…. Read More
Tiny Signs of Spring
I began this page in late March when the first daffodils began to poke from the ground and a few green buds appeared on the lilacs. I thought I’d capture spring’s tiny, tentative first steps: woodcocks calling, the phoebe’s return, flowering red maple. I hope you’ve noticed these things too and can make time to get outside to watch the great unfolding of the new season. Tips and Techniques-I find doing a composite page that evolves a little bit each week really helpful in early spring. It motivates me to get outside… Read More
Lured in
Enticed by folds of foliage and dark pools, I get lost in painting pitcher plants. All those reds blending into greens and purples. Tiny hairs leading downward into open mouths. It’s not hard to see how these plants work their magic. Once lured in, leaving is difficult—and for some, impossible. Tips and Techniques– When you are working with a complicated subject, take time to study it closely and record enough information in the drawing stage before you start painting. This is especially important if you will be painting it later. I spent… Read More
At last!
Finally, it’s warm enough for me to make my way through the woods to the muddy edge of a creek where the skunk cabbage thrives and sketch. For weeks, I’ve gone out scouting good locations, watching the maroon spears push up through frozen earth, watching the ground give up its ice as the spathes open. I’ve been waiting for a day when work, wind or fading daylight wouldn’t keep me indoors with an empty sketchbook…and here it is. You might think forty degrees is awfully cold for sketching outdoors, but with a… Read More
Drawn In 