More than half of the autumn leaves are on the ground now where I live, which means two things: lots of raking and beautiful colors littering the woods. It doesn’t take long for leaves to dry out and fade, so I have forsaken the rake in favor of the paint brush. A good choice, don’t you think?
Tips and Techniques– Leaf “portraits” like this are a good way to practice painting skills. They force you to work on getting crisp edges, mix subtle color variations, and use both wet-in-wet and dry brush techniques. I started with a light pencil drawing and then a wet-in-wet wash to establish the lightest colors and define the shapes. I continued with three or four more layers to deepen and adjust the colors and add texture. Adding a shadow gives these a bit more dimension. There are a lot of leaves out there to choose from—have a go!
At 5 o’clock, the sun was already low on the horizon, casting a golden light that would blaze for a short while more and then vanish. After eight hours at my desk, I quickly closed my laptop, picked up my sketchbook, and headed to a nearby preserve to immerse myself in what remained of a perfect fall day. I didn’t walk far before being surrounded by the colors of the season. Dark trunks of old sugar maples cloaked in a perfect glory of yellow, orange, green, and russet lined the old carriage road that marks the boundary of the preserve. I wish I could have taken you along to see the display, but this sketch will have to do.
Tips and Techniques—Sometimes you only have an hour (or less), a perfectly golden hour, in which to make a mark on a page. Tackling a big subject like a line of trees and fall foliage wouldn’t typically be my go-to subject for such a short time. But because it was truly THE subject of the moment, I decided to take the leap. Eliminating the more complicated branches of this scene made it more doable—though I wish I had included just a little more height. I sketched in the trees in pencil and painted the colorful leaves and ground with a waterbrush while on the path. The impression of color and light seemed like the most important element to capture in the moment. Back at home, I added the dark trunks and shadows. The thin border and text were important finishing elements, containing the sketch and anchoring it in time and place.
I’m thrilled to share the news that The Nature Explorer’s Sketchbook, due out November 1, received a starred review from Kirkus Reviews. This professional book reviewing service is a big player in the book world. Over the years, Kirkus has established a reputation for exacting, frank reviews. Earning a Kirkus star is coveted top honor. Like a Michelin guide for books, Kirkus Reviews helps good books get attention and offers booksellers and librarians a way to sort through all the new books published and select the ones they want on their shelves.
I thought you might like a glimpse behind the scenes to see how a book page takes shape from rough idea to final artwork. I wanted the book to have the look and feel of a sketchbook, so I started with thumbnail sketches to consider artwork possibilities, text, and layout. The best thumbnails became more detailed pencil sketches, and then full watercolor illustrations. (Click to view larger.)
Coming Soon! New online class: The Art of the Bird: Eggs, Feathers, and Nests offered at the Winslow Art Center; Tuesdays, Nov 10, 17, 24, Dec 1, 6-8pm (EST). Registration opens later today or tomorrow and will be limited to 12 participants. I’ll also be doing a FREE Art Chat on November 5 at 1pm (EST).
Back in May, I wrote a post about Gardens Wild and Planted, where I wondered whether the home gardener could create anything as lovely as a spring meadow. Here I am again at the end of summer wondering the same once more. I visited this field (and started this journal page) back in July and revisited it last week to see it again (and finish the sketch). My own garden is a fine mix of annuals and perennials, and it has provided plenty of good subject matter for sketching. But it cannot compare with the wilder open fields where an annual mowing is all that is needed to create an entire season of beauty.
Tips and Techniques– This sketch is a composite of various flowers and grasses in the field. Rather than standing in one place where all of this was in view, I moved from flower to flower to fill the page. I often use this technique when outside because it allows me the freedom to roam freely, discovering and drawing as I go. I sketch directly with a black Micron 02 pen and I may or may not add watercolor on the spot. A small travel watercolor set and water brush work well, though I frequently add more layers of watercolor at home. The text and border come last. Hope you are enjoying some late summer wandering and sketching!
Weeks of hot, humid weather followed by a rainstorm or two means it’s time to watch for mushrooms. We had a terrific explosion of fungi in our yard in August two years ago, then none appeared last year; so I’ve been hoping this year would yield another bonanza. I am not disappointed. In the last few days, hundreds of mushrooms have pushed up from the soil under a small grove of oaks and walnuts.
Among the benefits of keeping a nature journal is having a record over time of everything from mushrooms to bird nests to wildflowers. I had a moment of complacency about sketching these, thinking that I’d painted them all before. But as soon as I started and began looking closely, I kept finding more and different varieties. Then, when I looked back on my journal from two years ago, I was surprised to discover how little overlap there was. Even the most modest subjects lead to fascinating discoveries.
Tips and Techniques- I sketched these with a water soluble HB pencil with watercolor, using a 3/8″ (10mm) flat brush. The pencil lines soften and merge with the watercolor, but you can see them clearly where I didn’t touch them at all. My hope was that the flat brush would force me to work with less fuss, and I think it worked. I used a size 2 round for a few details in the soil and details on the caps.
I’m not sure what was most exciting: seeing yellow horned poppies in bloom, watching recently hatched killdeer chicks scurrying in the strand line, or sketching on the beach in sunshine while northern skies blackened in advance of a terrific thunderstorm. Just being at the ocean seemed bonus enough. I love this rocky beach in southern Massachusetts. It’s full of speckled granite cobblestones and larger outcroppings of glacial-striated bedrocks. Beachcombing always proves fruitful and the birding is great. What’s especially nice is the pleasure of revisiting it through my sketchbook now that I’m back home in New York.
Tips and Techniques– Glaucous green! Who knew there was such a thing? But sure enough, here it is. While researching beach poppies, I found a poem that described “Her leaves are glaucous-green and hoar…” That led me down a rabbit hole of looking up information on the word “glaucous.” Turns out, glaucous has Latin and Greek roots and describes colors ranging from pale yellow-green to bluish-gray. The Latin name for this poppy is glaucuim flavum (glaucium = green and flavum = yellow). A mix of lemon yellow and cobalt blue are perfect for mixing glaucous greens. Combine and experiment with them for your next blue-green foliage.
The hardened frothy glob attached to a goldenrod stem has sat motionless in our garden since the day I found it and brought it home from the meadow back in January. No change. Nothing happening. I had nearly given up on it. And then, it happened. Hundreds of mini praying mantises emerged from the ootheca. They crowded around the opening, marched up and down the goldenrod stem, and one by one dropped from their home base and wandered into the garden. By evening, nearly all were gone.
This is the first time I’ve ever seen this phenomenon and it was pretty exciting. I hope they find the aphids that are feasting on my poppies and grow up to devour other insects in the garden. Come fall, I’d love to find an adult or two hiding among the sunflowers or laying a frothy glob of eggs for next spring.
Tips and Techniques– Don’t miss the moment! If ever there was a time to have a simple painting set up, this was it. I sat uncomfortably on the edge of a wooden raised garden bed in the noon-day sun, sketchbook and travel palette in hand. I painted as the nymphs emerged, which gave me a long time to watch them and to study the ootheca from different angles. My palette and paper dried too fast in the full sun and I found it challenging to get the right amount of water/paint ratio. Still, I have no regrets. Had I waited for a better set up or a better time of day or a better day, I would have missed it altogether.
Ten weeks of working at home has meant a lot of things, including isolation, quiet, and focus. It has afforded opportunities to more closely observe the unfolding of spring and the comings and goings of birds in and around our property. Every. Single. Day. As you can see from the Bird Map, there’s a lot to watch. We’ve recorded more than fifty different species– some are just passing through, but we see or hear the ones that made the map nearly every day.
There’s a lot of information on this map—too much maybe—but it serves as a useful visual record (click the map to view full size). Bird populations may change from year to year, globally and locally. For example, tree swallows didn’t make this map, though they nested here just last year. They haven’t disappeared, they have simply taken up residence in my neighbor’s nest boxes. Ten years from now, it will be interesting to look back at the Bird Map and see who is calling this place home.
Tips and Techniques– When making a map, I use Google Maps as a reference to get a good aerial perspective. It works whether you are zooming in on a single property or outlining a larger region or country. Begin by sketching a rough outline in pencil and then embellish it with ink or color as you like. Consider whether there are elements that you can add that would lend a unique flavor to the map. The color scheme of the place you are visiting, elements of local art or architecture, indigenous plants or wildlife, or a unique label will help to convey the place you are trying to capture.
NEW ONLINE CLASS! The Artist Sketchbook, Mondays: July 13,20, 27 and August 3. I am excited to announce that I will be teaching an online Zoom class through the Winslow Art Center in Bainbridge Island, Washington. Visit the workshops page or head to the Winslow Art Center site for details and registration.
It’s hard to imagine a lovelier “garden” in May than the meadow I stumbled upon while hiking at the Martin Van Buren Nature Trail in Kinderhook, New York. The preserve is mostly woodland, with stately oaks and maples that Van Buren himself would have seen more than 150 years ago. But a small clearing in the forest was gloriously golden this week, with masses of yellow flowers that any gardener would be hard pressed to recreate.
My own gardening efforts began in earnest several weeks ago. Unfortunately, I think I jumped the gun in a restless attempt to get things growing. Either from planting when it was still too cold or lack of regular watering, few of my seeds sprouted. So, I replanted last week and recruited my husband to do the watering. Fingers crossed, you’ll be seeing scenes from the Art Garden in the weeks and months to come.
Tips and Techniques– Gardens offer so much to artists! While flowers in full bloom are favorite subjects for many, consider the possibilities of sketching in the garden throughout the season. From seeds to seedlings to blossoms to faded foliage—challenge yourself to come up with creative ways to showcase what’s happening each month. This year especially, when so many of us are staying home instead of heading out to favored vacation spots, having a garden—or a few pots of flowers—may prove to be just the subject matter you need.
Oh give us pleasure in the flowers today; And give us not to think so far away As the uncertain harvest; keep us here All simply in the spring of the year. — Robert Frost
Under massive oaks and maples: dappled sunlight and hundreds of Jack-in-the-Pulpit. Oh give us pleasure in the flowers today. I had come to the woods feeling heavy-hearted, weary, needing spring. And give us not to think so far away as the uncertain harvest. How well Frost understood his time and ours. Drawing kept me in the moment; later it brought me pleasure again when finishing this page at home. Keep us here—all simply in the spring of the year.