Surrounded by greenery even in January, what a treat to find this nest, perfectly sheltered in the crotch of a young white pine. A small grove of new trees has grown up in the unkempt neighboring field—a good find for birds looking for hidden places to raise their young. I like to think of new life hatching last summer when the field was golden and the sun was warmer than it is today.
Tips and Techniques– Try sketching while standing up. I drew this nest in pen while standing in the field and painted it later at home. Standing encourages the use of your entire arm, rather than just the hand and wrist, which helps to keep your sketches loose. Sketching in the cold also encourages you to work quickly and not fuss too much.
Today started unseasonably warm—an incredible 60-degrees—but slowly fell back into winter by nightfall. While the sun shone this afternoon and the temperature descended through the 50s, I wandered deep into the field. There, amidst matted goldenrod and thorny weeds, I had an unusually good find: several egg cases laid by praying mantises. Each one may contain as many as 400 tiny mantises. Like me, they will wait for a more lasting warmth, relying on spring to bring the field to life once again.
Many thanks for following Drawn In and for your many “likes” and comments throughout the year. It is quite a remarkable thing to send artwork out into the world. You don’t know where it will land or what people will think of it or who it may touch. But therein lies the simple beauty of it. I’m grateful that you are on the other end of this nebulous network that connects us!
A note about this artwork: I created eight arctic stamps this year as part of a Christmas letter I write each year from the North Pole to several special children. I included the stamps in a different format in the Christmas letter, but thought they made a nice collection when viewed together. Have a wonder-filled and Merry Christmas!
I love days like this: when I go out in the cold and roam through the woods and fields, sketchbook in hand; hopeful. Sometimes I come back with nothing to show. But then there are days like today, when I’ve almost given up, but decide to double back. I head down a new path, find something that strikes me, and begin. Then, I am reminded of how good it is to look, and of how much I like being outside with a pen in hand.
Tips and Techniques– If you are going to sketch outside in winter, I suggest using it as an opportunity to practice sketching directly in pen. Don’t worry about being too precise; put pen to paper and keep it moving. I start by staring at my subject and getting in a focused zone where I’m just looking at the lines and shapes, darks and lights. I work light and loose, trusting what I see more than what I put on the page. Soon, the shapes pull together into recognizable objects. Today, I made a mental note of color, but sometimes a quick photo will provide adequate reference for adding color back at home.
My yard is littered with walnuts, the driveway with acorns, the side yard with sugar maple keys. My desk, too, is nearly taken over by tree seeds of all shapes and sizes and in various states of decay. I have been collecting them for the past few weeks in order to make this painting. Collection pages are so much fun to do. Whether seeds or mushrooms or amphibians or moths, I enjoy learning about each species and about the group as a whole. And I enjoy the challenge of making the individual parts come together on paper. This piece is nearly done, but for labeling each of the tree seeds. What script to use is my final decision— as is figuring out what those three wiry balls on the right are (I know the rest—do you?)
I love going out along the roadside and seeing what’s there to sketch. I have yet to do it every month, but at some point I’ll have a nice record of the year. I bring just my journal and a pen, which gives me the ability to safely walk the weedy margins and sketch things that strike me as I go. I make color notes or take reference photos and paint later at home.
Tips and Techniques– Several of you have asked about my travel art supplies, so here you go! What you see above is what I typically bring, whether close to home or farther afield. These supplies fit in a plastic bag that I can tuck in my backpack or handbag, or in a dedicated sketch bag with a long shoulder strap that I sometimes carry. I love being able to do so much with a few basic supplies.
- Sketchbook: Stillman & Birn 5.5×8.5” Zeta or Beta
- Pens: Pigma Micron 02 and 005 black for sketching and text
- Pencil: Steadler F and kneaded eraser
- Brushes: Escoda Versatil Travel Brushes, size 2,6,8. A bigger brush for painting landscapes would be helpful for larger washes.
- Paint: Schmincke box with Windsor and Newton, Daniel Smith, and QoR paints
- Miscellaneous: Paper towels, clips for holding the pages, spray bottle for moistening paints, small water container
If you are looking to carry less on your next sketch outing, try paring down to only what fits in a large Ziploc bag. Lighten up and enjoy!
I’ve been wrapping up the sketches that I started while on my Great Western Road Trip— a 10 day drive from Boulder, Colorado, to Pasadena, California, via Arches, Canyonlands, and Bryce Canyon National Parks in Utah. This trip had a much tighter itinerary than previous vacations and it put me to the test in terms of sketching on the go. I thought I’d share a few tips gleaned from my experience in hopes that they help you on your next trip.
- Pare down to a few basic supplies. The more stuff you have the harder it will be to carry, set up, and break down quickly. I put my journal, pencil, pen, and paints into a large Ziploc bag that fits in my handbag or backpack.
- Seize the moment. Travel sketching requires a combination of seizing opportunities and making opportunities to fit art into your trip. It isn’t easy. This is especially true if you have a hectic itinerary or if you are traveling with non-sketchers, or both. Make the most of the time you have, whether five minutes while waiting for your traveling companions, a 30-minute airport layover, or an hour in your hotel at the end of the day.
- Create the moment. If you know in advance that you will be going somewhere you’d like to sketch, tell your traveling companions and let them know approximately how much time you need. This enables everyone to plan their time and spares you from feeling as if you are slowing the group.
- Start, even if you can’t finish. If you see something that strikes you, put down a line and take a photo for reference. Draw what you can in the time you have. You can always come back and finish later, but if you don’t start, you’ll lose the moment and the freshness of sketching live.
- Adjust your expectations and the size of your artwork. You’re not out to make a masterpiece; you’re out to record fun, interesting, and memorable parts of your trip. Work smaller if it helps.
- Mix it up. Sketch a variety of subjects, from landscapes to single objects to food. The more varied your pages, the more you will capture the essence of your trip.
- Incorporate artistic elements from the place. This may include colors, fonts, or designs drawn from the art or culture of the place you are visiting.
- Let enthusiasm fuel you. More than likely, there will be no ideal conditions for drawing or painting while traveling. You may not have great seating, weather, light, or time. Expect to be challenged and let your enthusiasm drive you. Your sketches may not be perfect, but they’ll convey a sense of fun, discovery, and excitement from your trip.
Workshop Opportunity: Travel Sketching in Watercolor
Saturday, November 9, 2019; 9am – 1pm, Art School of Columbia County, Ghent, NY
Sure to be worth the trip, this workshop will focus on techniques and layout ideas for sketching on the go and capturing your travel experiences in watercolor. Register by emailing: email@example.com