In Camille’s Garden
Having creative friends is wonderful thing—especially when they invite you over for an evening of sketching! I’d been eying Camille’s garden for awhile and I was glad for the chance to look at it more closely. Unfortunately, the sun was fading fast, so I chose just a small part of the flower bed to paint. I especially liked the way the hedge bindweed threaded through the lilies and daisies. The wren is nesting in my own garden, but he fit that space quite nicely and so became the final element to the… Read More
Hour by Hour
What if you had to draw something every hour all day, but each drawing could take only one to five minutes? That’s the challenge I issued to participants at a recent workshop on Arts and Birding in Maine…and this page is my own result. Starting at 5:40am with the clothes hanging in my closet, I found that sometimes I knew what I wanted to draw (the osprey nest), but more often, I just stopped at some point during each hour and drew whatever was in front of me (flowers on the breakfast… Read More
Specimens!
I love dead birds. Don’t get me wrong: I love living birds, too. It’s just that living birds are harder to draw and paint. So when I have a chance to study and sketch specimens, I seize it! Bird “study skins”—as these un-posed, stuffed birds are called—provide a close-up view of anatomy, feather groups, and coloration that is often hard to decipher when birds are alive and moving. By sketching bird skins, I’m better prepared to capture the right placement and shape of a bird’s wings, feet, and bill when sketching birds… Read More
Life Between the Tides
“The edge of the sea is a strange and beautiful place.” —Rachel Carson, 1955 No visit to the rocky coast of Maine would be complete without exploring and sketching in the watery realm where land meets sea. Here, a fascinating world of plants and animals awaits discovery. Creatures of the Intertidal Zone are uniquely adapted to live both underwater and high and dry for hours each day as the tide rises and falls. Only the most hardy and adaptable survive – and they do it with remarkable tenacity. Sketching conditions are a… Read More
Unwanted Sprouts
I’ve been weeding around the house and gardens this week, and discovering some unwanted beauties in the process. I pulled the shagbark hickory first – complete with half its outer shell – and started this page with that. Next came the sugar maple, which I found spouting beneath the peonies. I liked the curve of the stem reaching for light, but I liked it better in my journal than in the ground. The page seemed a little spare, so I went looking for something small and discovered the silver maple, just getting… Read More
Arts and Birding
How do you draw something when it is in constant motion? How do you get the shapes and colors and patterns right when you only get a fleeting look at your subject? That’s the challenge of sketching birds—which requires good field identification skills, some study of bird anatomy, and solid drawing and painting skills. I like to study and sketch specimens and use photographs for reference materials before going into the field. By working out shapes, identifying details, and making notes about a bird’s habits, I’m more prepared to sketch quickly when… Read More
Locust Buzz
Turns out I wasn’t the only one drawn in by the burst of blossoms in a nearby locust grove. Once I got up close to sketch, I could hear the drone of hundreds of bees buzzing in the profusion of flowers draping the trees. These were especially large bumble bees—and I’ll have to go back to make a more accurate identification. Though they were flying about as I sketched, they were too focused on the task at hand to bother with me. Bees are an important pollinator of locusts and beekeepers often… Read More
Under the Eaves
At my sister’s 1830s rambling country farmhouse last weekend, I found several nests of robins and phoebes tucked under the eaves of porches and overhangs. I walked under this one numerous times before noticing its messy threads spilling from the beams above the front porch doorway! I sketched very quickly in ink, which lent itself to the loose tangle of grasses, but didn’t work as well for figuring out the perspective of the multi-angled beams, roof, and siding. The paint and text helped pull it together — but in the end, the… Read More
Coffee Break
“The problem with painting and eating is patience.” …As you can see, I didn’t wait for the coffee. I don’t often draw food, but its fun, especially when I’ve baked something for company or a special occasion. Then a journal page like this serves as a nice reminder. As is typically the case when painting food, time is limited. This leads to loose and imperfect results on the page, but assures eating after a reasonable wait. I sketched directly in pen, then added watercolor, and finally wrote the text after eating the… Read More
Map My Ride
I’ve been cycling a lot lately and wanted to map some of my routes and record mileage for various rides. I love making maps—but this one made me realize how many decisions go into making them and how many possibilities there are for variation. Deciding what to include and what to leave out; what color scheme to use; how to design elements like a legend, compass rose, and border; what kind of lines for roads; and how to mark special places is part of the fun. I toyed with painting each segment… Read More
Drawn In 