How do you draw something when it is in constant motion? How do you get the shapes and colors and patterns right when you only get a fleeting look at your subject? That’s the challenge of sketching birds—which requires good field identification skills, some study of bird anatomy, and solid drawing and painting skills. I like to study and sketch specimens and use photographs for reference materials before going into the field. By working out shapes, identifying details, and making notes about a bird’s habits, I’m more prepared to sketch quickly when… Read More
Spring songbird migration is in full swing! Over the weekend, a warm front moved in, bringing flocks of warblers to our yard. The birds spent the better part of two days flitting and feasting in our birch tree, and we spent the better part of a morning and evening craning our necks to watch them. We identified six different species—most of which we had never seen in our yard before and may never see here again. (The term “fall out” refers to the phenomenon of a frontal system temporarily stalling bird migration…. Read More
With so many shapes, sizes, colors, and patterns, bird eggs make for fascinating painting—and study. Here, I experimented with different techniques for eggs, shadows, and patterns, starting at the bottom left and working my way up the page. The hard outer shell of an egg takes almost 20 hours to complete—layers of calcium and color slowly building. Thankfully, it doesn’t take that long to paint an egg, but it is also a slow process of building up layers of watercolor.