It’s the perfect time of year for painting trees. Bare bones and branches, I like the unobstructed view, when limbs, bark, and shapes are revealed. This old maple in my front yard is interesting from almost any angle. I started mid-afternoon in glowing light but, because the sun faded quickly, it took me several days—and patience waiting for the right light again– to finish.
November Maple, 10″x14”, Watercolor on 140lb Arches cold press paper
The last blaze of autumn’s glory is upon us in upstate New York. Gold, crimson, bronze, and green hang on, even after several days of wind and rain. Among the best places to see the show, I knew, would be in one of my area’s oldest and grandest rural cemeteries – Oakwood Cemetery in Troy, New York. Established in early 1848, Oakwood’s monuments are dwarfed by towering oaks, maples, beech, and hickories. How fitting, then, to paint there just two days after a longtime family friend died of cancer. In retrospect, I suppose it was no accident. It was the perfect place to contemplate a life now gone and to take solace in the radiant glory of fall’s last days.
I came upon this sugar maple while hiking at a nature preserve and was quickly drawn in by its spreading lower limbs. Consider what a rare thing it is to see a tree like this. In nurseries and residential yards and farm fields alike, lower branches are commonly lobbed off— for aesthetics or safety or ease of mowing underneath. Grown wild, this beauty’s lower limbs stretch improbably far outward and upward. With most of its leaves already lying in a carpet of orange and brown on the ground, it was easier to see its structure fully and to enjoy the play of light and shadow across its branches. I had less than an hour of sketching time, so I decided to focus on capturing the maple’s form, rather than attempt a full painting. I then added just a touch of watercolor later to suggest the warmth of the late day sun.