I’ve been watching our newest neighbors as they take up residence in our yard. Bluebirds recently fledged from one of our nest boxes and a brief battle for the box was won by a pair of house wrens. There are not really four birds, as depicted, but I wanted to capture the pattern of the pair’s activities during the nest building stage. These poses were repeated over and over as I sketched. You’d think that would have made it easier, but wrens aren’t known for standing still. I switched between using binoculars and picking up the pencil to make the initial drawing, then added color later. I like the way the poses capture the some of the story of the wrens setting up house.
Tips and Techniques– I used a pale non-photo-blue pencil to make my initial sketches of the wrens. This gave me a chance to work on the postures before committing to ink. A regular pencil would have been fine, too, but the blue pencil is easy to erase and cover over with paint. It’s a handy tool for birds and other tricky subjects.
My second tip is for those of you who have nest boxes: be sure to monitor them. Open the box quickly about once a week to check on the nest, eggs, or young. This will give you a good idea of what species are using your boxes, whether they fledge successfully, and whether there are any problems. My bluebird nest became infested with ants and I was able to remove it once the birds fledged so that the box was clean for the next inhabitant. There’s good information about nest box monitoring and a code of conduct here: https://nestwatch.org/
For the last month, I’ve been watching a robin’s nest that sits on the sill of an eyebrow window at our house. I’ve been able to directly observe everything from four perfect eggs to four pathetic-looking naked chicks to four gaping mouths, begging for their parents to stuff them full of moths and worms. Last Sunday I made this ink sketch, added a bit of color on Monday night, and figured I finish the page later this week. But even when you count your chicks before and after they hatch, it doesn’t mean things will turn out well.
I expected to see four jostling chicks with feathers today and instead found a perfectly empty nest. I checked the calendar, checked my nest records, checked reference books, and checked again. Eleven days…just shy of the 14 to 16 days that it typically takes for nestling robins to fledge. My suspicion is that an owl made off with a nice meal. Although the birds were protected from ground predators, they were otherwise completely exposed, especially as they grew larger and began to overflow the bounds of the nest. It’s an unfortunate fate…unless, of course, you take the owl’s perspective.
Tips: If you are observing nesting birds, it’s a good idea to follow a birding code of conduct to make sure you don’t disturb the birds. The Cornell Lab of Ornithology NestWatch program is a good place to learn and to contribute your findings.
Finding bird nests is something typically reserved for late autumn, when fallen leaves reveal summer’s hidden treasures. But I’ve been lucky this spring. Bluebirds and trees swallows took up residence in nest boxes we put up in April; a robin returned to a nest used last year on an upstairs window ledge; I spied a pair of cardinals making their nest in a hemlock bough; and, just last week, I caught sight of an American redstart as it landed and disappeared into a tangle of shrubbery at the edge of the woods– a tell that led me to discover its well concealed nest. I know there is a lot more nesting going on in the surrounding woods and field, but it may be autumn before I am able to add more to the map.
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Tips and Techniques– I love making maps and find that it is an excellent way to learn and record information. I made this one so I would have a reference for future years’ nesting activity on our property. I used Google Maps to sketch the aerial view– it’s a great tool for getting the basics of the landscape geography you want to record. Once I had the map laid out, I added the nest, using a photo of the actual nest so as not to disturb the birds. I had been hoping an egg or two would have already been laid, but because I was a bit too early, I decided to add the eggs for each bird as a separate element. I used the Princeton Field Guide Nest, Eggs, and Nestlings of North American Birds by Paul Baicich and Colin Harrison as a reference, as well as an atypically oblong robin’s egg found abandoned near our driveway.
Standing among sunlit dogwood blossoms is a treat: white petals bright against a backdrop of dappled greens, blue sky, and bird song. The moment would be perfect but for the gnats that bite the back of my neck while sketching. They force me to draw fast and loose and then retreat to the house. Still, when I look at this painting months or years from now, it will not be the insects I remember, but the long-awaited spring day and the blank sheet of paper bright with promise.
Among Dogwoods, 5×7″, watercolor on Fabriano 300lb cold press watercolor paper.
Tips and Techniques– I took advantage of negative painting techniques for this, starting with a wet in wet wash of phthalo blue, Hansa yellow medium, and quin rose over my pencil drawing. I left a lot of white for the flowers, but you can see that I wasn’t exact with every edge. Once dry, I proceeded to do a long series of varied washes to define to foliage and create a sense of depth. I find that this type of painting takes a while to develop, and doesn’t fully take shape until I add the darkest layers and final details (e.g., the moth, shadows, and red highlights on the flowers). I worked on it over the course of a week. Stepping away is not only important for letting the paint dry between layers, but helps me come back and see it fresh.
Here’s a second painting that I started that will give you a sense of what this looks like in the early stages. You can see where I’m just beginning to pick out the shapes from the pencil drawing. Patience is key!
Isn’t it nice to think that Don Wentworth’s poem may be true?
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Today, just letting it be
Have a great weekend.
Ranunculus blooms in a riot of paint box reds and pinks. Brightening the countertop, they are perfect for April, when the Northeast is slowly greening, but I am impatient for more.
Tips and Techniques: Here’s a look at my basic kit:
- 2 Micron archival pens, black, 02 and 005
- 3 Escota Versatil travel watercolor brushes, sizes 2, 6, 12
- 2 Staedtler Mars Lumograph pencils, F and 2B
- pencil sharpener
- Watercolors (Winsor Newton and Daniel Smith) in an altered Schmincke tin: cobalt blue, phthalo blue, ultramarine blue, indanthrone blue, phthalo green*, sap green, carmine red*, quin rose, alizarin crimson, pyrol orange, burnt umber, burnt sienna, raw umber, yellow ochre, quin gold, aureolin yellow, lemon yellow*, Hansa yellow medium (*these colors are fairly new to me, so they’re still in the testing phase.)
- Small spray bottle for pre-wetting my paints, small jar with a lid for water
- Scrap piece of paper for testing colors
- Extra: Princeton Neptune 1/4-inch dagger brush (nice for the fine foliage of this flower)