There are many reasons to appreciate stately, solid oaks. Raking their late-dropping leaves in December is not one of them. Persistent and tenacious, they hang on despite autumn gusts and rain storms that shake other trees bare by October’s end. And yet, as I rake pile after pile, I think: maybe we should be more like oak leaves, resolved to hang on as long as we can. Savoring each day of sun, knowing that the dark and silent winter will come all too soon.
Tips & Techniques– I’m testing a new box of Schmincke watercolors, so I decided to use “negative” painting techniques with this journal page as a way to figure out the range of colors I could get with a triad of Ultramarine Blue, English Venetian Red, and Yellow Ochre. I began with a very loose wet-in-wet wash of those three colors. Once it dried, I began to pick out the shapes of the leaves with smaller, but still very wet washes. You can lay lots of layers on top of one another with this technique to build values, depth and interest. The trick is to stop before overworking it or losing the spontaneity of the original wash.
Here’s how it looked along the way (sorry I didn’t take more photos toward the end; I got absorbed and forgot)…
Get to know your paints! I haven’t used English Venetian Red before, and though it looks similar to Burnt Sienna, it is less transparent and mixes very differently. Look how it becomes more purple when mixed with Ultramarine Blue. Burnt Sienna creates beautiful browns and grays with Ultramarine, a mix I use all the time. The purple toned darks worked nicely for the oak leaves, creating a lively triad with the Yellow Ochre.
Forget shopping. Making and giving holiday gifts is one of the things I like best about the holidays…but the final rush is definitely here. With a week to go before Christmas, creative ideas and good intentions are flowing as fast as the hourglass fills. So…a quick post today of one of my latest projects.
Poinsettia; watercolor on Arches 140lb cold pressed paper
I take the beauty of fall for granted. That’s not to say that I don’t appreciate it or that I am not awed by its glory. Only that I take for granted that it will be so, year after year. For those of us who live in the Northeast, it is a given that winters will be cold and long, that spring will burst forth in birdsong and flowers, that summer will be prized for its heat and fullness, and that autumn will complete the year with a cloak of gold.
I painted this page on location with a fellow sketcher who grew up in the Middle East. She marveled at leaves the way people who live in warm places marvel at snow when they see it for the first time. It surprised me; I had never given it thought. So here’s to a fine afternoon sketching and a valuable reminder to be grateful for things I take for granted.
Watercolor, Strathmore- 400 series sketchbook; click to view larger
About the technique– This sketchbook page was done with a watercolor technique known as “negative painting.”
- I first painted a wet-in-wet wash of primary colors (ultramarine blue, alizarin crimson, and Hansa yellow medium).
- When dry, I sketched an outline of the main leaves and began to paint around them with graded washes using combinations of the same three colors to create additional leaf shapes and patterns. Using a simple palette helps to ensure that the layers don’t get muddy.
- I continued to add more layers of paint, creating additional detail and a greater sense of depth. It’s kind of a dizzying process and you can easily get lost in it. The trick is stopping before tinkering too much and losing the spontaneous effects of the wet washes.
Watercolor, Strathmore- 400 series sketchbook