There’s a bias in urban and nature sketching for working quickly. The idea is to get the subject down while on location and to capture the moment, place, or experience. It’s a worthy practice and many people do it well, completing sketchbook pages with lovely drawings and paintings in an hour or two. But there’s also a lot to be said for working slowly. Careful observation and allowing time for a subject to resonate gives you time to figure out how best to approach it on paper. Sometimes I build a painting… Read More
We couldn’t have picked a better weekend to visit Washington D.C. I didn’t realize when we chose the date that it would coincide with the blooming of the city’s cherry trees. After two years of social isolation, families, friends, and lovers strolled among the trees around the Tidal Basin, drinking in the beauty of pink and white blossoms in the sun. In a world with so much division and strife, what a gift to find the promise of hope and renewal still within our reach. The planting of cherry trees in Washington… Read More
My father-in-law died this week at the age of 88. A gentleman always and a stalwart family man, Roger lived for the last 10 months in a nursing home following a serious fall and head injury which left him with significant memory loss. On a recent visit, my husband encouraged me to bring along my sketchbook, hoping that it might spark conversation that had nothing to do with the past or the future. Indeed, it turned out to be one of the loveliest visits we shared together. The pages – whether butterflies,… Read More
The sun fades quickly on December afternoons, dipping below the horizon not long after 4pm. Even after a lifetime of Decembers, it still surprises me how short these days are. But the silver lining comes once the sky begins to darken. Then, in the clarity of cold winter air, the bare branches of trees silhouetted against the backdrop of blue and pink, deep purple, and inky black create a singular beauty. These darkest days will soon pass, but while they last, I’ll cherish this silent and remarkable view. Tips and Techniques– To… Read More
When the basil in our garden comes into full force, it’s time to make pesto and caprese salad and fresh tomato pie. But first, it’s time to sketch. I wanted to try something different here to bring out the shapes, patterns, and summer colors of the basil. And now, to the kitchen! (Click to view larger)Tips and Techniques– Sorry I didn’t take a photo of the initial pencil sketch and first layer of wet in wet wash. But this shows the progression thereafter of painting mainly the negative spaces between the plants… Read More
A single lime. So simple, yet so many decisions. I had made an artist’s first decision: subject matter, but next came choices about style, composition, materials. I knew that once begun, each line or stroke would narrow some possibilities and open others. More decisions would follow: color, value, precision. At long last, I chose two paths—one botanical, the other more abstract. I worked on both at the same time, alternating between them as paint dried, until finally, I had only one final decision: when to stop. And now, you decide: which appeals… Read More
The November garden is as stark as the rest of the world. The vibrancy of the August palette has given way to browns and grays. A touch of green and ocher and russet remain. It isn’t much, but I’ll take it. A tangle of once-scarlet runner beans is all there is for a final garden painting.
When peonies bloom, rain nearly always follows. And so it was that I lost my subject. Still, I am pleased to have June’s most elegant flower in the pages of my sketchbook, a few cut flowers on my table, and pink and white petals littering the garden. Tips and Techniques- What you don’t see on this page are all the test sheets of greens that I’ve been working on this week: blue and yellow combinations, “convenience” green combinations (sap green, phthalo green, green gold), greens with browns, and greens with reds. I’m… Read More
I could have titled this post: Ready for Color, or Envious of Those Experiencing the Desert Wildflower Bloom, or simply Tired of Brown. Rather than painting what’s outside this week, I decided to create my own poppy field. This piece is bigger and bolder than I typically paint. I’m still not sure what I think of it, but it has been nice to experiment with some brighter colors and assuage my wishful thinking. Tips and Techniques– I created this piece using negative painting techniques, starting with a wet-in-wet wash of QoR Nickel… Read More
Note to self: avoid painting at the Lyman Conservatory during the spring bulb show. Truth be told, I only glanced into the rooms that displayed a grand spectacle of colorful tulips and daffodils. They were so crowded with winter-weary visitors that sketching there was impossible. I did, however, eke out a small corner of a greenhouse where a tangle of vine wound its way from floor to ceiling. And, as crowded as it was, I wouldn’t have traded a day lost in that greenery for anything.