Hide and Seek

In springtime, birds tuck their nests into dense foliage and tangled vines. In fall, I try to find as many nests as I can. It is a game of hide and seek in which the birds always win. Still, I walk in woods and fields and along the roadside, taking new paths, looking from new angles, scanning the trees. I count every nest as a victory; a way to understand the place where I live and the creatures that inhabit it. Alas, it is no easy task. Though I think I am paying attention, here are two recent finds that prove otherwise. I walked past these two nests several times a week all summer and fall without seeing a thing.

Tips and Techniques– Most birds—and their eggs, feathers, and nests—are protected by the Migratory Bird Treaty Act of 1918. The law ensures the sustainability of populations of all protected migratory bird species. Unless you have a permit from the U.S. Fish & Wildlife Service, you should not collect these things. Instead, sketch them where you find them, take a photo, and leave them in place. In addition, seek out nature centers and natural history museums that have a permit. Their collections are invaluable to educators, researchers, students, and artists.

Nurturing a Sense of Wonder

I’m thrilled to share the news that my book, The Nature Explorer’s Sketchbook, is now available. Geared for ages 10+, it invites kids to begin a lifelong journey of nature exploration with ideas, tips, and plenty of space to sketch. Launching a book makes you think about the people and experiences that were critical to launching you— family, relatives, teachers, friends. People who believed in you; people who were hard on you; or, in my case, people who encouraged me not to hide my sketchbooks in a drawer.

My grandmother, more than anyone, is responsible for nurturing my creative tendencies and interest in the Arts. A painter herself, she praised my earliest attempts at drawing and painting. She enrolled me in a plein air painting class for adults when I was just entering high school (I was in WAY over my head). She displayed a clunky clay mask that I made in art class in her living room! She shared her curiosity and enthusiasm and nurtured that in me.

If there are young people in your life, think about ways to nurture their sense of wonder and creativity. If that means giving them The Nature Explorer’s Sketchbook, wonderful. Better still, add a box of colored pencils, and spend time together discovering how big and beautiful the world is if we only go outside to look.

TO ORDER
Use special discount code “nature25” and receive 25% off from 11/1 through 11/6 when you order from Tumblehome Books. Or order from your local bookseller with ISBN# 9781943431595, or at Amazon.

JOIN ME THIS WEEK ON ZOOM

Look, See, Sketch, 11/4, 5-5:45pm (EST) FREE
Register:
 Tumblehome Books
This Zoom session is for youth and adults alike who enjoy exploring nature or drawing or both. We’ll talk about The Nature Explorer’s Sketchbook, and you’ll have a chance to ask questions and draw along with me as I share some activities and tips from the book to spark your curiosity.

Art Chat
11/5, 10am (PST)/1pm (EST) FREE

Register: Winslow Art Center
Come talk art and creativity with me and Winslow Art Center Director Martha Jordan.

Along the Roadside…October

You never know what you’ll find out on the roadside. Although I walk the same two-mile loop frequently, few days are ever the same. Subtle changes shift one week into the next, one season into another. Noticing is the art of going.

My recent walks have been in the late afternoon; wind picking up, sun low on the horizon. The flowers and grasses have gone to seed, a few bunches of wild grapes are left for the birds. It’s a good time to capture the moment: October in its final fading days. November is coming fast.

Admittedly, this next page is an unusual addition to this post.I came upon a dead barred owl lying in the grassy margin of the roadside, clearly struck by a car or truck. Daylight was fading fast, but the owl was so absolutely beautiful that I couldn’t let it go. If I didn’t paint it then, the opportunity might be gone. There was only time to capture a fleeting impression of feathers, but that seemed a fitting way to acknowledge the life and the loss.

Wind Fall

It’s apple season here in New York; the time for picking apples and drinking cider and making pies. But for sketching, I prefer to leave the perfect apples for others and seek out wild and wind fallen fruit. Like Thoreau, I find almost all wild apples handsome. They are beautiful not in spite of their misshapen and knotted appearance, but because of it.

I recently had the honor of being interviewed by Bethan Burton for an episode of the Journaling with Nature podcast. We talk about my approach to sketching, my love of subjects that are often overlooked, and about my book, The Nature Explorer’s Sketchbook. Everyone should be interviewed by someone as sweet as Bethan. Her soft Australian accent and ability to put you at ease makes the conversation flow and leave you feeling like you’ve gained a friend.

Give a listen here: or search for Journaling With Nature wherever you listen to podcasts. You can find it on Apple, Google, and Spotify. 

Last Show

Fall is here, but the final blooms of zinnias and Mexican sunflowers continue in the garden, along with a tangle of scarlet runner bean and cypress vines. I’m hoping that the remaining tomatoes ripen before we get a hard frost. Perhaps there will be one more journal page to mark the end of the season. But just in case, the last of the show seems well deserving of a late season tribute.

Tips and Techniques– I could have selected only the finest remaining blooms for this sketch, but it wouldn’t have reflected the reality of the tangled mess or plants in various stages of bloom and decay that mark the October garden. So, while you may be tempted to paint a beautiful bouquet (and there’s nothing wrong with that), consider the value of marking the seasons and showing the imperfect reality that is inherent in a fall garden (and life itself).

Golden Hour

At 5 o’clock, the sun was already low on the horizon, casting a golden light that would blaze for a short while more and then vanish. After eight hours at my desk, I quickly closed my laptop, picked up my sketchbook, and headed to a nearby preserve to immerse myself in what remained of a perfect fall day. I didn’t walk far before being surrounded by the colors of the season. Dark trunks of old sugar maples cloaked in a perfect glory of yellow, orange, green, and russet lined the old carriage road that marks the boundary of the preserve. I wish I could have taken you along to see the display, but this sketch will have to do.

Tips and Techniques—Sometimes you only have an hour (or less), a perfectly golden hour, in which to make a mark on a page. Tackling a big subject like a line of trees and fall foliage wouldn’t typically be my go-to subject for such a short time. But because it was truly THE subject of the moment, I decided to take the leap. Eliminating the more complicated branches of this scene made it more doable—though I wish I had included just a little more height. I sketched in the trees in pencil and painted the colorful leaves and ground with a waterbrush while on the path. The impression of color and light seemed like the most important element to capture in the moment. Back at home, I added the dark trunks and shadows. The thin border and text were important finishing elements, containing the sketch and anchoring it in time and place.

Vinalhaven Sketchbook

“I suppose wisdom is to know one’s necessities and not live without them. And this huge silence, with the woods and the ocean together, and the air full of kelp and the sound of the fish hawk and the seagulls and nothing else seems to be something I parish and parch without.” 
Margaret Wise Brown, who summered on Vinalhaven from 1938-1952 and authored children’s classics including Goodnight Moon and Runaway Bunny

The Maine coast is, for many, about lighthouses and lobsters, quaint harbor towns and deep blue-green waters. I like those things, too, but I am drawn to Maine’s rocky coast—and to its islands in particular—for their silent and majestic spruce forests and intimate rocky tidal pools. Here, worlds beyond my own cares open, anchored in the solidity of granite and the rhythm of tides. The cry of the osprey circling overhead, the croak of a heron in the gathering dusk, the occasional rumble of lobster boats are welcome sounds in an otherwise quiet September.

We filled our days with exploration and several exhilarating quarry swims. I tried to paint boats and buildings in my sketchbook but found I could not muster enough interest to do either with satisfaction. So here is my week in sketches and in the particulars that will sustain me until I return.

Fields of Summer

Back in May, I wrote a post about Gardens Wild and Planted, where I wondered whether the home gardener could create anything as lovely as a spring meadow. Here I am again at the end of summer wondering the same once more. I visited this field (and started this journal page) back in July and revisited it last week to see it again (and finish the sketch). My own garden is a fine mix of annuals and perennials, and it has provided plenty of good subject matter for sketching. But it cannot compare with the wilder open fields where an annual mowing is all that is needed to create an entire season of beauty.  

Tips and Techniques– This sketch is a composite of various flowers and grasses in the field. Rather than standing in one place where all of this was in view, I moved from flower to flower to fill the page. I often use this technique when outside because it allows me the freedom to roam freely, discovering and drawing as I go. I sketch directly with a black Micron 02 pen and I may or may not add watercolor on the spot. A small travel watercolor set and water brush work well, though I frequently add more layers of watercolor at home. The text and border come last. Hope you are enjoying some late summer wandering and sketching!

Mushroom Season

Weeks of hot, humid weather followed by a rainstorm or two means it’s time to watch for mushrooms. We had a terrific explosion of fungi in our yard in August two years ago, then none appeared last year; so I’ve been hoping this year would yield another bonanza. I am not disappointed. In the last few days, hundreds of mushrooms have pushed up from the soil under a small grove of oaks and walnuts. 

Among the benefits of keeping a nature journal is having a record over time of everything from mushrooms to bird nests to wildflowers. I had a moment of complacency about sketching these, thinking that I’d painted them all before. But as soon as I started and began looking closely, I kept finding more and different varieties. Then, when I looked back on my journal from two years ago, I was surprised to discover how little overlap there was. Even the most modest subjects lead to fascinating discoveries.

Tips and Techniques- I sketched these with a water soluble HB pencil with watercolor, using a 3/8″ (10mm) flat brush. The pencil lines soften and merge with the watercolor, but you can see them clearly where I didn’t touch them at all. My hope was that the flat brush would force me to work with less fuss, and I think it worked. I used a size 2 round for a few details in the soil and details on the caps.

 

The Big Reveal

Big news! I’m thrilled to share that I have a book coming out in November, The Nature Explorer’s Sketchbook. The book is primarily intended for young people (9+) and aspires to help them look more closely at nature and capture what they discover with pencil, pen, and paint. I hope it invites kids to begin a lifelong journey of exploration and creative expression with ideas, tips, and plenty of space to draw.

This book has been a year in the making and it’s exciting to see it all come together from concept to completion. I deeply appreciate several fantastic early reviews from educators, nature journalers, and artists, including Cathy Johnson and John Muir Laws.

THE LAUNCH
In the next few months, I’ll give you a sneak peek inside The Nature Explorer’s Sketchbook. I am also putting together a “launch team” to help me spread the word about the book. I would love you to be part of it. Here’s what’s involved:

Starting in mid-September, I’ll provide the launch team with a social media post once a month to share on Facebook, Instagram, or Twitter. If you are a blogger and would like to write a review, I can provide you with an advance copy. Once the book is available, I’ll be looking for people to write a brief review on Amazon. Reviews are key to having the search engine drive traffic to the book.

If you are interested in joining the launch team, let me know in the Comments section below. And, of course, I welcome you to buy a copy of The Nature Explorer’s Sketchbook for the special young people in your life—or for yourself—when it comes out November 1.

The book is being published by Tumblehome Books, a small publisher with a big mission: inspiring kids to think critically, love learning, and become fascinated by science. It will also be available at Independent Booksellers and Amazon.

ONLINE CLASS NOTICE! The Artist Sketchbook, Tuesdays, August 18, 25, Sept. 1, 8
6-8pm Eastern / 3-5pm Pacific; Offered by the Winslow Art Center, Bainbridge Island, WA
Registration opens later today, 7/26.