Farmers Market Bouquets
A few weeks ago, I wrote about my Farmers Market quest, and these two bouquets are some of my more recent discoveries. I used them as subjects for the final session of my Fun Farmers Market class, which wrapped up last week. There are many ways to paint a bouquet, but because I wanted to convey a bit of fun, we worked loosely for the ink sketch and then tried to keep the watercolor flowing, especially in the early stages of painting. The white on black label added a casual farmers market… Read More
Farmers Market Quest
I’ve been visiting farm stands and farmers markets for several weeks, looking for fresh subjects for my Farmers Market sketchbook series. I accidentally discovered The King Farm near South Dartmouth, Massachusetts, when we made a wrong turn and pulled into the parking lot to get our bearings. A large tent revealed a bonanza of produce, baked goods, and two long tables with containers of mix and match flowers. Last week, I found buckets of colorful flowers from Damsel Garden at the Kinderhook Farmers Market. I love the riot of colors and textures… Read More
Lessons from an Onion
Sometimes simple things teach us a lot. In this case, the lowly onion had much to say. I used it as a subject for my online class, The Artist’s Sketchbook, which I started teaching last week. Lessons from an Onion1. Pay attention to basic ingredients: lines, shapes, and values.2. Don’t overlook commonplace subjects. The most beautiful is not always the most interesting.3. Add layers. Layering transparent color adds depth. Here’s the progression from start to finish. You can see how adding layers of watercolor and values from light to dark makes all… Read More
Hard to Resist
It’s hard to resist Seckel pears in the fall. I don’t mean eating them, so much as drawing and painting them. There’s something lovely about the squat shape and subtle variety of green and gold and red. My instinct was to fill an entire page with pears, but after beginning the first few, I quickly realized that I didn’t have the patience to do ten or twelve. So, four pears on a Saturday morning is all there is. Tips and Techniques– I did these using a combination of colored pencil and watercolor…. Read More
Peach Season
It’s hard to exaggerate the extravagance of ripe peaches. Soft, striking, sweet, juicy…what fruits can rival them? Tomatoes, apples, eggplant, peppers? No match. Pears and cherries? Closer, but still second. Painting them is a pleasure, too. As is eating them, when the painting is done. Tips and Techniques: First, I made it clear to my family, “Don’t eat the peaches until I paint them.” The previous three farmstand purchases disappeared before I had a chance at them. I started this as a simple ink sketch, and then painted multiple layers of Hansa… Read More
Savor the Moment
This is just to say…buy some plums (or tomatoes, corn, or apples). Paint them. Eat them. And savor the moment. Tips & Techniques- I realize that several of these plums look more like purple potatoes than plums, and you may have artwork that doesn’t quite turn out as you would like, too. One way to “save it” is with text that captures something of your experience. Another is to try again (this is my second attempt—my first had better plums but a less interesting layout). Another is to turn the page and… Read More
Fast and Loose
Short on time but long on patience, I often need to quickly put pen to paper in my journal, get a first wash of color down, and then come back to finish later. The result is a journal full of sketches that took five minutes to start but five days to finish. I don’t really mind—working fast and loose has its merits. For one, my sketchbook would be empty if I waited until I had a big block of time for art. It has improved my hand-eye coordination. And it has kept… Read More
Loose Lines
It’s always nice when good sketches sneak up on you. They’re often the ones where you’re not trying too hard or thinking too much. Where your lines are loose and flow from object to paper quickly and without criticism. I wasn’t trying to create anything detailed or complicated here; I just wanted to capture form and light…which, I suppose is what we’re always striving for on paper. Tips & Techniques- If you need to loosen up with your artwork, I recommend grabbing a pencil or pen and leaving the eraser behind. Look at… Read More
Poetry of Onions
“…Let me keep my mind on what matters, which is my work, which is mostly standing still and learning to be astonished…” – Mary Oliver, Messenger I spent a recent rainy morning with two artist friends at Walker Farm in Brattleboro, Vermont. The sunflowers and peaches, carrots and tomatoes, and a riot of bright-colored petunias in the greenhouse were a painter’s dream. But somehow I found myself drawn to an old shed, where several bushels of onions caught the dim light. If you haven’t read Mary Oliver’s poem, Messenger, I recommend it… Read More
Season of Abundance
It is the season of abundance. Farm stands and farmer’s markets overflow with luscious color and variety. Gardens are ripening toward their fullest beauty. I am utterly drawn in. Forgive me if you are a lover of cabbage. Aside from when it is disguised in coleslaw or egg rolls, I find cabbage hard to enjoy…except when painting it. Then the lovely blending of purples and greens and blues, of leaf shapes and of the spaces between them reveal the cabbage’s true beauty. I got down on the ground for this perspective of… Read More
Jean Mackay
The Nature Explorer’s Sketchbook
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Drawn In 