When March feels like January and the urge to go outside and sketch no longer seems sane, I’m in trouble. I could use a change of scenery and fresh artistic inspiration, but, alas, there’s nowhere to go. So I’ve turned to my collection of beach finds to take me to warmer places and sunnier days. I like imagining whelks and horseshoe crabs crawling on sandy bottomed shores and blue mussels, sea stars, and urchins crammed into rocky cervices. Out there in the Atlantic, summer is just a dream away.
Tips and Techniques– A collection like this is perfect for rainy days and times when you just want to practice. I decided to sketch directly in pen and use a size 12 round brush to keep this loose and spontaneous. Had I gone for a more precise approach, I’d still be working on it. When you sketch a collection, start with one of the largest objects first. Then add your second and third objects close to it. Build out from there. You can always tuck smaller items into tight spaces or fill gaps in the design.
It always sneaks up too fast. Dark creeps in earlier each evening; the woods go silent; swallows gather on the power lines, then vanish. I was happy to fit in a final weekend at the ocean, where it was still plenty warm for one last swim. A row of kites fluttered overhead. Yellow primroses bloomed at the edge of the dunes. But flocks of sandpipers chasing the waves amidst late-season beach-goers were a sure tell of the season’s turning, as were the multitude of bright orange-red rose hips ripening in the sun. Summer’s end is here.
Tips and Techniques: When heading out to sketch, it’s helpful to think about what you can accomplish in the time you have. If you have 10 minutes, pick a 10-minute subject. This helps keep frustration in check, and you’ll avoid starting something you can’t finish or can’t capture sufficiently in the time you have. I’m fairly quick with drawing, but quite slow as a painter. I often choose subjects I can begin in the field and finish at later home, as was the case with the rose hips. Subjects like birds and trees take me longer to render well, so I don’t tackle them unless I have at least an hour. The more you work in the field the better you’ll become at picking subjects you can tackle well within the time you have.