A Day at the Beach

When March feels like January and the urge to go outside and sketch no longer seems sane, I’m in trouble. I could use a change of scenery and fresh artistic inspiration, but, alas, there’s nowhere to go. So I’ve turned to my collection of beach finds to take me to warmer places and sunnier days. I like imagining whelks and horseshoe crabs crawling on sandy bottomed shores and blue mussels, sea stars, and urchins crammed into rocky cervices. Out there in the Atlantic, summer is just a dream away.    Tips and… Read More

Vinalhaven Sketchbook

“I suppose wisdom is to know one’s necessities and not live without them. And this huge silence, with the woods and the ocean together, and the air full of kelp and the sound of the fish hawk and the seagulls and nothing else seems to be something I parish and parch without.”  —Margaret Wise Brown, who summered on Vinalhaven from 1938-1952 and authored children’s classics including Goodnight Moon and Runaway Bunny The Maine coast is, for many, about lighthouses and lobsters, quaint harbor towns and deep blue-green waters. I like those things,… Read More

Barnacles!

It’s not every day an editor needs illustrations of barnacles. It’s not every artist who could say, “Yes, I’ve drawn lots of barnacles.” So when an editor from PassageMaker Magazine contacted me so see if I might like to illustrate an article on barnacles and boats, how could I refuse? All those days I spent poking in low tide pools at the edge of the sea and sketching its inhabitants prepared me well for just such an assignment. It’s not every day that natural history, art, exploration, and financial reward come together for… Read More

Ireland, Part 2: Embrace the Weather

The weather in Ireland is notoriously changeable– sunny skies turn overcast and give way to misty rain within an hour’s time, and may just as quickly change back to clear blue, only to fill with rain again by day’s end. Unless, of course, it’s steadily raining, in which case, it will likely rain all day. This makes sketching in Ireland a bit of a challenge, but it also adds drama to already dramatic landscapes. The sketch of Dunmore Head on the Dingle Peninsula is one of my favorites. I had seen this… Read More

Simple Beauties

“Those who dwell among the beauties and mysteries of the Earth are never alone or weary of life.” – Rachel Carson I love the way small creatures find refuge in and on one another in the sea. Kelp, bryozoans, barnacles, mussels– life upon life, tangled and cemented together. Tossed up from the depths, it’s a pleasure to find these beauties within reach. Upcoming Program: Drawn In Sunday, October 23, 2016, 3pm, Free North Chatham Library, 4287 Rte. 203, North Chatham, New York I will be giving a presentation of my artwork as… Read More

Gone West

I’ve just returned from a week in the Pacific Northwest—land of big trees, mountains, skies, water, and wilderness. I had the privilege of teaching a four day watercolor sketching workshop with an enthusiastic and talented group of artists from Anacortes, Washington. I’ll share a few lessons from the workshop here soon…but first, let’s start where so many of my travels begin: with a map. It has been 30 years since my last trip to the Northwest, so this painting helped me to get a good sense of the lay of the land…. Read More

The Edge of the Sea

For many years now, I’ve clamored over granite ledges, slippery seaweeds, and sharp barnacle-laden rocks to explore the watery realm of Maine’s tide pools. When the sea retreats at low tide, a world of strange and tenacious creatures is revealed. I go in search of spiny urchins, orange and green sea stars, feathery anemone, scampering hermit crabs and slow moving snails, tunicates, blue muscles, dog whelks, sponges, lurking crabs and, always, the unexpected. I bring my sketchbook and a pen and draw until the tide turns. After this year’s adventure, I went back… Read More

Lighten up!

Though I work outdoors using a portable set of watercolors all the time, I realize that many people work almost exclusively indoors from photographs and a much larger set up. People often ask me how to get started working outside. Figuring out how to lighten the load is key; and once done, it opens all sorts of great possibilities for painting. In preparation for my upcoming workshop, Arts and Birding, in Maine, I have been making a few small watercolor boxes for people to try. Here are a variety I’ve put together… Read More