Hard to Resist

It’s hard to resist Seckel pears in the fall. I don’t mean eating them, so much as drawing and painting them. There’s something lovely about the squat shape and subtle variety of green and gold and red. My instinct was to fill an entire page with pears, but after beginning the first few, I quickly realized that I didn’t have the patience to do ten or twelve. So, four pears on a Saturday morning is all there is.

Tips and Techniques– I did these using a combination of colored pencil and watercolor. I set out to do them entirely in colored pencil, but quickly remembered why I am not a colored pencil artist—it just takes so darn long to shade forms. Although I like the control of colored pencil, I love the speed and luminosity of watercolor, and I’ve come to appreciate what watercolor can do all on its own when you learn to let it go. Still, it’s interesting to combine these two mediums and I recommend trying it just to play with the possibilities.

Pear Portrait

Seckel Pears

Beautiful form, beautiful color. Is it any wonder that pears have been artistic subjects for ages? From Roman mosaics to Renaissance religious paintings, from woodcuts and engravings of the 17th and 18th centuries to Impressionist paintings in the 19th century– the pear proves a worthy subject.

When I see pears at the market or a farm stand, I can’t resist buying them. I don’t care that much about eating them. Not that a good pear isn’t heavenly. I just feel compelled to paint them. But pears, like apples, are tricky. Seemingly simple, I find it hard to get the form to take shape on paper without overworking it. Like the real thing, one minute the fruit is fresh and the next it’s rotten. Stopping when you’ve got a good thing is key. This painting of seckel pears is right on the edge. And though this is no masterpiece, I’m happy to add my attempt to the fruit’s artistic legacy.