Sometimes simple things teach us a lot. In this case, the lowly onion had much to say. I used it as a subject for my online class, The Artist’s Sketchbook, which I started teaching last week.
Lessons from an Onion
1. Pay attention to basic ingredients: lines, shapes, and values.
2. Don’t overlook commonplace subjects. The most beautiful is not always the most interesting.
3. Add layers. Layering transparent color adds depth.
Here’s the progression from start to finish. You can see how adding layers of watercolor and values from light to dark makes all the difference in bringing the loose lines and shapes of the initial drawing to life.
Note: The Artist Sketchbook, which runs through August 3, is currently full. Watch for future course announcements here or contact the Winslow Art Center.
“…Let me keep my mind on what matters, which is my work, which is mostly standing still and learning to be astonished…” – Mary Oliver, Messenger
I spent a recent rainy morning with two artist friends at Walker Farm in Brattleboro, Vermont. The sunflowers and peaches, carrots and tomatoes, and a riot of bright-colored petunias in the greenhouse were a painter’s dream. But somehow I found myself drawn to an old shed, where several bushels of onions caught the dim light. If you haven’t read Mary Oliver’s poem, Messenger, I recommend it in its entirety. This part about “mostly standing still and learning to be astonished” struck me as especially fitting for this particular moment — where something as ordinary as an onion becomes strikingly beautiful when we really look at it. What better work is there for an artist?
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