#OneWeek100People: 50-100

Obsessive, distracting, challenging, fun. Sketching 100 people in a week has been a crazy ride. Instead of eyeing the artistic properties of carrots and beets in the supermarket, I found myself wishing I could draw the man with the waist-length gray beard or the woman in the colorful scarf. I became a spy in the coffee shop and at the library: casing the joints for subjects, finding seats where I could be unobtrusive, stealing glances, occasionally getting caught.

I’ve learned a lot in a week.

  • The more you do, the better you get—with a major caveat. If you keep doing the same thing over and over, you’re just doing the same thing over and over. Taking time to learn (e.g., anatomy, technique, accuracy, etc.) or trying different materials can jump you to the next level. The combination of learning and practice is how you improve.
  • Sometimes working from photos is a good thing. By stopping the action and giving yourself time, you can really study your subject. You can mess around, make mistakes, and clean them up. Your sketches might be less lively, but when you go back to working from life, you just might be more prepared.
  • There’s no substitute for working from life.
  • Studying the work of other artists—whether Masters in a museum or fellow sketchers online—opens up new doors of possibility.
  • You are in the driver seat. Sketch what you love, but push the boundaries and take risks every now and then to see what you are capable of.

Click on any sketch to view larger and see notes. (See 1-50 here)

 

#OneWeek100People2017: 1-50

Sometimes it takes a big push to try something new. That’s what I’m getting this week by participating in the worldwide drawing event One Week 100 People 2017*, started by Urban Sketchers Marc Taro Holmes and Liz Steel. I barely see 100 people in a week, let alone draw them, so sketching 100 people is taking me to new places, spurring me to experiment with new materials and techniques, and forcing me to study faces and figures after many, many years of not drawing a soul.

I’m just past halfway to the finish line and here you can see the good, the bad, and the way off the mark. But it’s all good and fun, really, and I’m learning a lot. I’ll share the second half and some lessons learned when I reach 100. (Click on any sketch to view larger and see notes.)