Unexpected Connections
A sudden flash of white-and-black wings lifts from the roadside and then vanishes just as quickly into the field. Only one bird shows so much white in winter: the snow bunting. In good years, I spot them at the edges of nearby agricultural fields where they forage for seeds. Snow buntings are birds of the high Arctic that come south to the northern U.S. and Canada in winter. After painting these birds, I went looking for images of their eggs to add to the page. I was delighted to discover a nest… Read More
Silver Lining
The silver lining of the past week’s snow and cold is the flock of juncos that are hanging out on our back porch every day. We put up an extra bird feeder there to help them through the freezing weather and heavy snow. Unfortunately, my perch for sketching by our back porch door has proven rather drafty— the birds are surviving the chill far better than I am. Sketched in pencil in a Handbook Journal Co. sketchbook with 140lb cold press watercolor paper, Micron 005 black pen for the text, and watercolors-… Read More
Zooming Out, Looking Ahead
The “research phase” has officially begun for my summer workshop, Drawn to Nature, at Madeline Island School of the Arts on Lake Superior, July 20–24, 2026. I’m starting with the wide view—looking at the Great Lakes as a whole—before narrowing in on Lake Superior and the many things that make Madeline Island so special. Drawing a map always helps me focus. It gives me a sense of the land, water, and geography that shape a place. From there, I begin layering in plant communities, wildlife, and human history—the roots from which cultural… Read More
Winter Birches
“It was one of those winter days that suddenly dream of spring.” – Shirley Jackson You know those days—when the sun comes out and the wind drops, when you can see a bit of color in a shadow, and hints of grass show through melting snow. When geese are flying overhead in magnificent noisy flocks. We were lucky to have a few days like that recently. Not warm enough for a real thaw, but welcome just the same. Tips and Techniques– Use the negative shapes between trunks and branches when drawing trees…. Read More
Winter’s Cache
Last week’s snowfall coated nearby fields and hedgerows and, lucky for me, left little clumps of snow atop of bird nests that were formerly hidden. I waded into the shrubby field adjacent to our house to have a look around. It didn’t take long before I found several nests amidst the waist-high goldenrod, thorny vines, shrubs, and pioneer white pines. This one had been repurposed by mice as a larder of bittersweet and rose hips. Though not an unusual practice, it was a rather colorful surprise and quite worth the cold feet… Read More
Cold Day, Warm Light
Though no longer cloaked in their brilliant red of June, poppy seedheads have their own naked beauty in November. I was so pleased to sketch these, backlit by the afternoon sun, at the Botanical and Nature Sketching Retreat at the Ashokan Center a few weeks ago. I didn’t have time to paint them there, but thanks to Faye of Flowers by Faye I got to take them home. Now, the seedheads sit on my windowsill where, even as the weather turns cold, they continue to bring warmth to the room and remind… Read More
Inspired by the Moon
In just 15 words, Japanese poet Matsuo Basho, who lived in the 1600s, correctly explained a beautiful night sky phenomenon that I recently saw: the lunar halo. “The moon glows the same:it is only the cloudsmake it seem to change.” For those who prefer science to poetry, a bright halo around the moon is caused by light refracted through ice crystals suspended in cirrus clouds located at altitudes of 20,000 to 40,000 feet. Seeing one is more common in winter when the moon is full or nearly so. But no matter how… Read More
Golden Hour
Last weekend I had the pleasure of teaching a four-day botanical and nature sketching retreat at The Ashokan Center in the Catskill Mountains. Hosted by Draw Botanical, it was a joy to work alongside the amazingly accomplished Wendy Hollender, Lara Call Gastinger, Giacomina Ferrillo, Vern Fannin, and nearly 70 participants. I started this page during a session I led on “Sketching on the Go.” It was late afternoon and the setting sun’s still warm light cast its last glow over fields and woods. But really, anytime I get an hour to sketch… Read More
Mother Lode
After a season marked by a dearth of mushrooms I found a mother lode of amanita growing under a large spruce tree just down the road last week. They were so colorful and numerous I could hardly wait to go back home and retrieve my sketchbook. When I nestled under the branches later in the day to sketch, I was surprised by the driver of a passing car who rolled down his window and called out—“Amazing mushrooms!” This was a first. I’ve had people slow down to see what I’m doing, and… Read More
Sketching the Nature of Umbria
I had an exceptional week teaching in the Italian countryside in Umbria with Winslow Art Center, and I couldn’t have asked for a more enthusiastic group of participants. There is a quote that I shared with them from Italian painter Cennino Cennini (c.1360 to 1427), “Now then, you of noble mind, who love this profession, come at once to art and accept these precepts: enthusiasm, reverence, obedience, and perseverance.” Obedience aside, it exemplified the way in which they approached the lessons and techniques I shared throughout the week. As you can see,… Read More
Jean Mackay
The Nature Explorer’s Sketchbook
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Drawn In 