Nests Nine and Ten
I sketched 10 bird nests in the last year. Some with just ink, some with watercolor. Some from collections, some discovered in the wild. Does 10 seem like a lot—or like it hardly scratches the surface? Nests nine and 10 are drawn from the same Red-winged Blackbird nest, collected in 1896 in Phelps, New York. I discovered it during a recent visit to the New York State Museum ornithology collection. I love these nests for their intricate weave of cattails and marsh grasses and for the way the larger strands illuminate the… Read More
On My Desk
Feathery milkweed pods sit on my desk this week next to a stack of field guides, a large tome on the beginnings of modern natural history, and flyers for holiday strolls. Rounding out the desktop: pens, ink cartridges, notes with art class ideas, receipts, and the usual assortment of brushes, pens, and paints. Outside my window: gray, cold December. Tis the season for messy desks, indoor confinement, and more project ideas than time. Amidst the clutter, I’ve been putting a new fountain pen with an extra fine nib through the paces to… Read More
The Last of the Zinnias
The leaves are mostly fallen, and November has turned cold. Still, I haven’t found time to fully put the garden to bed. I’ve left some coneflowers for the birds to pick over and the zinnias are mostly standing upright and brown. I love their curling leaves and stray petals, now dried and drooping or sticking out every which way. They gave me one last chance for a sketch before meeting the compost pile. Cold as it was, it was good to be outside, remembering summer, and savoring this last moment in the… Read More
Something Old and New
I bought a leather-bound journal with lovely cream-colored laid paper with deckled edges while in Italy. It’s not suited to watercolors, but it’s good for ink sketches, which I’ve been eager to do more of using sepia ink. Brown inks, including sepia (originally derived from cuttlefish), bistre (made from the residue found in chimney stacks), and iron gall (made from the tannins in oak galls and iron), were frequently used for drawing and light washes during the Renaissance (think Leonardo Da Vinci or Rembrandt drawings). I love the way that brown inks… Read More
Goldenrod Dancers
Slow drawing is just my speed this weekend. I was laid low this week by a terrible cold, and I’ve barely had energy to do anything but rest on the couch. I was glad I felt up to sitting at my desk yesterday and today to be absorbed in the curled and complex leaves of goldenrod that was stunted by the goldenrod bunch gall midge. I loved just turning off everything else—the cough, the sore throat, the impending snow, the projects that didn’t get done this week—and just drawing. This may get… Read More
Jean Mackay
The Nature Explorer’s Sketchbook
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