Island Inspiration, Part 3- So Much to Paint

“Who can imagine my dear country’s dark woods, it’s vast Atlantic bays, it’s thousands of streams, lakes, and magnificent rivers? I wish that I could draw it all.”
–John James Audubon

I couldn’t agree more. During my art retreat on Hog Island in Maine I felt like I was hiking in the Cathedral of Nature. I was in awe of the island’s moss-carpeted forests, its milkweed fields alight with monarchs, and its waist-high ferns growing wherever storms had created openings to allow in more light. Osprey circled above the spruce spires, while hermit thrush, northern parula and black-throated green warblers echoed in the shadowy woods. I wished that I could draw it all.

Click any image to view larger.

Tips and Techniques– The greatest challenge to these paintings was undoubtedly mosquitoes. They own the Maine woods and bogs in summer. I stuck to sketching on trails close to the shore and had to skip drawing in the forest interior. The exception I made was to sketch in the bog. There, I worked directly in ink to capture the flowers and a few plants. Then I snapped a couple of photos and retreated to paint later in the comfort of my cabin. Some challenges are worth it.

Island Inspiration, Part 2: Birds!

The Hog Island Audubon Camp has an incredible lab with hundreds of specimens and bird study skins. What makes it extraordinary is that camp participants and staff have access to it all. Drawers of mothball-laden cabinets reveal many treasures: bird eggs, wings, feet, skulls, and whole birds. I love using the collection to study birds up close and to teach Arts and Birding participants about bird anatomy. This year, I chose two birds that are frequently heard but hard to see in the island’s spruce forest—hermit thrush and black throated green warbler—and used a combination of video and study skins to bring them to life on paper.

hermit thrushBlack throated green warbler

I also found the remains of a gull skeleton while hiking and made a careful study of the wing bones, which will serve as a useful reference for sketching living birds.

Tips and Techniques– If you want to improve your bird drawings, I highly recommend studying bird anatomy and feather structure, and looking at stuffed specimens or study skins. Many museums and nature centers have collections that you can request permission to look at. You’ll be able to see key features up close and sketch details that you can then incorporate into subsequent bird artwork.

Island Inspiration, Part 1

The rocky coast of Maine is a place shaped by granite and water. It is a landscape of quiet salt marshes, tidal bays, dark spruce forests, and hundreds of islands. It’s a place where the cries of seabirds overhead meet the ethereal songs of forest birds hidden in deep shade; and where people have made a living fishing for cod, haddock, lobsters, and shellfish for thousands of years. I have had the privilege of spending the last two weeks there at the Hog Island Audubon Camp, located on a 330-acre island nature preserve near Bremen. I spent the first week teaching and directing a five-day workshop called Arts & Birding; and stayed a second week for an art sabbatical.

“Use what talents you have, the woods would have little music if no birds sang their song except those who sang best.” – Oliver Wilson

It was a pleasure to have such enthusiastic and talented participants for Arts and Birding. Every day brought new adventures: island hikes, boat cruises to see puffins and other seabirds, intertidal exploration, studies of bird anatomy, osprey banding, and sessions focused on drawing, painting and photography skills. A daily salon gave everyone a chance to share their artwork and photographs in a relaxed and supportive setting.

What follows are my sketch-journal pages from Arts and Birding, with brief comments in the captions (click any image to view larger). Watch for subsequent posts from my arts retreat week.

If this tempts you to attend Arts & Birding or other workshops at Hog Island in 2020, mark your calendar now! Arts & Birding is tentatively scheduled for July 19-24 (registration opens October 21, 2019).

Essentials

Imagine a week on an island off the coast of Maine. No cars, no stores, no streetlights…just good company, good food, starry skies, blue horizons, and long days spent almost entirely outside. These are the essentials for Arts and Birding, a week-long program I facilitate each year at the Hog Island Audubon Camp. Because I’m teaching, I don’t have time to complete much artwork of my own, but I did manage a few pages. And as always, I came away inspired to keep observing, sketching, and sharing my work with the wider world.

Notes: (Clockwise from top) It’s not all birds! We also explore and sketch coastal scenes, plants, and life in the watery realm between high and low tide; Hog Island has a great collection of bird specimens, including a drawer of bird eggs; Young osprey nesting on the island are banded by wildlife biologists each year. It makes for fast sketching, but it’s a thrill to see these birds up close; Just the essentials for a week of Arts and Birding.

Arts and Birding is open for both sketchers/painters and photographers. Here’s a few photos from the week taken by photography staff and participants.

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Registration for Arts and Birding 2019 opens in October; the session often fills quickly. Stay tuned here.

Hour by Hour

How do you capture a day? In hours? In moments? The premise of the Hour by Hour sketch challenge is to put pen to paper every hour of a single day on one journal page, with no sketch taking more than five minutes. I introduced this challenge during a week of teaching at the Hog Island Audubon Camp, where the days are busy and intense. The challenge forces you to work fast and loose, while helping you capture small things that together convey a sense of the day. It’s a good challenge to try when traveling or when you are too busy to take time for a longer sketch. But it’s also a worthwhile exercise if you want to practice being less fussy with your sketching.

I did these 1-5 minute sketches with a Micron 02 pen and added watercolor later to finish the page.

Three for the Life List

On my recent boat excursion to Eastern Egg Rock in Maine, both luck and good timing were on my side. There, on this small, rocky island where puffins and terns nest, several razorbills sat on shore in full view. I have always wanted to see these sleek black and white puffin relatives, but because they breed on rocky cliffs in northeastern Canada, they are mostly spotted in winter or when migrating. The razorbill sighting alone would have made for a great day on the water, when we spied a common murre—another bird in the auk family that I had never seen—swimming nearby. Moments later, a fantastic northern gannet careened overhead, circled twice, and flew off out of view. The triple header made watching puffins seem almost ordinary. And, as you can see from my sketch, the poor black guillemot, the most common auk species in Maine, didn’t even make the page.

Puffins!

Downeast Maine is known its rocky coast line, cold waters, abundant lobsters, and maritime heritage. Enter any tourist shop and you’ll also see key chains, mugs, and bags decorated with the colorful Atlantic puffin, which breeds on a handful of offshore islands. The fact that puffins are so well associated with the Maine coast is thanks to the dreams and persistence of ornithologist Dr. Steven Kress. With backing from the National Audubon Society and help from a cadre of student interns, Kress has been restoring puffins to the Maine coast since the 1980s. Absent for more than a century due to extensive hunting and predation, puffins are once again breeding in Maine. (Visit Project Puffin to learn more.)

Click to view larger

The Hog Island Audubon Camp is home base for Project Puffin. During Arts and Birding, the week long workshop that I direct at Hog Island, we take participants to see the puffin nesting colony on Eastern Egg Rock, a small island at the outer edge of Muscongus Bay. From the boat, we photograph, sketch, and delight in watching these “clowns of the sea,” along with a host of other seabirds. Though I made some quick sketches from the boat (a first—thanks to extremely calm seas), I did this page back on land. Three cheers for puffins, seabird restoration, and a week in Maine!

Tips & Techniques– Throw out the black paint in your watercolor set. Instead, try combinations of blue and brown to mix a more interesting dark. Ultramarine blue and burnt sienna, or indigo (which contains some black pigment) and burnt umber produce rich results.

Arts & Birding 2017

If you love sketching or photographing birds and nature, want to improve your skills, and have a fun week exploring the beautiful rocky coast of Maine, join me for Arts and Birding at the Hog Island Audubon Camp, June 11-16, 2017. Being in on the island as program director for this session is one of the highlights of my year! We still have a few spaces in both the sketching/painting track and the photography track— so please read on and consider being part of this incredible experience. Beginners to advanced participants are welcome!

Photography Track This session is scheduled at the height of bird nesting season, so you’ll have opportunities to photograph birds and chicks–including osprey, eagles, puffins, terns, and songbirds–at their most active and colorful time of year. In addition to birds on Hog Island, you’ll visit several mainland hot spots and photograph puffins and terns on Eastern Egg Rock while aboard the Snowgoose III. You’ll also be able to take advantage of magical dawn light and evening sunsets to photograph island landscapes. National Geographic Photographer Drew Fulton and former Boston Globe columnist and photographer Derrick Jackson will offer daily skill sessions and share their expertise in the field.

Arts Track– Come prepared to expand your skills in the supportive atmosphere of fellow artists and expert instructors—yours truly and fine artist and print maker Sherrie York. Hog Island’s quiet coves, rocky inlets, and old growth spruce forest provide opportunities for both exploration and art. Daily skill building sessions will cover techniques for drawing and painting, with a focus on nature journaling, birds, and landscapes.

About Hog Island– The island is just a short boat ride from the mainland, but it’s a world apart altogether—no cars, no shopping plazas, no houses, just 300 acres of Maine coastal spruce forest, rocky coves, and fantastic views in all directions. Handsome camp buildings that date to the 1890s, but updated with modern amenities, are concentrated at the tip of the island. This unique sanctuary has been offering education programs to adults and youth under the auspices of the National Audubon Society since 1936.

Visit the Hog Island website for additional details and registration, and don’t hesitate to ask a question in the comments or via email: jeanmackay(dot)art(at)gmail(dot)com.
 

Gone, but not forgotten

The woods are falling silent. Save for the call of jays and crows and the occasional chatter of chickadees and nuthatches, our songbirds have all flown to summer in the southern hemisphere. So, while it may seem odd to be painting yellow warblers in November, I am not quite ready to take up brown and blue paint and focus on winter birds just yet. This painting began in the Yale Peabody Museum of Natural History, where I recently sketched yellow warblers perched in display cases. Back at home, I worked from those studies, a variety of photos, and a previous painting of dogwoods to create this piece…a bit of spring to tide us over the long winter ahead until these little beauties return.

Yellow Warbler (female), watercolor on Fabriano soft press 140lb paper, 6”x8”

Yellow Warbler (female), watercolor on Fabriano soft press 140lb paper, 6”x8”; click to view larger

Arts & Birding– If you like birds, nature, and art, and are looking for fun workshop to improve your skills in either sketching/painting or photography, join me in Maine next June 11-16 for Arts & Birding. This workshop takes place on a beautiful island on the Maine Coast at the Hog Island Audubon Camp. Registration is open and spaces are filling quickly. This is a wonderful place to invest in yourself and your art!

discover-badge-rectangleMany thanks to Discover WordPress for featuring Drawn In this week and thanks to all of you who signed on to follow me! Your enthusiasm, nice comments, and likes are terrific!

Nest Cavity

This tree once stood on the shoreline of Hog Island in Maine, with a sweeping view of Muscongus Bay— not a bad place to raise successive generations of young birds. According to the US Forest Service, some 85 species of birds, including owls, woodpeckers, chickadees, titmice, flycatchers, and swallows, nest in tree cavities. You might catch a glimpse of birds excavating a tree hole, or coming or going from one, but it’s rare, indeed, to see one from the inside. This old woodpecker hole was cut open after the tree fell, revealing the nest cavity inside. The sketch is much reduced from the real thing. The eggs of various birds that use nest cavities are painted actual size.
Nest Cavity Click to view larger.