Out of the Shadows

Owls are master’s of silence, darkness and shadow, so spotting one is not easy. Painting one is not especially easy either. Still, I wanted to play with the idea of pulling an owl out of shadowy woods using a limited palette of blues and browns– though you’ll see that I added yellow ochre midway through to warm things up. I didn’t set out to paint every detail, but rather to strive for an overall impression. Here’s the finished piece– I took a series of photos along the way to give you a sense how the painting progressed.

I started with a very loose wet-in-wet wash. This stage adds an element of unpredictability to the painting, but also creates some cohesion. As the painting progresses, I’m working background and foreground, adding many subtle washes to develop the forms.

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Painted on Arches 140lb paper, 8×10″

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January Birds

Subzero temperatures mean I’m inside, but birds are out in force at our feeders. They start at dawn and come and go or stay all day, eating as much as they can to fuel their survival against the cold. With this abundance of subjects, I have been focused on capturing bird shapes and postures with small, quick ink sketches. The beauty of this exercise is that you don’t invest in any one bird, you are simply training your eyes and hands to work together.

My second focus for the week has been owls, which I have not drawn much before. Barred owls have been calling in the stream-side woods next to our house for weeks. And we caught sight of a great horned owl nabbing a meal (likely a squirrel) near our feeders at dusk. Owls mate in January and February, so I expect to hear more activity in the coming weeks.

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Tips and Techniques: I drew the owls from videos, which I tend to like because they convey a bird’s personality and movement better than still photos, yet you can pause and replay if needed. Try drawing directly in ink and not worrying whether you get everything right. Keep your eyes on the bird more than your paper and keep your pen moving. The painted owl is a small study I wanted to try to help me decide whether to do a larger painting. The proportions aren’t quite right, but the negative painting technique worked more or less as I had hoped.