Back in May, I wrote a post about Gardens Wild and Planted, where I wondered whether the home gardener could create anything as lovely as a spring meadow. Here I am again at the end of summer wondering the same once more. I visited this field (and started this journal page) back in July and revisited it last week to see it again (and finish the sketch). My own garden is a fine mix of annuals and perennials, and it has provided plenty of good subject matter for sketching. But it cannot compare with the wilder open fields where an annual mowing is all that is needed to create an entire season of beauty.
Tips and Techniques– This sketch is a composite of various flowers and grasses in the field. Rather than standing in one place where all of this was in view, I moved from flower to flower to fill the page. I often use this technique when outside because it allows me the freedom to roam freely, discovering and drawing as I go. I sketch directly with a black Micron 02 pen and I may or may not add watercolor on the spot. A small travel watercolor set and water brush work well, though I frequently add more layers of watercolor at home. The text and border come last. Hope you are enjoying some late summer wandering and sketching!
Today started unseasonably warm—an incredible 60-degrees—but slowly fell back into winter by nightfall. While the sun shone this afternoon and the temperature descended through the 50s, I wandered deep into the field. There, amidst matted goldenrod and thorny weeds, I had an unusually good find: several egg cases laid by praying mantises. Each one may contain as many as 400 tiny mantises. Like me, they will wait for a more lasting warmth, relying on spring to bring the field to life once again.
I love days like this: when I go out in the cold and roam through the woods and fields, sketchbook in hand; hopeful. Sometimes I come back with nothing to show. But then there are days like today, when I’ve almost given up, but decide to double back. I head down a new path, find something that strikes me, and begin. Then, I am reminded of how good it is to look, and of how much I like being outside with a pen in hand.
Tips and Techniques– If you are going to sketch outside in winter, I suggest using it as an opportunity to practice sketching directly in pen. Don’t worry about being too precise; put pen to paper and keep it moving. I start by staring at my subject and getting in a focused zone where I’m just looking at the lines and shapes, darks and lights. I work light and loose, trusting what I see more than what I put on the page. Soon, the shapes pull together into recognizable objects. Today, I made a mental note of color, but sometimes a quick photo will provide adequate reference for adding color back at home.