When I’m pressed for art time, I like to come up with a subject that I can work on in short takes over several days. Such has been the case lately, so I decided to revisit a sketchbook page that I did several years ago. In 2014, I painted a number of chickadees on a single journal page using pencil and watercolor. I’ve always liked that page, so I decided repeat it— this time on toned paper using only a pen and a bit of white colored pencil for highlights. This exercise is a good one for trying to capture different poses and for getting the basics of the bird down without too much fuss.
2014 Chickadee Study
Tips and Techniques– Chickadees are common songsters, but they don’t sit still for long. Practice drawing them quickly from photos and you’ll be better prepared for sketching them from life. Give yourself a time limit; see what you can do in 3 to 5 minutes per bird. Add a few more minutes for shading or finer details if needed. I used toned paper, but you could use drawing paper or watercolor paper with a touch of color for shading and dimension.
“Day after day never fail to draw something which, however little it may be, will yet in the end be much.” — Cennino Cennini c. 1390
It’s comforting to know that people have been struggling to draw and paint well for centuries. Cennini’s advice is just as true today as it was 600 years ago. I’ve spent the last week watching, drawing and painting chickadees, trying to capture the shape, color, and spirit of this little songster. It isn’t easy.
Chickadees are not very cooperative subjects. Unlike finches, which will perch at a bird feeder and eat, chickadees never stick around. At my feeders, they flit to a nearby branch, survey the feeder, swoop in–pause for a second—grab a seed, look up and fly off to eat elsewhere. The whole maneuver takes about six seconds. But to their credit, chickadees are bold. When I stood three feet from the feeder to photograph them, chickadees were among the few birds that continued to feed.
I did these sketches and the small painting below from life and from photos. I have more to do to really capture the bird to my satisfaction, but I am taking Cennini’s advice to heart, hoping that yet in the end, all this practice will amount to much.