Cloaked in Gold

I love the way autumn builds to its peak color, first slowly, then with bold strokes. The reds and oranges are showstoppers, but it’s the yellows that hold it all together. Birch, walnut, hickory, cottonwood, beech, poplar, aspen, gingko, sassafras—all yellow. But my favorite is the luminous golden leaves of the bitternut, which come into their own in mid-October and quickly sail away like so many paper kites in gusts of wild wind.

Tips and Techniques– An all yellow subject is a bit tricky. The color is so light on the value scale, but you still need to create variations from light to dark for interest and depth. I used aureolin and quin gold, two very transparent yellows, as a base, and added burnt sienna and burnt umber for deeper tones. The shadows are cobalt blue. Keeping the entire palette transparent was important for avoiding heavy or murky yellows.