My go-to artist materials are watercolor and ink, so I enjoyed switching it up this week by using colored pencils. I started with pears during an artist’s “Sip & Draw” with master botanical illustrator Wendy Hollender. Wendy often starts with a single colored pencil to develop the basic form and values and then applies layers of watercolor and colored pencil to further develop her subjects. You can see some of this process below, where I left some leaves and pears unfinished (click to view larger).
In this second piece, I used a single burnt sienna colored pencil for the entire nest. I started with the inner part of the nest to develop the darkest values and worked my way outward to build the form. I like the ghostly quality that came from blowing out some of the lightest tones.
Tips and Techniques– If you are feeling stuck or looking to expand your repertoire of techniques, try a new artist medium. It may broaden your thinking and your skill set or give you new ideas to incorporate into your artwork.
For the last month, I’ve been watching a robin’s nest that sits on the sill of an eyebrow window at our house. I’ve been able to directly observe everything from four perfect eggs to four pathetic-looking naked chicks to four gaping mouths, begging for their parents to stuff them full of moths and worms. Last Sunday I made this ink sketch, added a bit of color on Monday night, and figured I finish the page later this week. But even when you count your chicks before and after they hatch, it doesn’t mean things will turn out well.
I expected to see four jostling chicks with feathers today and instead found a perfectly empty nest. I checked the calendar, checked my nest records, checked reference books, and checked again. Eleven days…just shy of the 14 to 16 days that it typically takes for nestling robins to fledge. My suspicion is that an owl made off with a nice meal. Although the birds were protected from ground predators, they were otherwise completely exposed, especially as they grew larger and began to overflow the bounds of the nest. It’s an unfortunate fate…unless, of course, you take the owl’s perspective.
Tips: If you are observing nesting birds, it’s a good idea to follow a birding code of conduct to make sure you don’t disturb the birds. The Cornell Lab of Ornithology NestWatch program is a good place to learn and to contribute your findings.
This is one of those journal pages that pretty much tells the whole story. I’ve been on a crazy ride in the last few weeks with lots of travels, selling a house, buying a house, and tons of work. But as these pages convey, I’m thrilled to have this new beginning and to be landing closer to family, friends, and work when the transition is complete. I’m also grateful to be moving to a restored historic house with a great basement, new roof, and nesting phoebes and robins. Pages of chaos expected in the weeks ahead!
Tips & Techniques– Try using your basic sketching pens for hand layering. I use a Micron 02 or 005 black pen with archival ink for both sketching and lettering, which saves me carrying around a variety of calligraphy pens and inks. Write your text and then and build up the thickness of the letters to add interest.
“Don’t go over to the dark side!” warned a fellow watercolor artist when I mentioned wanting to try acrylics. But here I am, wading in. A familiar subject, a new approach. Using acrylics made me appreciate the lightness and delicacy of watercolor and the beauty of drawing that goes with it. But it also made me envious of the ease with which you can rework the paint and blend color on canvas.
Acrylic on gessobord, 8×8″, click to view larger
This painting is dedicated to the Artist Nest Group in Anacortes, Washington, who took risks, experimented, and pushed themselves repeatedly throughout the four-day workshop I taught last month. Rest assured, I won’t be trading my watercolors any time soon, but it’s good to try new things every now and then.