You never know what you’ll find out on the roadside. Although I walk the same two-mile loop frequently, few days are ever the same. Subtle changes shift one week into the next, one season into another. Noticing is the art of going.
My recent walks have been in the late afternoon; wind picking up, sun low on the horizon. The flowers and grasses have gone to seed, a few bunches of wild grapes are left for the birds. It’s a good time to capture the moment: October in its final fading days. November is coming fast.
Admittedly, this next page is an unusual addition to this post.I came upon a dead barred owl lying in the grassy margin of the roadside, clearly struck by a car or truck. Daylight was fading fast, but the owl was so absolutely beautiful that I couldn’t let it go. If I didn’t paint it then, the opportunity might be gone. There was only time to capture a fleeting impression of feathers, but that seemed a fitting way to acknowledge the life and the loss.
Subzero temperatures mean I’m inside, but birds are out in force at our feeders. They start at dawn and come and go or stay all day, eating as much as they can to fuel their survival against the cold. With this abundance of subjects, I have been focused on capturing bird shapes and postures with small, quick ink sketches. The beauty of this exercise is that you don’t invest in any one bird, you are simply training your eyes and hands to work together.
My second focus for the week has been owls, which I have not drawn much before. Barred owls have been calling in the stream-side woods next to our house for weeks. And we caught sight of a great horned owl nabbing a meal (likely a squirrel) near our feeders at dusk. Owls mate in January and February, so I expect to hear more activity in the coming weeks.
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Tips and Techniques: I drew the owls from videos, which I tend to like because they convey a bird’s personality and movement better than still photos, yet you can pause and replay if needed. Try drawing directly in ink and not worrying whether you get everything right. Keep your eyes on the bird more than your paper and keep your pen moving. The painted owl is a small study I wanted to try to help me decide whether to do a larger painting. The proportions aren’t quite right, but the negative painting technique worked more or less as I had hoped.