Hide and Seek

In springtime, birds tuck their nests into dense foliage and tangled vines. In fall, I try to find as many nests as I can. It is a game of hide and seek in which the birds always win. Still, I walk in woods and fields and along the roadside, taking new paths, looking from new angles, scanning the trees. I count every nest as a victory; a way to understand the place where I live and the creatures that inhabit it. Alas, it is no easy task. Though I think I am paying attention, here are two recent finds that prove otherwise. I walked past these two nests several times a week all summer and fall without seeing a thing.

Tips and Techniques– Most birds—and their eggs, feathers, and nests—are protected by the Migratory Bird Treaty Act of 1918. The law ensures the sustainability of populations of all protected migratory bird species. Unless you have a permit from the U.S. Fish & Wildlife Service, you should not collect these things. Instead, sketch them where you find them, take a photo, and leave them in place. In addition, seek out nature centers and natural history museums that have a permit. Their collections are invaluable to educators, researchers, students, and artists.

Small Star, Big Deal

I’m thrilled to share the news that The Nature Explorer’s Sketchbook, due out November 1, received a starred review from Kirkus Reviews. This professional book reviewing service is a big player in the book world. Over the years, Kirkus has established a reputation for exacting, frank reviews. Earning a Kirkus star is coveted top honor. Like a Michelin guide for books, Kirkus Reviews helps good books get attention and offers booksellers and librarians a way to sort through all the new books published and select the ones they want on their shelves.

The Nature Explorer’s Sketchbook will appear in the October 1 issue of Kirkus Reviews Magazine.

I thought you might like a glimpse behind the scenes to see how a book page takes shape from rough idea to final artwork. I wanted the book to have the look and feel of a sketchbook, so I started with thumbnail sketches to consider artwork possibilities, text, and layout. The best thumbnails became more detailed pencil sketches, and then full watercolor illustrations. (Click to view larger.)

Coming Soon! New online class: The Art of the Bird: Eggs, Feathers, and Nests offered at the Winslow Art Center; Tuesdays, Nov 10, 17, 24, Dec 1, 6-8pm (EST). Registration opens later today or tomorrow and will be limited to 12 participants. I’ll also be doing a FREE Art Chat on November 5 at 1pm (EST).

Goldfinch

In autumn, I like to watch for birds that are migrating south, but I also enjoy the rear-round regulars that visit our yard. With mating out of the way and young fledged, songbirds focus on the singular task of eating to prepare for the long, lean winter. A harvest of flowers gone to seed and fruit on wild vines, supplemented by bird feeders set a welcome table.goldfinch-fnl_900px

Drawing birds takes some practice and a bit of study to familiarize yourself with anatomy, feather groups, and the correct placement of legs and eyes. I spend time drawing birds from mounted museum specimens, study skins, and photographs, as well as from life. For a piece like this, all of those things combine to inform the finished artwork.

I typically start with a light pencil sketch so that I can refine the lines, and then add ink. I like a Micron 005 so that the lines are very fine and I can suggest feathers here and there. Then I paint a loose wash to map out major areas, followed by increasingly detailed layers of color and value. I go from a size 5 or 6 brush at the start and finish with a size 1.