While we are at home day in and day out, I travel the same roads over and over. I add variations now and then, but mostly it’s the same loop past fields of soybeans and corn, past woodlots and overgrown meadows, past neatly trimmed front yards.
But as poet and farmer Wendell Berry writes, “Even in a country you know by heart, it’s hard to go the same way twice. The life of the going changes. The chances change and make a new way. Any tree or stone or bird can be the bud of a new direction.”
An old friend recently reminded me that traveling at home presents opportunities to turn the small and modest into the infinite and boundless. If only we are open to the journey.
Here are two takes on my recent travels at home.
Tips and Techniques– If you like making maps when you travel, why not create one to commemorate the places you travel every day? Add other elements from your daily experience to round out the page: a landscape view and a closeup or two are good ways to complement a map. You could also add a compass rose, title, or legend.
The Day in the Life page is a specific assignment I do about once a year. The idea is to do a sketch every hour of the day, but no sketch should take more than five minutes. Not only is this good practice for working quickly but it is also a nice way to record the ordinary things and moments that fill your days.
I love going out along the roadside and seeing what’s there to sketch. I have yet to do it every month, but at some point I’ll have a nice record of the year. I bring just my journal and a pen, which gives me the ability to safely walk the weedy margins and sketch things that strike me as I go. I make color notes or take reference photos and paint later at home.
Tips and Techniques– Several of you have asked about my travel art supplies, so here you go! What you see above is what I typically bring, whether close to home or farther afield. These supplies fit in a plastic bag that I can tuck in my backpack or handbag, or in a dedicated sketch bag with a long shoulder strap that I sometimes carry. I love being able to do so much with a few basic supplies.
- Sketchbook: Stillman & Birn 5.5×8.5” Zeta or Beta
- Pens: Pigma Micron 02 and 005 black for sketching and text
- Pencil: Steadler F and kneaded eraser
- Brushes: Escoda Versatil Travel Brushes, size 2,6,8. A bigger brush for painting landscapes would be helpful for larger washes.
- Paint: Schmincke box with Windsor and Newton, Daniel Smith, and QoR paints
- Miscellaneous: Paper towels, clips for holding the pages, spray bottle for moistening paints, small water container
If you are looking to carry less on your next sketch outing, try paring down to only what fits in a large Ziploc bag. Lighten up and enjoy!
When I left Hog Island Audubon Camp, I stopped along the winding road that leads away from the coast and back into town. There is a glorious field of lupine along the roadside that I never have time to stop at when I am arriving. Even though the flowers had faded, I didn’t want to let them go. The seedpods and grasses shone in the morning sun. I wasn’t yet ready to leave. This page marks the transition from Maine to New York, from two weeks of immersion on the coast to the longing for it that always comes afterward.
Last year I made several sketching forays out along the country road where I live. I’m curious to discover what’s in bloom and find that almost nothing is native to the Northeastern U.S. Still, I have to give these invaders credit. They have traveled across continents and persisted in harsh conditions, yet still offer beauty and color where few other species would survive.
Tips and Techniques– When I head out along the road, I typically bring only my sketchbook and a pen. There isn’t much traffic, but what comes along is moving fast, so I have to be ready to move quickly. I walk along until I find something in bloom, sketch it, and move on to find the next roadside flower, filling the page as I go. I make mental notes about color and sometimes snap a photo for reference as well. When I come home to paint, I’m not just coloring in spaces, I’m also thinking about the mood and feeling of the day. This walk was sunny and warm; hence the overlay of yellow to tie everything together.