Ever wonder what it’s like to go power cruising in southeastern Alaska—snaking your way through miles of evergreen coastline dotted with remote fishing villages? To be honest, I never have. I don’t even own a boat. So when I got an email asking whether I would illustrate an article on cruising and salmon fishing for PassageMaker magazine, I took a deep breath and enthusiastically accepted. Mind you, I didn’t get to actually go to Alaska. I just got to bring someone else’s travels to life in journal style illustrations for the article. The April issue hit the stands this week, and while I can’t show it to you in detail, I can give you a sneak preview.
Creating the illustrations was a fun challenge that involved sifting through lots of images of salmon, boats, and Alaskan coastline, thinking about what I might have put in my sketchbook had I actually gone to Alaska, and then creating paintings that would give a flavor of the region and what the author describes in the article. The designers pulled the paintings into Photoshop and merged them to suit the text and layout. I painted the image above to run across the bottom of the title page. What you’re seeing below are layout proofs.
The marvel of bird eggs never escapes me. But painting them to perfection almost always proves elusive. I’ve been at it for years. I found these paintings done over the last 10 years in the back of my art file drawer this week and was reminded of the value of practice. Over and over, year after year, I learn, make mistakes, improve, try again. The trick with eggs is getting the edges clean and precise, while adding multiple layers of paint so that the egg takes shape. You can see that some of these made it and others didn’t. And the challenge of doing many eggs on a single page is that they all have to be right for the piece to work. So, I am curious– what’s your “egg?” What marvelous subject do you return to again and again in spite of difficulties and disappointments?
Forget shopping. Making and giving holiday gifts is one of the things I like best about the holidays…but the final rush is definitely here. With a week to go before Christmas, creative ideas and good intentions are flowing as fast as the hourglass fills. So…a quick post today of one of my latest projects.
Poinsettia; watercolor on Arches 140lb cold pressed paper
The woods are falling silent. Save for the call of jays and crows and the occasional chatter of chickadees and nuthatches, our songbirds have all flown to summer in the southern hemisphere. So, while it may seem odd to be painting yellow warblers in November, I am not quite ready to take up brown and blue paint and focus on winter birds just yet. This painting began in the Yale Peabody Museum of Natural History, where I recently sketched yellow warblers perched in display cases. Back at home, I worked from those studies, a variety of photos, and a previous painting of dogwoods to create this piece…a bit of spring to tide us over the long winter ahead until these little beauties return.
Yellow Warbler (female), watercolor on Fabriano soft press 140lb paper, 6”x8”; click to view larger
Arts & Birding– If you like birds, nature, and art, and are looking for fun workshop to improve your skills in either sketching/painting or photography, join me in Maine next June 11-16 for Arts & Birding. This workshop takes place on a beautiful island on the Maine Coast at the Hog Island Audubon Camp. Registration is open and spaces are filling quickly. This is a wonderful place to invest in yourself and your art!
Many thanks to Discover WordPress for featuring Drawn In this week and thanks to all of you who signed on to follow me! Your enthusiasm, nice comments, and likes are terrific!
“Don’t go over to the dark side!” warned a fellow watercolor artist when I mentioned wanting to try acrylics. But here I am, wading in. A familiar subject, a new approach. Using acrylics made me appreciate the lightness and delicacy of watercolor and the beauty of drawing that goes with it. But it also made me envious of the ease with which you can rework the paint and blend color on canvas.
Acrylic on gessobord, 8×8″, click to view larger
This painting is dedicated to the Artist Nest Group in Anacortes, Washington, who took risks, experimented, and pushed themselves repeatedly throughout the four-day workshop I taught last month. Rest assured, I won’t be trading my watercolors any time soon, but it’s good to try new things every now and then.
In autumn, I like to watch for birds that are migrating south, but I also enjoy the rear-round regulars that visit our yard. With mating out of the way and young fledged, songbirds focus on the singular task of eating to prepare for the long, lean winter. A harvest of flowers gone to seed and fruit on wild vines, supplemented by bird feeders set a welcome table.
Drawing birds takes some practice and a bit of study to familiarize yourself with anatomy, feather groups, and the correct placement of legs and eyes. I spend time drawing birds from mounted museum specimens, study skins, and photographs, as well as from life. For a piece like this, all of those things combine to inform the finished artwork.
I typically start with a light pencil sketch so that I can refine the lines, and then add ink. I like a Micron 005 so that the lines are very fine and I can suggest feathers here and there. Then I paint a loose wash to map out major areas, followed by increasingly detailed layers of color and value. I go from a size 5 or 6 brush at the start and finish with a size 1.
I drew on 15 years of journal entries to make this piece of art for an exhibit marking the 80th anniversary of the Audubon Camp on Hog Island in Muscongus Bay, Maine. I have been exploring the island once a week each summer since 2001, first as a camper, then as program director for Family Camp, and for the past three years as an instructor and program director for a week-long workshop called Arts and Birding. Many of my favorite journal pages capture treasured experiences, memories and discoveries of marine life, birds, spruce forests, and rocky shores.
click to view larger; watercolor and ink on Fluid 100 cold press paper
Since 1936, the Audubon Camp on Hog Island in Maine has offered environmental education programs for adults, teens, families and conservation leaders. Here’s a look at some past journal pages. If you are in Maine this summer, stop by the Project Puffin Visitor Center in Rockland to see the art exhibit inspired by Hog Island.