Winter’s Cache
Last week’s snowfall coated nearby fields and hedgerows and, lucky for me, left little clumps of snow atop of bird nests that were formerly hidden. I waded into the shrubby field adjacent to our house to have a look around. It didn’t take long before I found several nests amidst the waist-high goldenrod, thorny vines, shrubs, and pioneer white pines. This one had been repurposed by mice as a larder of bittersweet and rose hips. Though not an unusual practice, it was a rather colorful surprise and quite worth the cold feet… Read More
On My Desk
Feathery milkweed pods sit on my desk this week next to a stack of field guides, a large tome on the beginnings of modern natural history, and flyers for holiday strolls. Rounding out the desktop: pens, ink cartridges, notes with art class ideas, receipts, and the usual assortment of brushes, pens, and paints. Outside my window: gray, cold December. Tis the season for messy desks, indoor confinement, and more project ideas than time. Amidst the clutter, I’ve been putting a new fountain pen with an extra fine nib through the paces to… Read More
Cold Day, Warm Light
Though no longer cloaked in their brilliant red of June, poppy seedheads have their own naked beauty in November. I was so pleased to sketch these, backlit by the afternoon sun, at the Botanical and Nature Sketching Retreat at the Ashokan Center a few weeks ago. I didn’t have time to paint them there, but thanks to Faye of Flowers by Faye I got to take them home. Now, the seedheads sit on my windowsill where, even as the weather turns cold, they continue to bring warmth to the room and remind… Read More
The Last of the Zinnias
The leaves are mostly fallen, and November has turned cold. Still, I haven’t found time to fully put the garden to bed. I’ve left some coneflowers for the birds to pick over and the zinnias are mostly standing upright and brown. I love their curling leaves and stray petals, now dried and drooping or sticking out every which way. They gave me one last chance for a sketch before meeting the compost pile. Cold as it was, it was good to be outside, remembering summer, and savoring this last moment in the… Read More
Inspired by the Moon
In just 15 words, Japanese poet Matsuo Basho, who lived in the 1600s, correctly explained a beautiful night sky phenomenon that I recently saw: the lunar halo. “The moon glows the same:it is only the cloudsmake it seem to change.” For those who prefer science to poetry, a bright halo around the moon is caused by light refracted through ice crystals suspended in cirrus clouds located at altitudes of 20,000 to 40,000 feet. Seeing one is more common in winter when the moon is full or nearly so. But no matter how… Read More
Golden Hour
Last weekend I had the pleasure of teaching a four-day botanical and nature sketching retreat at The Ashokan Center in the Catskill Mountains. Hosted by Draw Botanical, it was a joy to work alongside the amazingly accomplished Wendy Hollender, Lara Call Gastinger, Giacomina Ferrillo, Vern Fannin, and nearly 70 participants. I started this page during a session I led on “Sketching on the Go.” It was late afternoon and the setting sun’s still warm light cast its last glow over fields and woods. But really, anytime I get an hour to sketch… Read More
Mother Lode
After a season marked by a dearth of mushrooms I found a mother lode of amanita growing under a large spruce tree just down the road last week. They were so colorful and numerous I could hardly wait to go back home and retrieve my sketchbook. When I nestled under the branches later in the day to sketch, I was surprised by the driver of a passing car who rolled down his window and called out—“Amazing mushrooms!” This was a first. I’ve had people slow down to see what I’m doing, and… Read More
Something Old and New
I bought a leather-bound journal with lovely cream-colored laid paper with deckled edges while in Italy. It’s not suited to watercolors, but it’s good for ink sketches, which I’ve been eager to do more of using sepia ink. Brown inks, including sepia (originally derived from cuttlefish), bistre (made from the residue found in chimney stacks), and iron gall (made from the tannins in oak galls and iron), were frequently used for drawing and light washes during the Renaissance (think Leonardo Da Vinci or Rembrandt drawings). I love the way that brown inks… Read More
Sketching the Nature of Umbria
I had an exceptional week teaching in the Italian countryside in Umbria with Winslow Art Center, and I couldn’t have asked for a more enthusiastic group of participants. There is a quote that I shared with them from Italian painter Cennino Cennini (c.1360 to 1427), “Now then, you of noble mind, who love this profession, come at once to art and accept these precepts: enthusiasm, reverence, obedience, and perseverance.” Obedience aside, it exemplified the way in which they approached the lessons and techniques I shared throughout the week. As you can see,… Read More
An Auspicious Beginning
I’m heading to the foothills of the Italy’s Apennine mountains this week to teach a watercolor workshop with Winslow Art Center. It’s a privilege and a pleasure to have this opportunity and I can’t wait to be back at Castello di Petroia. This authentic medieval fortress turned boutique hotel is perched on a hilltop between the towns of Perugia and Gubbio, with inspiring views of the surrounding landscape. The castle, birthplace of Federico da Montefeltro, Duke of Urbino (b.1422), is surrounded by a 600-acre traditional Umbrian farm with beautiful olive groves, hiking and horse-riding… Read More
Drawn In 